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"Odd Meters" is for a music students that needs work on both eighth and sixteenth note rhythms in an odd meter setting. All examples use one pitch allowing total concentration on rhythm and time. Free audio flies for each exercise are available in the "Member's Area" of the muse-eek.com website.
In order to be prepared to read through any piece of music, the serious musician must be able to recognize, read and play rhythms fluidly. Unlike other books of this kind, the exercises given contain complex syncopations which approximate the experience of reading through a sophisticated jazz composition or a contemporary classical piece. This 100 page book will prepare the serious musician for a life of sight-reading rhythmically complex charts. This book applies both eighth and sixteenth note rhythms to odd meter combinations. All examples use one pitch, allowing the student to focus completely on time and rhythm on the instrument of their choice. All exercises can be downloaded from the internet to facilitate correct practice, and aid internalization. This book is a required text at New York Universities and Princeton University Music department.
Using extremely simple language, Arnold explains the basics of music theory. The exercises require students to write out examples using staff notation. Other exercises include simple interval to highly complex chords. This book is excellent for any high school student preparing to go to college and major in music performance or composition.
More and more popular musical artists today use odd time signatures to give their music a unique sound. This practice goes back to the 1960s, with Dave Brubeck and The Beatles, and continued with artists like King Crimson, Rush, Sting, Metallica, Tool, and Radiohead. To many musicians, these meters are complex and mysterious. However, nothing could be farther from the truth. Odd time signatures should be easy to understand, as they are simply meters with an odd number of beats to the bar. The Drummer's Guide to Odd Time Signatures will help you understand how to hear and feel these meters and to use them in a variety of musical situations and genres. Take your drumming to the next level, and master the art of playing in odd time signatures! A CD demonstrating the musical examples in the book is included. "Rick Landwehr's Drummer's Guide to Odd Time takes the drumset player on a step by step journey into the world of odd times. Beginning with a simple waltz and advancing to 11/4 time signatures. Every example is clear and concise, providing insight and logic, simplifying complex meter concepts. The fun Afro-Cuban, Brazilian and Jazz examples will broaden any player's bag of tricks. I welcome this book to my library, and look forward to using it with my students." - Casey Scheuerell, Berklee College of Music, Jean-Luc Ponty, Gino Vannelli, Chaka Khan "Way to go, Rick! An excellent, clear and concise pathway to develop understanding and control of odd time signature grooves." - Skip Hadden: Berklee College of Music, Weather Report, Author of World Fusion Drumming (Alfred)
Bruce Arnold presents hard-core exercises for learning how to read music and pitch locations for every note on the guitar. Exercises for each string are presented in all keys. Free audio files are available in the "Member's Area" of the muse-eek.com website.
The exercises included here require students to write out examples using staff notation and then to find these notes on the guitar fretboard. Other exercises include simple interval to highly complex chords.
This book is an extension of Gary Chaffee's popular Sticking Patterns, Book 1. Since the use of different meters has become much more common in contemporary music, the book explores how stickings can be used in a variety of odd meters. It includes a number of sticking phrases for each meter that can then be used to create your own time feel and solo ideas.
The exercises presented here are the same that great teachers and world class music schools give to their advanced students. This is the first book to present them formally, and is a milestone of its kind. This book contains hard-core information and exercises that are plainly difficult; only dedicated musicians need apply. But if you are serious about your instrument, learning how to read on it, and learning where the notes are without looking at it, you've come to the right place. This book works in tandem with audio examples that can be downloaded form the internet, which will greatly aid in the absorption of information and the building of skill. Exercises for each string are presented in all keys. The book culminates in a final section which integrates playing on all four strings. This book is a required text at New York Universities and Princeton University Music department.
This book is the first volume in a series designed to help the student of jazz piano learn and apply jazz scales by mastering each scale and its uses in improvisation. Volume 1 focuses on the major scale, illustrating the scale in all twelve keys with complete fingerings. Chords and left hand voicings, exercises and etudes to help apply the material to improvising, ideas for further study and listening, and detailed instructions and suggestions on how to practice the material are also provided. Volume 1 also includes primers on note-reading, theory basics from intervals through seventh chords, and rhythmic notation.