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This book provides a detailed study of the relationship between science fiction and other genres. After discussing the problems inherent in classifying works according to genre, Pierce notes how science fiction sometimes incorporates plots from other literary forms. He then explores the relationship between science fiction and related genres, such as fantastic romances and techno-thrillers. The book next examines those science fiction writers who have successfully written in other literary forms, as well as authors active in other genres who have turned to science fiction to treat particular themes. Pierce also discusses the literary and stylistic aspects of science fiction. Throughout the book, Pierce's coverage is encyclopedic in nature. He provides examples from numerous works, and the volume closes with a detailed bibliography.
NEW YORK TIMES BESTSELLER I see dead people. But then, by God, I do something about it. Odd Thomas never asked for his special ability. He’s just an ordinary guy trying to live a quiet life in the small desert town of Pico Mundo. Yet he feels an obligation to do right by his otherworldly confidants, and that’s why he’s won hearts on both sides of the divide between life and death. But when a childhood friend disappears, Odd discovers something worse than a dead body and embarks on a heart-stopping battle of will and wits with an enemy of exceptional cunning. In the hours to come there can be no innocent bystanders, and every sacrifice can tip the balance between despair and hope. You’re invited on an unforgettable journey through a world of terror and transcendence to wonders beyond imagining. And you can have no better guide than Odd Thomas.
The Odd Women is a Victorian novel which deals with themes such as the role of women in society, marriage, morals and the early feminist movement. There was the notion in Victorian England that there was an excess of one million women over men. This meant there were "odd" women left over at the end of the equation when the other men and women had paired off in marriage. A cross-section of women dealing with this problem are described in "The Odd Women" and it can be inferred that their lifestyles also set them apart as odd in the sense of strange.
This book presents current discussions on the concept of genre. It introduces innovative, multidisciplinary approaches to contemporary and historical genres, their roles in cultural discourse, how they change, and their relations to each other. The reader is guided into the discussion surrounding this key concept and its history through a general introduction, followed by eighteen chapters that represent a variety of discursive practices as well as analytic methods from several scholarly traditions. This volume will have wide appeal to several academic audiences within the humanities, both in Finland and abroad, and will especially be of interest to scholars of folklore, language and cultural expression.
From the New York Times bestselling author of Dear Martin comes an honest and touching depiction of friendship, first love, and everything in between. Perfect for fans of Love, Simon and What If It's Us. Courtney Cooper and Jupiter Charity-Sanchez (Coop and Jupe!) have been next-door neighbors and best friends since they were seven years old. She's his partner in crime and other half. But lately, Coop can't ignore the fact that he might want something more than friendship from Jupiter. When Rae Chin moves to town, she can't believe how lucky she is to find Coop and Jupe. Being the new kid is usually synonymous with "pariah," but around these two, she finally feels like she belongs. She's so grateful she wants to kiss him . . . and her. Jupiter has always liked girls. But when Coop starts daing Rae, Jupe realizes that the only girl she ever really imagined by his side was her. One story. Three sides. No easy answers. "Fans of Nic and new readers will find themselves engrossed." --Teen Vogue "Declaring yourself--how you would like to be represented and whom you want to love and connect with--is treated with real tenderness." --The New York Times
Meet Odd Thomas, the unassuming young hero of Dean Koontz’s dazzling New York Times bestseller, a gallant sentinel at the crossroads of life and death who offers up his heart in these pages and will forever capture yours. “The dead don’t talk. I don’t know why.” But they do try to communicate, with a short-order cook in a small desert town serving as their reluctant confidant. Sometimes the silent souls who seek out Odd want justice. Occasionally their otherworldly tips help him prevent a crime. But this time it’s different. A stranger comes to Pico Mundo, accompanied by a horde of hyena-like shades who herald an imminent catastrophe. Aided by his soul mate, Stormy Llewellyn, and an unlikely community of allies that includes the King of Rock ’n’ Roll, Odd will race against time to thwart the gathering evil. His account of these shattering hours, in which past and present, fate and destiny, converge, is a testament by which to live—an unforgettable fable for our time destined to rank among Dean Koontz’s most enduring works.
JO LAROUCHE HAS lived her 13 years in the California desert with her Aunt Lily, ever since she was dropped on Lily’s doorstep with this note: This is Jo. Please take care of her. But beware. This is a dangerous baby. At Lily’s annual Christmas costume party, a variety of strange events take place that lead Jo and Lily out of California forever—and into the mysterious, strange, fantastical world of Eldritch City. There, Jo learns the scandalous truth about who she is, and she and Lily join the Order of Odd-Fish, a collection of knights who research useless information. Glamorous cockroach butlers, pointless quests, obsolete weapons, and bizarre festivals fill their days, but two villains are controlling their fate. Jo is inching closer and closer to the day when her destiny is fulfilled, and no one in Eldritch City will ever be the same.
Diary of a Wimpy Kid meets Percy Jackson in Odd Gods, the first book in a hilarious illustrated series about the most unlikely, unusual Gods ever to grace the halls of Mount Olympus Middle School. A Summer 2019 Kids' Indie Next Pick! Oddonis may be the son of Zeus, but he’s a little bit…odd for a God. He’s so odd, in fact, he’s not sure if he has any powers at all. And if that isn’t enough, his twin brother Adonis is the most popular, most athletic, and most otherworldly handsome God of them all. Oddonis’s future at Mount Olympus Middle isn’t looking bright, especially when he makes the last-minute decision to run against Adonis to be class president. With the help of his friends Mathena (Goddess of math and poultry), Germes (God of all things sniffling and snotty), Puneous (the smallest God of them all), and Gaseous (enough said?), Oddonis is determined to win the race, prove that his friends are as good as any Greek God, and maybe, just maybe, find out what his true powers really are. Read the hilarious new adventures of Oddonis and his friends from debut children’s authors David Slavin and Daniel Weitzman, filled with dozens of black-and-white illustrations by award-winning artist Adam Lane.
From its beginnings narratology has incorporated a communicative model of literary narratives, considering these as simulations of natural, oral acts of communication. This approach, however, has had some problems with accounting for the strangeness and anomalies of modern and postmodern narratives. As many skeptics have shown, not even classical realism conforms to the standard set by oral or ‘natural’ storytelling. Thus, an urge to confront narratology with the difficult task of reconsidering a most basic premise in its theoretical and analytical endeavors has, for some time, been undeniable. During the 2000s, Nordic narratologists have been among the most active and insistent critics of the communicative model. They share a marked skepticism towards the idea of using ‘natural’ narratives as a model for understanding and interpreting all kinds of narratives, and for all of them, the distinction of fiction is of vital importance. This anthology presents a collection of new articles that deal with strange narratives, narratives of the strange, or, more generally, with the strangeness of fiction, and even with some strange aspects of narratology.
The classic 1950s love story from the Queen of Lesbian Pulp Fiction, and author of Odd Girl Out, I Am a Woman, Women in the Shadows, Journey to a Woman and Beebo Brinker She was the brain, the sparkle, the gay rebel of the sorority, and wonders of wonders, she chose Laura as her roommate. That was how it began... Suddenly they were alone on an island of forbidden bliss Taking a pseudonym in the interest of privacy, Bannon wrote her first book, Odd Girl Out, as a coming-of-age novel that involved love between college sorority sisters. When an editor singled-out the school-girl romance as her story's most compelling feature, the book was re-written for a lesbian pulp fiction audience. Unlike most pulps, however, Bannon broke with tradition by avoiding sensationalistic plots in favour of emotionally engaged character development. Odd Girl Out enjoyed tremendous success, inspiring other ground-breaking works, most notably Beebo Brinker. “Odd Girl Out begins the saga of Laura, off on her own at college, appallingly shy and terminally polite...Laura meets Beth, whose brash straightforwardness and friendly attitude take the younger woman by storm, leading into an equally stormy affair” Metro Times