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These poems speak an odd nostalgia for what turns on, in, and alongside the world. A tragedy of loss, a miracle of eroticism, or a comedy of road kill, Odd Bloom Seen from Space looks at the self amid the ashes of fleeting exultation and uncertainty. The speaker tells stories with wild candor on matters of heroic inadequacy while searching through his obsessive questions for greater meaning. But it’s in the act of discovery, through the hero’s immediate ancestry that Welch’s debut collection confronts big questions about family, music, art, and memory. Like a contemporary Diogenes who pursues meaning one small gesture at a time, Welch comes to learn truth is a “brutal commerce,” beauty is “white legs / upon which she shed her childhood,” time is “Michael Jackson / hooting in the trees,” and “Love is gradual, a bottle / by sips, a bottle / poured onto the floor.” There is wisdom to be gained from these inventive pursuits, but in the end it’s not what is said, but how it’s said with terse rhetoric, deep imagery, and surprising humor that makes Odd Bloom Seen from Space such a gorgeous, original, and baffling collection.
""What will be possible / when I'm no longer sorry?" asks the speaker of THE LAST UNKILLABLE THING after the sudden death of a parent. "What do lost daughters burst into?" In this debut collection by Emily Pittinos, the speaker is tasked with relearning the ways of loneliness, family, sex, and wilderness as a person who feels thoroughly and abruptly without. Shaped by both concision and unfolding sequences, THE LAST UNKILLABLE THING is a journey across landscapes of mourning where "in [the] periphery, every shadow / is a new dead thing." The light of these poems takes on the tint of grief, and through that light the speaker reexamines what remains: her changed self, her desire, the midwestern flora, the unyielding snow. Interior and exterior ecologies blur until loss becomes a place of its own, and the only inevitability. "Doesn't it hurt," Pittinos writes, "to be human. I'm so human, I could die.""--
"Hal Rothman is both the greatest Western historian of his generation and an H. L. Mencken in cowboy boots."--Mike Davis, author of Planet of Slums and Buda's Wagon
Overcoming the Odds is a book that aims to bridge the gap between the green and grey generations. The teenage years are a period of mystery and confusion even to the teenager themselves. This book attempts to demystify this potentially turbulent time by encouraging productive conversations between parents and their teenagers.
This is a true story about a girl-child who was orphaned and raised in the most neglected area of Uganda at that timeKaramoja. Her greatest dream was to get an education, but she had to go through so many heartbreaking obstacles to achieve that dream. The girl-child grew up in settings that are unknown to those in the urban backgrounds, in a region that was a no-go area for the non-natives then. Amidst poverty and in a culture where girl-child education is not a priority, she managed to get to a university, and of all, Makerere University, the oldest and premier institution of higher learning in East Africa. The book is characterized by grit, resilience, and determination. The author clearly brings out the ordeals she went through to gain an education in an environment that is not friendly to a girl-child, worse still for an orphan.
Women of Tepoztlán were among the first New Spain labor forces to have their continuum of paid and unpaid work processes globally feminized. Focusing on the transformational 1990 to 2000 period, this book moves across time, space, and organizational changes to make explicit mu...