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This is the story of Rebecca Stirling’s childhood: a young girl raised by the sea, by men, and by literature. Circumnavigating the world on a thirty-foot sailboat, the Stirlings spend weeks at a time on the open ocean, surviving storms and visiting uncharted islands and villages. Ushered through her young life by a father who loves adventure, women, and extremes, Rebecca befriends “working girls” in the ports they visit (as they are often the only other females present in the bars that they end up in) and, on the boat, falls in love with her crewmate and learns to live like the men around her. But her driven nature and the role models in the books she reads make her determined to be a lady, continue her education, begin a career, live in a real home, and begin a family of her own. Once she finally gets away from the boat and her dad and sets to work upon making her own dream a reality, however, Rebecca begins to realize life is not what she thought it would be—and when her father dies in a tragic accident, she must return to her old life to sift through the mess and magic he has left behind.
We All Wrote on the Same Outhouse Walls is a warm-hearted very humorous book about the many joys and few sorrows of growing up during the 40s and 50s in a small town exiled in the Appalachian foothills. The book is about the author's small hometown which The Wall Street Journal described as "Intact but decaying: pure 19th Century." The Journal suggested that the town could be "On the scale of Williamsburg," but the town folks "Don't want to be preserved, saved or otherwise bothered by outsiders, no matter how good their intentions." This priceless narrative tells about first grade in a one-room schoolhouse called Possum Hollow, a splendid misspent youth, and a homespun education which was acquired while working in a country story and hanging out in a poolroom. The hilarious description of an endangered time and place is about colorful and unforgettable characters. It tells memorable stories and folklore which began with "I mind the time," and ended somewhat in borderline disbelief, but always in laughter. It's about nicknames, front porches, and coon dog field trials after church. And it's' about the down-home wit, sayings and opinions that made the personalities and their town so engaging. The book also tells what the old timers, the orthopedic set, would tell you, whether asked or not, about the 60s movement, the break-up of the traditional family, the present day media, and the theory of victimization. Their opinions, today, would be unfashionable to some, but refreshingly politically inappropriate to others. Not that the author's small hometown was perfect or blameless. The good old fashioned behavior by some of getting drunk on Saturday night and going to church on Sunday was alive and well. The town has its assortment of saints and sinners. But when it came to values and time-honored beliefs which now seem out-dated, back then small towns had them. maybe that's what one of John Steinbeck's characters in Mice and Men pointed out when the character commented, "There's nothing wrong anymore." We All Wrote on the Same Outhouse Walls is a must read for all of you who will enjoy a nostalgic visit back to your youth or your small hometown. It will bring back happy memories of a better time and make you glad that you were there. The book is also a must read for young readers who wonder what it was really like, and if they really were "the good old days." Most of all the book is for those of you who just want a good laugh.
A true account of a woman’s cherished career in forestry is graphically recalled from journals, photos and original artwork. The memoir is an account of her day-to-day log scaling duties. Her fundamental beliefs that companies would protect and care for employees were shattered following a violent assault. Afflicted with posttraumatic stress disorder, she shares the consequences of being a victim of workplace violence and ill treatment. Despite Health and Safety Regulations, injustices by employers are tragically commonplace. Her experiences show the stark reality behind a façade of safety policies.
Horror, history, science, mystery . . . and eerily twisted tales. Follow Uncle John into a world so frighteningly funny it could only come from the Bathroom Readers Institute. What do you get when you cross a classic scary story such as “The Tell-tale Heart” with Uncle John’s trademark sense of humor? You get “The Tell-tale Fart” (Pee-uw!). And that’s just one of many twisted classic and original tales of humor and horror you’ll find inside The Haunted Outhouse. You’ll also find a spine-tingling collection of facts about topics such as real-life mad scientists, history’s terrible tyrants, and the world’s deadliest weather. Uncle John’s scare-fest is packed with page after page of crafts, recipes, poems, jokes, tongue twisters, and experiments straight from Dr. Johnenstein’s Laboratory. Graphic novel-style tales add plenty of illustrated pages to the mix. This haunted book of horrors could only come from the Bathroom Readers Institute, and it’s “For Kids Only.” ENTER IF YOU DARE! You’ll find terrifying tales, including… - Revenge of the Meatloaf - The Legend of Peepee Hollow - The Creature from the Black Lagoon and the No Good, Very Bad Day - The Haunted Outhouse Frightening facts about… - The Curse of Amen-Ra - The Attack of the Cow Lady - Decay-causing Tooth Worms - The FBI’s Body Farm Horrifying things to do like… - Make a Bouncing Eyeball - Prank Your Friends with Caramel Onions - Craft a Barbie Zombie Hat - Serve Bloody Band-Aid Treats (Gag!)
The White Feathered Octopus (Tetragrammatron Press, 2012). This book talks about the gritty hard realties of growing up a blinded street beggar in Cairo, 1937, as if a mutant midwifed counterclockwise to the distant Jauntpads of Rocketcityutopia. It is a science fiction novel, written from one giant cryptographic anagram of Herman Melville's Moby DIck. Not for the faint of heart! Read it if you dare. An erotic sexperiment in Philikdicking ones own mind back from the brink of madness and disability a biography of lowdown heights, back alley knife fights, and cold uptown delights, the whole while you have the sinking feeling that this all might not actually be happening, as if you are a chess piece on a scrabble board. In other words, prepared to have your MindPenis Blown! Can you Get to That?
Get to know the inhabitants of a tiny Japanese island--and their unusual stories and secrets--through this fascinating, intimate collection of portraits. "This book beautifully describes the residents of tiny Shiraishi Island as well as telling how Amy herself came to be in such a fascinating little corner of Japan…Amy herself, with this book, has shown herself an integral part of this preservation. --Rebecca Otowa, author of At Home in Japan When American journalist Amy Chavez moved to the tiny island of Shiraishi (population 430), she rented a house from an elderly woman named Eiko, who left many of her most cherished possessions in the house--including a portrait of Emperor Hirohito and a family altar bearing the spirit tablet of her late husband. Why did she abandon these things? And why did her tombstone later bear the name of a daughter no one knew? These are just some of the mysteries Amy pursues as she explores the lives of Shiraishi's elusive residents. The 31 revealing accounts in this book include: The story of 40-year-old fisherman Hiro, one of two octopus hunters left on the island, who moved back to his home island to fill a void left by his brother who died in a boating accident. A Buddhist priest, eighty-eight, who reflects on his childhood during the war years, witnessing fighter pilots hiding in bunkers on the back side of the island. A "pufferfish widow," so named because her husband died after accidentally eating a poisonous pufferfish. The ex-postmaster who talks about hiking over the mountains at night to deliver telegrams at a time when there were only 17 telephone numbers on the island. Interspersed with the author's reflections on her own life on the island, these stories paint an evocative picture of the dramatic changes which have taken place in Japanese society across nearly a century. Fascinating insights into local superstitions and folklore, memories of the war and the bombing of nearby Hiroshima, and of Shiraishi's heyday as a resort in the 1960s and 70s are interspersed with accounts of common modern-day problems like the collapse of the local economy and a rapidly-aging community which has fewer residents each year.
To the outside world, Roxanne seems terribly lonely: her husband Earl has passed away, and her daughter Linda was murdered. What people don’t understand is that Earl and Linda are still keeping Roxanne company, reincarnated in the forms of a wiener dog and standard poodle. But this relationship—not idyllic, it’s true, but at least relatively harmonious—is disrupted when Roxanne accidentally hits a pit bull with her car. On the precipice of having the dog put down, she recognizes the eyes of her daughter’s killer, Helmut. Should she choose retribution, or forgiveness? This is the highly original set-up of “You’re Home Now,” the opening story in Rachel Rose’s debut work of fiction. These are clever, engaging stories with a compelling link: the characters, generally living on the fringes of society for some reason or another, all have better relationships with animals than with other humans. There’s a diverse range of creatures, with stories featuring a parrot, an octopus, rats, a chameleon, a pig (Francis Bacon), deer and bats, as well as the more traditional dogs and a pair of kittens named Yin and Yang. The stories in The Octopus Has Three Hearts combine vivid characters and original premises with Rose’s trademark combination of whimsy and irony to explore universal elements of the human condition, from parenthood to sexuality, identity to fidelity. It is a collection that will appeal to animal lovers, readers of literary fiction and anyone looking for their place to belong.
'Intensely readable, poetic, truthful, wise and wonderful.' STEPHEN FRY 'An extraordinary book.' SUNDAY TIMES Struggling to comprehend the shocking death of his teenage daughter, Ben Goldsmith finds solace in nature by immersing himself in plans to rewild his farm. In July 2019, Ben Goldsmith lost his fifteen-year-old daughter, Iris, in an accident on their family farm in Somerset. Iris's death left her family reeling. Grasping for answers, Ben threw himself into searching for some ongoing trace of his beloved child, exploring ideas that until then had seemed too abstract to mean much to him. Missing his daughter terribly and struggling to imagine how he would face the rest of his life in the shadow of this loss, Ben found solace in nature, the object of a lifelong fascination. As Ben set about rewilding his farm, nature became a vital source of meaning and hope. This book is the story of a year of soul-searching that followed a terrible loss. In an instant, Ben's world had turned dark. Yet, unbelievably to him, the seasons kept on turning, and as he immersed himself in the dramatic restoration of nature in the place where it happened, he found healing. In God is an Octopus, Ben tells a powerful, immersive and inspiring story of finding comfort and strength in nature after suffering loss and despair.