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The story a ‘Short Trip to Mars’ is a fictional story, about the first exploratory mission to the Planets surface. The story is a fictional adventure of three convicts who were sent to Mars for six years. However, the story is based on the real concepts of the AADG 1147-01 Project. The story is a demonstration of how components of the project work and what their applications is. The facts and the components are completely real. There are no aliens or first contact situations in the story. However, the story is not dry. The main characters are a group of convicts who are selected for this mission because of the unusual orbit of Mars and safety issues. They are sent on this first mission, because as the unified International Space Administration states, there are to many unknown variables involved in sending a high quality crew. The crew makes some interesting discoveries as to the Martian surface and Martian history. They become a unified team when confronted with the conditions On Mars and build a highly involved relationship with each other The story is unique in circumstance, which give light to the way we look at space exploration and it’s future. If you don’t know much about space travel or the angry Red Planet you will when you finish this book.
Octagon John and his dog, Ron, love science and going on adventures. And wouldn't you know it, their pal, Smergo, an Elf-leprechaun, needs their help on an urgent mission: Rescuing Smergo's wife Shirly on Mars! There's only one problem, though. They need to make it back in three days for Smergo's 500th birthday party. So strap in as the guys head to the fourth planet from the Sun for an epic quest in Octagon John Goes to Mars.
Honorable Mention, 2012 Joe A. Callaway Prize in Drama and TheaterFirst Place, Large Not-for-Profit Publisher, Typographic Cover, 2011 Washington Book Publishers Design and Effectiveness Awards Less than twenty years after asserting global dominance in the Seven Years' War, Britain suffered a devastating defeat when it lost the American colonies. Daniel O'Quinn explores how the theaters and the newspapers worked in concert to mediate the events of the American war for British audiences and how these convergent media attempted to articulate a post-American future for British imperial society. Building on the methodological innovations of his 2005 publication Staging Governance: Theatrical Imperialism in London, 1770-1800, O’Quinn demonstrates how the reconstitution of British imperial subjectivities involved an almost nightly engagement with a rich entertainment culture that necessarily incorporated information circulated in the daily press. Each chapter investigates different moments in the American crisis through the analysis of scenes of social and theatrical performance and through careful readings of works by figures such as Richard Brinsley Sheridan, William Cowper, Hannah More, Arthur Murphy, Hannah Cowley, George Colman, and Georg Friedrich Handel. Through a close engagement with this diverse entertainment archive, O'Quinn traces the hollowing out of elite British masculinity during the 1770s and examines the resulting strategies for reconfiguring ideas of gender, sexuality, and sociability that would stabilize national and imperial relations in the 1780s. Together, O'Quinn's two books offer a dramatic account of the global shifts in British imperial culture that will be of interest to scholars in theater and performance studies, eighteenth-century studies, Romanticism, and trans-Atlantic studies.
Thirty-five years in the making, and destined to be the last word in fanta-film references! This incredible 1,017-page resource provides vital credits on over 9,000 films (1896-1999) of horror, fantasy, mystery, science fiction, heavy melodrama, and film noir. Comprehensive cast lists include: directors, writers, cinematographers, and composers. Also includes plot synopses, critiques, re-title/translation information, running times, photographs, and several cross-referenced indexes (by artist, year, song, etc.). Paperback.