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People have called the land near the Ocmulgee River in present-day central Georgia home for a long time, perhaps as many as 17,000 years, and each successive group has left its mark on the landscape. Mississippian-era people erected the towering Great Temple Mound and other large earthworks around 1,000 years ago. In the late 17th century, Ocmulgee flourished as a center of trade between the Creek Indians and their English neighbors. In the 19th century, railroads did irreparable damage to the site in the name of progress and profit, slicing through it twice. Preservation efforts bore fruit in the 1930s, when Ocmulgee National Monument was created. Since then, people from all over the world have visited Ocmulgee. They come for many reasons, but they invariably leave with a reverence for the place and the people who built it hundreds of years ago and those who have maintained it in recent decades.
Many black and white drawings and photographs of artifacts, weapons, and tools of early Indians of Georgia.
In this brief illustrated guide to the national monument located in Macon, Georgia, that conserves ancient Mississippian mounds and 12,000 years of human presence along the Ocmulgee River, Matthew Jennings and Gordon Johnston, like G.D. Pope and Lonnie Davis in earlier guides, introduce readers to the park's history, archaeology, Native cultures, and landscape. Jennings both updates the history and adds an account of the intercultural exchange that the park has brought about between the post-removal Muscogee Creek people native to the area and Georgians of the last several generations. This new guide braids into Jennings's concise historical overview Gordon Johnston's field notes and poems, written while Johnston was writer-in-residence at Ocmulgee National Monument, about the park's woods, streams, artifacts, and wildlife. The book includes transcriptions of oral stories by William Harjo (Muscogee) and an array of photographs and images, many of them new, that span the park's history, including Ocmulgee, an installation by artist Hock E Aye Vi Edgar Heap of Birds (Cheyenne/Arapaho) in Atlanta in 2005.