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Organized with the assistance of an international advisory committee of medievalists from several disciplines, Medieval Latin: An Introduction and Bibliographical Guide is a new standard guide to the Latin language and literature of the period from c. A.D. 200 to 1500. It promises to be indispensable as a handbook in university courses in Medieval Latin and as a point of departure for the study of Latin texts and documents in any of the fields of medieval studies. Comprehensive in scope, the guide provides introductions to, and bibliographic orientations in, all the main areas of Medieval Latin language, literature, and scholarship. Part One consists of an introduction and sizable listing of general print and electronic reference and research tools. Part Two focuses on issues of language, with introductions to such topics as Biblical and Christian Latin, and Medieval Latin pronunciation, orthography, morphology and syntax, word formation and lexicography, metrics, prose styles, and so on. There are chapters on the Latin used in administration, law, music, commerce, the liturgy, theology and philosophy, science and technology, and daily life. Part Three offers a systematic overview of Medieval Latin literature, with introductions to a wide range of genres and to translations from and into Latin. Each chapter concludes with a bibliography of fundamental works--texts, lexica, studies, and research aids. This guide satisfies a long-standing need for a reference tool in English that focuses on medieval latinity in all its specialized aspects. It will be welcomed by students, teachers, professional latinists, medievalists, humanists, and general readers interested in the role of Latin as the learned lingua franca of western Europe. It may also prove valuable to reference librarians assembling collections concerned with Latin authors and texts of the postclassical period. ABOUT THE EDITORS F. A. C. Mantello is professor of Medieval Latin at The Catholic University of America. A. G. Rigg is professor of English and medieval studies and chairman of the Medieval Latin Committee at the University of Toronto's Centre for Medieval Studies. PRASIE FOR THE BOOK "This extraordinary volume, joint effort of dozens of scholars in eight countries, will be in constant use for research, for advising students and designing courses, and for answering the queries of nonmedievalist colleagues. . . . Medieval Latin provides a foundation for advances in research and teaching on a wide front. . . . Though Mantello and Rigg's Medieval Latin is a superb reference volume, I recommend that it also be read from beginning to end--in small increments, of course. The rewards will be sheaves of notes and an immensely enriched appreciation of Medieval Latin and its literature."--Janet M. Martin, Princeton University, Speculum "A remarkable achievement, and no one interested in medieval Latin can afford to be without it."--Journal of Ecclesiastical History "Everywhere there is clarity, conclusion, judicious illustration, and careful selection of what is central. This guide is a major achievement and will serve Medieval Latin studies extremely well for the foreseeable future."--The Classical Review
A comprehensive bibliography of medievel palaeontology for a student's use.
The service books of the Florentine Duomo of Santa Maria del Fiore were, like the church itself, a cultural reflection of the city's position of power and prestige. Largely unexplored by modern scholars, these manuscripts provided the texts and, sometimes, the music necessary for the celebration of the liturgical services. Marica S. Tacconi offers the first comprehensive investigation of the sixty-five extant liturgical manuscripts produced between 1150 and 1526 for both Santa Maria del Fiore and its predecessor, the early cathedral of Santa Reparata. She employs a multidisciplinary approach that recognizes the books as codicological, liturgical, musical, and artistic products. Their cultural contexts, and their civic and propagandistic uses, are uncovered through the analysis of extensive archival material, much of which is presented here for the first time. This important and fascinating study provides new insights into late medieval and Renaissance Florentine ritual and culture.
First published in 1998, the present volume aims to help the researcher locate visual motifs, whether in medieval art or in literature, and to understand how they function in yet other medieval literary or artistic works.
This work is composed of two parts. The first or introductory part, contains a palaeographical discussion about Bodleian Library, MS Auctarium D.2.19, that is to say, the MacRegol Gospels or the Rushworth Gospels, edited by Kenichi Tamoto, and which forms the second and main part of this book. The provenience of the MS, the Latin text, the use of the MS, and the Old English gloss are discussed in detail in the introductory part. The chief aim that the author set himself is firstly to survey preceding printed versions of the MS, such as Stevenson & Waring (1856-65) and W.W. Skeat (1871-87), and secondly to publish the complete edition of the MS with the whole Latin text interlineally glossed in Old English. This work will stimulate further research into the MS, in particular the comparative study of Old English glosses, such as those of the Lindisfarne Gospels.
It explores how the texts from classical Greece and Rome have survived and gives an account of the reasons why it was thought worthwhile to preserve them for future generations. In this 4th edition adjustments have been made to the text and the notes have been revised in order to take account of advances in scholarship over the last twenty years.
A major artistic study of a famous medieval masterpiece