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TechGnosis is a cult classic of media studies that straddles the line between academic discourse and popular culture; it appeals to both those secular and spiritual, to fans of cyberpunk and hacker literature and culture as much as new-thought adherents and spiritual seekers How does our fascination with technology intersect with the religious imagination? In TechGnosis—a cult classic now updated and reissued with a new afterword—Erik Davis argues that while the realms of the digital and the spiritual may seem worlds apart, esoteric and religious impulses have in fact always permeated (and sometimes inspired) technological communication. Davis uncovers startling connections between such seemingly disparate topics as electricity and alchemy; online roleplaying games and religious and occult practices; virtual reality and gnostic mythology; programming languages and Kabbalah. The final chapters address the apocalyptic dreams that haunt technology, providing vital historical context as well as new ways to think about a future defined by the mutant intermingling of mind and machine, nightmare and fantasy.
Excerpt from Occultists and Mystics of All Ages The difficulty of treating of such a subject as the life and activities of the Philosopher of Tyana lies in the fact that the story of Apollonius's career has been overlaid with legends of the miraculous on the one hand, and distorted by religious prejudices on the other; while the only authoritative account of this great religious reformer is marred by the glaring deficiencies of the writer for the task which he had in hand, and his inability to appreciate the life-work of the subject of his biography. Indeed he fills many pages with literary padding of the worst kind, while he fails to give us over and over again the very facts which it is of value and importance for us to know. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
From its earliest days, America served as an arena for the revolutions in alternative spirituality that eventually swept the globe. Esoteric philosophies and personas—from Freemasonry to Spiritualism, from Madame H. P. Blavatsky to Edgar Cayce—dramatically altered the nation’s culture, politics, and religion. Yet the mystical roots of our identity are often ignored or overlooked. Opening a new window on the past, Occult America presents a dramatic, pioneering study of the esoteric undercurrents of our history and their profound impact across modern life.
As the title testifies, students were sworn to secrecy before being given access to this magic text, and only a few manuscripts have survived. Bits of its teachings, such as the use of the magic whistle for summoning spirits, are alluded to in other texts. Another key element of its ritual, the elaborate “Seal of God,” has been found in texts and amulets throughout Europe. Interest in The Sworn Book of Honorius has grown in recent years, yet no modern translations have been attempted—until now. Purporting to preserve the magic of Solomon in the face of intense persecution by religious authorities, this text includes one of the oldest and most detailed magic rituals. It contains a complete system of magic including how to attain the divine vision, communicate with holy angels, and control aerial, earthly, and infernal spirits for practical gain. Largely ignored by historians until recently, this text is an important witness to the transmission of Kabbalah and Jewish mysticism to European Hermeticists.
A visual feast of eclectic artwork informed and inspired by spiritual beliefs, magical techniques, mythology and otherworldly experiences. Mystical beliefs and practices have existed for millennia, but why do we still chase the esoteric? From the beginning of human creativity itself, image-makers have been drawn to these unknown spheres and have created curious artworks that transcend time and place – but what is it that attracts artists to these magical realms? From theosophy and kabbalah, to the zodiac and alchemy; spiritualism and ceremonial magic, to the elements and sacred geometry – The Art of the Occult introduces major occult themes and showcases the artists who have been influenced and led by them. Discover the symbolic and mythical images of the Pre-Raphaelites; the automatic drawing of Hilma af Klint and Madge Gill; Leonora Carrington's surrealist interpretation of myth, alchemy and kabbalah; and much more. Featuring prominent, marginalised and little-known artists, The Art of the Occult crosses mystical spheres in a bid to inspire and delight. Divided into thematic chapters (The Cosmos, Higher Beings, Practitioners), the book acts as an entertaining introduction to the art of mysticism – with essays examining each practice and over 175 artworks to discover. The art of the occult has always existed in the margins but inspired the masses, and this book will spark curiosity in all fans of magic, mysticism and the mysterious.
Musaicum Press presents to you an Arthur Machen collection, which has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Arthur Machen (1863-1947) was a Welsh author and mystic of the 1890s and early 20th century. He is best known for his influential supernatural, fantasy, and horror fiction. His novella The Great God Pan has garnered a reputation as a classic of horror (Stephen King has called it "Maybe the best [horror story] in the English language"). Historian of fantastic literature Brian Stableford has suggested that Machen "was the first writer of authentically modern horror stories, and his best works must still be reckoned among the finest products of the genre". Table of Contents: Novels: The Three Impostors The Hill of Dreams The Terror: A Mystery The Secret Glory Short Stories and Novellas: A Fragment of Life The White People The Great God Pan The Inmost Light The Shining Pyramid The Red Hand The Bowmen The Soldiers' Rest The Monstrance The Dazzling Light The Bowmen And Other Noble Ghosts The Marriage of Panurge Psychology The Rose Garden The Ceremony The Happy Children The Great Return A New Christmas Carol Out of the Earth Essay: Hieroglyphics Translation: The Memoirs of Jacques Casanova de Seingalt, 1725-1798 Autobiography: Far Off Things Criticism: Arthur Machen: A Novelist of Ecstasy and Sin (With Two Uncollected Poems by Arthur Machen)
Among the various kinds of occultism popular during the Russian Silver Age (1890-1914), modern Theosophy was by far the most intellectually significant. This contemporary gnostic gospel was invented and disseminated by Helena Blavatsky, an expatriate Russian with an enthusiasm for Buddhist thought and a genius for self-promotion. What distinguished Theosophy from the other kinds of "mysticism"—the spiritualism, table turning, fortune-telling, and magic—that fascinated the Russian intelligentsia of the period? In answering this question, Maria Carlson offers the first scholarly study of a controversial but important movement in its Russian context. Carlson's is the only work on this topic written by an intellectual historian not ideologically committed to Theosophy. Placing Mme Blavatsky and her "secret doctrine" in a Russian setting, the book also discusses independent Russian Theosophical circles and the impact of the Theosophical-Anthroposophical schism in Russia. It surveys the vigorous polemics of the Theosophists and their critics, demonstrates Theosophy's role in the philosophical dialogues of the Russian creative intelligentsia, and chronicles the demise of the movement after 1917. By exploring this long neglected aspect of the Silver Age, Carlson greatly enriches our knowledge of fin-de-sicle Russian culture. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Musaicum Press presents to you an Arthur Machen collection, which has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Arthur Machen (1863-1947) was a Welsh author and mystic of the 1890s and early 20th century. He is best known for his influential supernatural, fantasy, and horror fiction. His novella The Great God Pan has garnered a reputation as a classic of horror (Stephen King has called it "Maybe the best [horror story] in the English language"). Historian of fantastic literature Brian Stableford has suggested that Machen "was the first writer of authentically modern horror stories, and his best works must still be reckoned among the finest products of the genre". Table of Contents: Novels: The Three Impostors The Hill of Dreams The Terror: A Mystery The Secret Glory Short Stories and Novellas: A Fragment of Life The White People The Great God Pan The Inmost Light The Shining Pyramid The Red Hand The Bowmen The Soldiers' Rest The Monstrance The Dazzling Light The Bowmen And Other Noble Ghosts The Marriage of Panurge Psychology The Rose Garden The Ceremony The Happy Children The Great Return A New Christmas Carol Out of the Earth Essay: Hieroglyphics Translation: The Memoirs of Jacques Casanova de Seingalt, 1725-1798 Autobiography: Far Off Things Criticism: Arthur Machen: A Novelist of Ecstasy and Sin (With Two Uncollected Poems by Arthur Machen)