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National Book Award winner Nikky Finney's fifth collection of poems articulates the Black American history into a new language of "docu-poetry."
"Although Mallarme is commonly viewed as the high priest of the autonomous work of art, by far the bulk of his actual poetic writing was occasional verse. With few exceptions the works written after 1873 manifest a reinvestment in the world subsequent to the metaphysical crises of the 1860's. In addition to the "Tombeaux," the toasts, and certain of the "Eventails," Mallarme composed the Vers de circonstance, more than 450 quatrains and distichs inscribed on envelopes, postcards, calling cards, Easter eggs, small stones, photographs, and jugs of Calvados. This is the first comprehensive reading and analysis of the neglected late poetry, heretofore dismissed as of marginal interest." "This book has a dual purpose. By exploring the occasional verse of Mallarme, which itself thematizes the problematics of the occasion, the author seeks to rehabilitate such writing for critical study. She does this not by proclaiming its high seriousness, but by insisting on its casual, amenable, public nature. Unlike previous critics, who have often apologized for straying into the fringes of the canon, the author delights in the marginal, insisting that in a poetics of the occasion, traditional oppositions such as center/margin become skewed and break down." "The author's second purpose is to come to a better understanding of Mallarme in light of what he actually wrote, rather than the work projected in his correspondence and prose articles, which has claimed so much critical attention. Each of the chapters of the book highlights one aspect of occasional poetry through an investigation of representative texts, both canonical and occasional. The author also discusses the relationship between Mallarme's poetics and the plastic arts, tracing the changing conception of the representation of the monument from the nineteenth to the twentieth century, as well as the correspondences between the more radical aspects of Mallarme's practice of writing and the contemporary arts." "Far more than a study of a single writer, this book is the first to propose a pragmatic definition of occasional literature, to undertake a broad study of the problem of occasion in literature, and to trace the historical trajectory of occasional writing as a specific discourse. The book is illustrated with 27 halftones."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The instant #1 New York Times, Wall Street Journal, and USA Today bestseller The breakout poetry collection by #1 New York Times bestselling author and presidential inaugural poet Amanda Gorman Formerly titled The Hill We Climb and Other Poems, the luminous poetry collection by #1 New York Times bestselling author and presidential inaugural poet Amanda Gorman captures a shipwrecked moment in time and transforms it into a lyric of hope and healing. In Call Us What We Carry, Gorman explores history, language, identity, and erasure through an imaginative and intimate collage. Harnessing the collective grief of a global pandemic, this beautifully designed volume features poems in many inventive styles and structures and shines a light on a moment of reckoning. Call Us What We Carry reveals that Gorman has become our messenger from the past, our voice for the future.
"In Nikky Finney's Head Off & Split the beauty of language soars and saves us even as we skirt the raw edge of terror. And something rare and precious is restored, a light, a circling movement of the spirit. This is poetry to give thanks for."---Meena Alexander, author of Quickly Changing River --
In Frank Praeger's Sighs and Stray Gusts and Other Occasional Poems we find a poet weaving karmic webs of inclination and happenstance, extending to his readers a series of invitation to play, or walk awhile hand-in-hand, or stop a moment to wonder. The poems themselves emerge from Praeger's imagination and heart, from a place of deep compassion, and they travel far in place and time, displaying an astonishing range of emotion while still grounding themselves in the subtle distinctions of place, most notably Michigan's Keweenaw Peninsula on the shores of Lake Superior. Here we find poems of both quiet dignity and of barbaric yawp, and both their vigor and their gentleness of attention, their assent into both fantasy and fond reminiscence, was a pleasure to immerse myself in. I paused only occasionally, as the speaker in Praeger's opening poem, to look "up from our foraging / half-hidden among bushes and dwarf trees." What a wonder to see the world anew. ̶ M. Bartley Seigel author of This Is What They Say and founding editor of the critically acclaimed literary magazine [PANK].
Noted scholars in the field explore the rich variety of late antique literature With contributions from leading scholars in the field, A Companion to Late Antique Literature presents a broad review of late antique literature. The late antique period encompasses a significant transitional era in literary history from the mid-third century to the early seventh century. The Companion covers notable Greek and Latin texts of the period and provides a varied overview of literature written in six other late antique languages. Comprehensive in scope, this important volume presents new research, methodologies, and significant debates in the field. The Companion explores the histories, forms, features, audiences, and uses of the literature of the period. This authoritative text: Provides an inclusive overview of late antique literature Offers the widest survey to date of the literary traditions and forms of the period, including those in several languages other than Greek and Latin Presents the most current research and new methodologies in the field Contains contributions from an international group of contributors Written for students and scholars of late antiquity, this comprehensive volume provides an authoritative review of the literature from the era.
The collected poems--some never previously published--of one of our best-loved, most respected authors. Combining Grace Paley's four previous collections and new unpublished work, Begin Again traces the career of this direct, attentive, never predictable poet. Whether she describes the vicissitudes and pleasures of life in New York City or the hard beauty of her adoptive rural Vermont, whether she celebrates the blessings of friendship or protests against social injustice, her poems brim with the compassion and tough good humor that have made her stories and essays famous.
Set against the cultural and political backdrop of interwar Europe and the Americas, Poetry in Pieces is the first major study of the Peruvian poet César Vallejo (1892–1938) to appear in English in more than thirty years. Vallejo lived and wrote in two distinct settings—Peru and Paris—which were continually crisscrossed by new developments in aesthetics, politics, and practices of everyday life; his poetry and prose therefore need to be read in connection with modernity in all its forms and spaces. Michelle Clayton combines close readings of Vallejo’s writings with cultural, historical, and theoretical analysis, connecting Vallejo—and Latin American poetry—to the broader panorama of international modernism and the avant-garde, and to writers and artists such as Rainer Maria Rilke, James Joyce, Georges Bataille, and Charlie Chaplin. Poetry in Pieces sheds new light on one of the key figures in twentieth-century Latin American literature, while exploring ways of rethinking the parameters of international lyric modernity.
Pre-Romantic Poetry intervenes powerfully in debates about eighteenth-century writing, Romanticism, and literary history. By arguing that 'pre-romanticism' exists to patrol the limits of 'romantic' writing the book questions existing approaches to eighteenth- and nineteenth-century writing, and to period-based study more generally. As well as presenting pioneering re-interpretations of poets such as Thomas Gray and William Cowper, Pre-Romantic Poetry reads late-eighteenth-century poetry alongside earlier writers (especially Alexander Pope) and later ones (including William Wordsworth and John Keats). Paying particular attention to pastoral poetry, patronage, and occasional poetry, the book historicizes questions of language and form in order to shift prevailing notions of eighteenth-century and Romantic writing.