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Beyond the critical examination of Isidore Diala’s award-winning poetry and drama, the essays in this collection offer fresh insights on the complex methodological and theoretical patterns underlying the readings of African literary landscapes. This is the first book to devote considerable attention to the study of Diala’s creative works The Pyre (drama) and The Lure of Ash (poetry). The majority of the contributors here are selected from among the finest of Diala’s former teachers, colleagues and students who know him very closely. The collection addresses fertile areas of African literary expression, such as the relationship between literature and national history, African ritual aesthetics; affirmation, denial and ambivalence as products of social constructions; and exile, migration and home-coming. Contributions also explore poetry and poetic truths; semiotics; anticolonial revolutions and postcolonial implosions; oil politics; discontent and militancy; and feminism and gender politics. The book stands out among its peers, and offers great insights to scholars, researchers and teachers working in the fields of African literature, cultures and aesthetics.
In African studies, the “Echeruoan ideal” is understood as an intervention or intellectual engagement characterized by a broadness of vision as well as a depth of analysis. The essays gathered in this volume celebrate that ideal and honor Echeruo’s contribution to the African intellectual tradition. Editors Nwosu and Obiwu explore the driving forces in the literature of Africa and the African diaspora. Contributors examine such themes as migration and exile, trauma and repression, violence and rebellion, and gender and human rights. Showcasing a rich diversity of cultural and academic backgrounds, this volume inaugurates a new paradigm for further examination of African literature as world literature and for analysis of African literature through the lens of psychoanalytic semiotics. While varied in modes of inquiry, the essays are unified in their ambition to explore new theoretical directions, reinvigorating the conversation around how African literature is read and studied.
Offering an insight into African culture that had not been portrayed before, Things Fall Apart is the tragic story of an individual set in the wider context of colonialism, as well as a powerful and complex political statement of cross-cultural encounters. This guide offers an accessible introduction to the text and contexts of Things Fall Apart, surveying the many interpretations of the text from publication to the present and the critical material that surrounds it.
ALT 36 turns a queer eye on Africa, offering provocative (re-)readings of texts to position formerly erased sexualities and contemporary sexual expression among Africans on the continent, and abroad.
From the first Black winner of the Nobel Prize in Literature—his debut novel about a group of young Nigerian intellectuals trying to come to grips with themselves and their changing country. First published in 1965. Friends since high school, the five young men at the heart of The Interpreters have returned to Lagos after studying abroad to embark on careers as a physician, a journalist, an engineer, a teacher, and an artist. As they navigate wild parties, affairs of the heart, philosophical debates, and professional dilemmas, they struggle to reconcile the cultural traditions and Western influences that have shaped them—and that still divide their country. Soyinka deftly weaves memories of the past through scenes of the present as the five friends move toward an uncertain future. The result is a vividly realized fictional world rendered in prose that pivots easily from satire to tragedy and manages to be both wildly funny and soaringly poetic.
Vol. 1- , spring 1970- , include "A Bibliography of American doctoral dissertations on African literature," compiled by Nancy J. Schmidt.
Ruth Finnegan's Oral Literature in Africa was first published in 1970, and since then has been widely praised as one of the most important books in its field. Based on years of fieldwork, the study traces the history of storytelling across the continent of Africa. This revised edition makes Finnegan's ground-breaking research available to the next generation of scholars. It includes a new introduction, additional images and an updated bibliography, as well as its original chapters on poetry, prose, "drum language" and drama, and an overview of the social, linguistic and historical background of oral literature in Africa. This book is the first volume in the World Oral Literature Series, an ongoing collaboration between OBP and World Oral Literature Project. A free online archive of recordings and photographs that Finnegan made during her fieldwork in the late 1960s is hosted by the World Oral Literature Project (http: //www.oralliterature.org/collections/rfinnegan001.html) and can also be accessed from publisher's website.
From a forest of controversies and opinions by African and non-African critics and writers, Bishop has been able to elicit strong paradigms of critical and theoretical evaluation of African literature by Africans themselves, and therein lies the abiding merit of this book. Modern Fiction Studies The years immediately following World War II saw an extraordinary literary development in Black sub-Saharan Africa--the emergence of a virtually new literature. This phenomenon became the center of critical controversy as writers, commentators, and scholars attempted to forge a set of aesthetic standards for this new literature. Although the European contribution to this discussion is will known, the views of African critics, who have been writing voluminously on the subject since the 1940s, have been given far less attention. In this study, Bishop provides the first systematic examination of how Africans themselves have evaluated African literature in English and French from the early postwar years to the opening of the first World Festival of Negro Arts in 1966.