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This book applies scientific demographic methods to the study of Byzantine peasantry in a period of feudalization. The author shows that the number of peasants declined in the fourteenth and fifteenth centuries for reasons that had less to do with catastrophes than with internal social developments. Her book makes the first thorough analysis of this rural society, and one that draws on all available sources. It focuses on village structure and family or kinship groups as well as social and demographic trends. Angeliki Laiou-Thomadakis is Professor of History at Rutgers University and the author of Constantinople and the Latins (Harvard) Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This volume provides the first comprehensive survey of current methods, progress and debates in Roman demography, and offers new insights into key issues of population change and reproductive behaviour in the Roman world from Italy to Egypt.
This volume provides the first comprehensive survey of current methods, progress and debates in Roman demography, and offers new insights into key issues of population change and reproductive behaviour in the Roman world from Italy to Egypt.
In this book Dr Harvey shows that, if we broaden our comprehension of feudalism, the economic developments of the Byzantine Empire and of the medieval west were far more comparable than Byzantine historians have been prepared to admit. Previous interpretations have linked economic trends too closely to the political fortunes of the state, and have consequently regarded the twelfth century as a period of economic stagnation. Yet there is considerable evidence that the empire's population expanded steadily during the period covered by this book, and that agricultural production was intensified. A wealth of evidence serves to reinforce the point that the disintegration of the empire in the late twelfth century should no longer be associated with economic decline. Dr Harvey's conclusions, in particular that there is no incompatibility between the development of the landed wealth of a feudalising aristocracy and the growth of commerce and urbanisation, will affect all future interpretations of Byzantine history.
How do marginalized communities speak back to power when they are excluded from political processes and socially denigrated? In what ways do they use music to sound out their unique histories and empower themselves? How can we hear their voices behind stereotyped and exaggerated portrayals promoted by mainstream communities, record producers and government officials? Sounding Roman: Music and Performing Identity in Western Turkey explores these questions through a historically-grounded and ethnographic study of Turkish Roman ("Gypsies") from the Ottoman period up to the present. Drawing on extensive ethnographic fieldwork (1995 to the present), collected oral histories, historical documents of popular culture (recordings, images, song texts, theatrical scripts), legal and administrative documents, this book takes a hard look at historical processes by which Roman are stereotyped as and denigrated as "çingene"---a derogatory group name equivalent to the English term, "gypsy", and explores creative musical ways by which Roman have forged new musical forms as a means to create and assert new social identities. Sounding Roman presents detailed musical analysis of Turkish Roman musical genres and styles, set within social, historical and political contexts of musical performances. By moving from Byzantine and Ottoman social contexts, we witness the reciprocal construction of ethnic identity of both Roman and Turk through music in the 20th century. From neighborhood weddings held in the streets, informal music lessons, to recording studios and concert stages, the book traces the dynamic negotiation of social identity with new musical sounds. Through a detailed ethnography of Turkish Roman ("Gypsy") musical practices from the Ottoman period to the present, this work investigates the power of music to configure new social identities and pathways for political action, while testing the limits of cultural representation to effect meaningful social change.