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Jorge Luis Borges declared The Invention of Morel a masterpiece of plotting, comparable to The Turn of the Screw and Journey to the Center of the Earth. Set on a mysterious island, Bioy's novella is a story of suspense and exploration, as well as a wonderfully unlikely romance, in which every detail is at once crystal clear and deeply mysterious. Inspired by Bioy Casares's fascination with the movie star Louise Brooks, The Invention of Morel has gone on to live a secret life of its own. Greatly admired by Julio Cortázar, Gabriel García Márquez, and Octavio Paz, the novella helped to usher in Latin American fiction's now famous postwar boom. As the model for Alain Resnais and Alain Robbe-Grillet's Last Year in Marienbad, it also changed the history of film.
Francisco Goya y Lucientes (1746-1828) created magnificent paintings, tapestry designs, prints, and drawings over the course of his long and productive career. Women frequently appeared as the subjects of Goya's works, from his brilliantly painted cartoons for the Royal Tapestry Factory to his stunning portraits of some of the most powerful women in Madrid. This groundbreaking book is the first to examine the representations of women within Goya's multifaceted art, and in so doing, it sheds new light on the evolution of his artistic creativity as well as on the roles assumed by women in late eighteenth- and early nineteenth-century Spain. Many of Goya's most famous works are featured and explicated in this beautifully designed and produced book. The artist's famous tapestry cartoons are included, along with the tapestries woven after them for the royal palaces of the Prado and the Escorial. Goya's infamous Naked Maja and Clothed Maja are also highlighted, with a discussion on whether these works were painted at the same time and how they might have originally hung in relation to one another. Focus is also placed on Goya's more experimental prints and drawings, in which the artist depicted women alternatively as targets of satire, of sympathy, or of admiration. Essays by eminent authorities provide a historical and cultural context for Goya's work, including a discussion on the significance of fashion and dress during the period. The resultant volume is surely to be treasured by all who admire Goya's art and by those who are interested in women's issues of his time.
A Plan for Escape is a weird, engrossing novel, bound to captivate--if not totally satisfy--most readers. The story revolves around Henri Nevers, a Frenchman sent by his father to a post at a penal colony in French Guiana. Arriving at Cayenne, the seat of government, Nevers learns that the governor, Castel, has deserted Cayerme to "be alone with the prisoners" on the islands. When Nevers ferries to the islands, Castel meets him with delight as "an educated collaborator." Nevers intuits that "Castel's interest in social and prison matters is strictly sadistic," and he tries to remain uninvolved. Confronted by inmates' allusive remarks and his own observations, however, he is compelled to follow the clues that lead him to unearth the horrible results of Castel's reign. Despite the novel's horrors, its tone is eerily distanced by its point of view: The tale is narrated by Nevers' uncle who has pieced it together from his nephew's letters. This perspective allows for holes in the story which readers who demand closure may not accept. (What-they might ask-is Nevers' motivation for making his last, dangerous trip?) Other readers will enjoy puzzling over the small mysteries left after the main mystery is solved. The relationship between prisoners and keepers is a dominant theme. As one character states, "Conscience and prisons are incompatible." This theme proceeds from Argentinian writer Bioy-Casares' reaction to accounts of Nazism in 1945, and it also-as others have noted--predicts the systematic tortures that would take place in his country in the 1970s. --Independent Publisher.
A witty yet gripping pastiche of murder mysteries set in an Argentine seaside resort, peppered with literary allusions In seaside Bosque de Mar, guests at the Hotel Central are struck by double misfortune: the mysterious death of one of their party, and an investigation headed by the physician, writer and insufferable busybody, Dr. Humberto Huberman. When quiet, young translator Mary is found dead on the first night of Huberman's stay, he quickly appoints himself leader of an inquiry that will see blame apportioned in turn to each and every guest--including Mary's own sister--and culminating in a wild, wind-blown reconnaissance mission to the nearby shipwreck, the Joseph K. Never before translated into English, Where There's Love, There's Hate is both genuinely suspenseful mystery fiction and an ingenious pastiche of the genre, the only novel co-written by two towering figures of Latin American literature. Famously friends and collaborators of Jorge Luis Borges, husband and wife Bioy Casares and Ocampo combine their gifts to produce a novel that's captivating, unashamedly erudite and gloriously witty.
"At the end of carnival 1927, Emilio Gauna had an experience that he knew was the culmination of his life. The problem is that Gauna can only dimly remember what happened: he was out on the town with his raucous, reckless friends when a masked woman appeared. Several hours later, gasping and horrified, Gauna awoke at the edge of a lake. Three years later, he tries to solve the mystery the only way he knows: by re-creating the same situation and reliving it- despite the warnings of his secret protector, the Sorcerer. In The Dreams of Heroes, Adolfo Bioy Casares assembles magicians, prophetic and brave women, shamefully self-conscious men and Buenos Aires under the rubric of a sinister and mocking fate, and thrusts them forward into the dizzying realm of memory, doom and cyclical time. Written in 1954 and never before published in America, The Dream of Heroes stands as a predecessor of and model for a whole school of European and American novels that followed but never quite matched it"--