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"Oboe Odyssey: A Comprehensive Guide to Mastering the Oboe" is a definitive guidebook for anyone who wants to learn and excel at playing the Oboe. Whether you are a beginner who has never picked up the instrument or an experienced player looking to refine your skills, this book covers everything you need to know to take your Oboe playing to the next level. The book is divided into ten comprehensive chapters that cover a range of topics such as the history of the Oboe, different types of Oboes, proper posture and hand positions, techniques such as breathing exercises, producing a sound, playing basic fingerings and scales, advanced techniques such as articulation, vibrato, dynamics and phrasing, playing in tune, and different styles of music. In addition, the book also covers important topics such as playing in ensembles, advanced techniques, Oboe maintenance, Oboe performance, Oboe history and literature, and Oboe communities, making it a well-rounded and thorough guidebook for anyone interested in playing the Oboe. Throughout the book, the authors provide clear explanations, step-by-step instructions, and practical tips and advice, making it easy for readers to understand and apply the concepts presented. With its comprehensive coverage and practical approach, "Oboe Odyssey" is the ultimate guidebook for anyone who wants to master the Oboe and experience the joy of playing this beautiful and unique instrument.
Samuel Akpabots life tells a unique story of an incredible and fascinating journey encompassing over six decades. The life, music, and scholarly effervescence of Samuel Akpabot are indeed an epitome of intercultural musicology. The odyssey reveals a motion through a tri-cultural enclave in Africa, England, and the United States. The fundamental seed sown into the young Akpabot at Kings College and the Cathedral Church of Christ Choir, Lagos, ultimately blossomed into full Professorship at the University of Uyo and international stardom. His creative experience attests to the squirm that the first and second generation of Nigerian composers had to contend with to create indigenous African art music. Akpabot was a Jack of all trade, and Master of ALL. He was a classical and dance band pianist, organist, xylophonist, vibraphonist, trumpeter, drummer, composer, ethnomusicologist, African musicologist, intercultural musicologist, poet, Professor of music, conductor, broadcaster, and sports writer. Akpabot was a genius in all these areas and he dazzled the Nigerian and American students, audiences, congregations, sports enthusiasts, and colleagues, with his God given talents. A feisty scholar, his contribution to African musicology is indeed extensive and priceless. He covered every pertinent area in the study of African musictraditional music, popular dance music, church music, modern art music, and poetry. He exerted himself and was well-respected as an authority on African musicology. The book is divided into three main parts with an epilogue: (i) the biography of Samuel Akpabotchapter 2; (ii) his compositionschapters 3 to 5; and (iii) his contributions to knowledgechapters 6 to 11. Since Akpabots books are presently out-of-print, chapters 6 to 9 and 11 present a brief summary of each book in order for everyone to have access to his contribution to African musicology and Nigerian football. Chapter 10 is a succinct summation of nine of his published articles on African music. Composers, performers, African musicologists, ethnomusicologists, intercultural musicologists, and church musicians, would be enthralled by this ethnography on tri-cultural musicality.
In this 4th and fi nal volume of a series that includes more than 800 composers and over 30,000 compositions Stephen traces the history and development of Classical music in Australia. From obscure and forgotten composers to those who attained an international reputation this volume reveals their output, unique experiences and travails. The foundation and demise of music ensembles, institutions, venues and festivals is part of the story and included in the narrative are performers, conductors, entrepreneurs, educators, administrators, instrument makers, musicologists, music critics and philanthropists. A concise yet comprehensive picture of Australian music making can be found in any given year.
Norms of Word Association contains a heterogeneous collection of word association norms. This book brings together nine sets of association norms that were collected independently at different times during a 15-year period. Each chapter is a self-contained unit. The order in which the norms are presented is arbitrary, although an attempt is made to group together norms that seem to belong together. The 1952 Minnesota norms are presented first, due to "age" and in recognition of the fact that a number of the norms that follow are direct outgrowths of this work. The next three norms in this collection are responses to the Russell-Jenkins stimuli obtained from subjects representing different linguistic communities. A summary of association norms collected from British and Australian subjects are reported along with association norms from German and French college students and French workmen. Four sets of norms that are not directly related to the 1952 Minnesota collection are included. The text will be of interest to historians and researchers in the field of verbal learning and verbal behavior.
First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Includes entries for maps and atlases.