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Shaara is running out of friends. The sacrifices she and Warden made two years ago bought the League time, not victory. The war against the Undying has left them exhausted, drained of everything but hope—and precious little of that. The simple fact is that the Undying are going to win. Warden knows it, Shaara knows it. The Undying sure as hell know it. Until, out of the black, the Eternal comes to Shaara with an offer she can’t refuse, however much she’d like to. The threat he warned her about two years ago is real, and now it’s come calling. It cares nothing for their little war. All life in the galaxy, Undying or not, will end if it spreads unchecked. Shaara and the Eternal have little choice but to work together to destroy it . . . At least, for now. But people on both sides aren’t happy with an alliance, however temporary. Some of them are willing to risk all that lives just for a shot at power—and revenge. If Shaara can’t find a way to defeat them, she and the few friends she has left will lose more than their lives. They’ll lose everything.
First Lieutenant Shaara was dead this morning. Her captain is furious at her. She wasted company resources getting herself killed, and it’s coming out of her paycheck. Now, she’s sitting across from the first other human being she’s seen in six years. His name is Adnan. He claims to come from Earth—but that’s impossible. Earth died a long time ago. If Adnan’s telling the truth, he and the decaying ship the captain pulled him off are nearly a thousand years old. Wherever he’s from, he’s Shaara’s responsibility now. Which is the last thing she needs. But it’s either that, or the captain sells Adnan into slavery. Shaara knows what that would mean. Most humans do. And something inside her won’t let her abandon Adnan to it: revenant memories, stabbed awake by the look in his eyes. Facing those memories won’t be easy. It’d be far easier to ignore the feeling driving her forward. Far easier to let it all go to hell, and drift back to sleep. Until a shadowy new faction starts stoking the fires of war. They’re looking for Adnan; Earth’s last survivor holds the key to unleash a terrible, indiscriminate vengeance on the galaxy that wronged them. Who they are is a mystery—to everyone but Shaara. Hard as she’s tried to forget, she knows them all too well. Which means she’s the only one who can stop them. The question is: does she want to? Maybe the galaxy’s earned a little vengeance. The first book in the trilogy, Oblivion's Cloak, won First Place in the Space Opera category at the 2023 Cygnus Awards!
Eden is still working on freeing herself from the control of her evil overlords, but it’s proving to be harder than she’d hoped. The prediction Madam Quilla foretold for her future still hasn’t come true. She is drawn to the disturbingly sexy master vampire who keeps turning up to rescue her, but he doesn’t seem to be the answer to her problems. Sebastian has tried to forget about the woman who has ensnared him with her beauty. She is a distraction from his goal to seek revenge on his nemesis, yet he can’t get her out of his mind. His only choice is to seduce her so he can get her out of his system, then focus on his mission to find a suitable partner to become bonded to. Eden resorts to seeking out an exiled fairy for assistance. She discovers the spell Lord Dallinar cast on her is going to be harder to destroy than she’d figured. She will need someone who can use black magic to dispel it. That means she’ll have to deal with someone who is just as evil as the fae lord who bound her power. The assassin will do whatever she has to in order to be free, even if it means teaming up with a creature no sane person would trust.
Shaara never asked to be in charge. Since taking command of the mysterious AI warship Warden, and the eccentric mercenary company that calls him home, she’s only accepted jobs that let her conscience sleep at night. The trouble is, those jobs don’t pay too well. After more than a year of fighting for the downtrodden, the exploited, and the oppressed, the Wardens’ coffers are running dry. So when they get a suspicious but lucrative offer from a pariah republic on the fringe of galactic politics, Shaara ignores the warning voice in her head and accepts. Of course, the voice is right—it usually is. The contract takes the Wardens to the edges of explored space; there, in the vast darkness beyond the galactic core, a great and terrible force is gathering—a foe far deadlier than they’ve ever fought. The galaxy’s not ready to face it. Has Shaara saved them all from Gaeus Nemesis just to die another day? What’s more, this new enemy holds the key to another mystery. As they fight for their lives, Shaara and Corax are forced to ask themselves a question they hoped they’d never have to: How much do they really know about Warden? And can they trust him?
Two colonies set out from Earth. One would travel the solar system and return in fifty years. The other, by design, would never come back. The crew of the returning ship, however, finds that during its absence, it missed a rather crucial planetary event: the Apocalypse. Soon the last remaining humans--those in the second, wandering colony--are about to be thrust into a final battle for souls between the forces of good and evil. Evil is much better prepared for the fight, though. The futures of both mankind and the afterlife depend upon the actions of all the humans caught in the struggles. Even though the forces they are up against are no less powerful than deity, humans with enough willpower can sometimes do amazing things...
Sequel to: The ashes of tomorrow / by James Swallow.
This masterful novel represents an epic literary attempt to examine a very troubled Russia.
Oblivion is a heartbreaking, exquisitely written memorial to the author's father, Héctor Abad Gómez, whose criticism of the Colombian regime led to his murder by paramilitaries in 1987. Twenty years in the writing, it paints an unforgettable picture of a man who followed his conscience and paid for it with his life during one of the darkest periods in Latin America's recent history.
An account of the author's father: a Colombian doctor who fought against oppression and social inequality and who was murdered by paramilitaries in 1987.
The selected works of one of our finest American poets The thread that dangles us between a dark and a darker dark, Is luminous, sure, but smooth sided. Don’t touch it here, and don’t touch it there. Don’t touch it, in fact, anywhere— Let it dangle and hold us hard, let it flash and swing. —from “Scar Tissue” Over the course of his work—more than twenty books in total—Charles Wright has built “one of the truly distinctive bodies of poetry created in the second half of the twentieth century” (David Young, Contemporary Poets). Oblivion Banjo, a capacious new selection spanning his decades-long career, showcases the central themes of Wright’s poetry: “language, landscape, and the idea of God.” No matter the precise subject of each poem, on display here is a vast and rich interior life, a mind wrestling with the tenuous relationship between the ways we describe the world and its reality. The recipient of almost every honor in poetry—the Pulitzer Prize, the National Book Award, and the Bollingen Prize, to name a few—and a former poet laureate of the United States, Wright is an essential voice in American letters. Oblivion Banjo is the perfect distillation of his inimitable career—for devout fans and newcomers alike.