Download Free Objets Dart Et Dameublement Tableaux Anciens Sieges Et Meubles Tapisserie Daubusson Tapis Dorient Vente A Paris Hotel Drouot 13 Mars 1953 Book in PDF and EPUB Free Download. You can read online Objets Dart Et Dameublement Tableaux Anciens Sieges Et Meubles Tapisserie Daubusson Tapis Dorient Vente A Paris Hotel Drouot 13 Mars 1953 and write the review.

Exploring the notion of tactility in dada and surrealism
First published in 2003 Consuming the Past covers pilgrimages to popular festivals, from modern spectacles to advertising, from the work of avant-garde painters to the novels of Emile Zola, and explores the complexity of the fin-de-siècle French fascination with the Middle Ages. The authors map the cultural history of the period from the end of the Franco-Prussian war to the 1905 separation of Church and State illuminating the powerful appeal that the medieval past held for a society undergoing the rapid changes of industrialisation.
"This handsome publication, which accompanies a major exhibition at The Metropolitan Museum of Art, is a lively and engaging account of the artistic scene in Paris in the 1860s, the years that witnessed the beginnings of Impressionism. For the first time the interactions and relationships among the group of painters who became known as the Impressionists are examined without the overworn art historical polarities commonly evoked: academic versus avant-garde, classicist versus romantic, realist versus impressionist. A host of strong personalities contributed to this history, and their style evolved into a new way of looking at the world. These artists wanted above all to give an impression of truth and to have an impact on or even to shock the public. And they wanted to measure up to or surpass their elders. This complex and rich environment is presented here - the grand old men and the young turks encounter each other, the Salon pontificates, and the new generation moves fitfully ahead, benignly but always with determination." "Origins of Impressionism gives a day-by-day, year-by-year study of the genesis of an epoch-making style." "Bibliographies and provenances are provided for each of the almost two hundred works in the exhibition, and there is an illustrated chronology. With more than two hundred superb colorplates, this informative survey is an essential work for both the general reader and the scholar."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
One of the goals of Modernism was the presentation of the essence of art, or pure form. Encouraged by theorists, modern artists found pure form in ornament which, though promising, was sullied by connotations of materiality, domesticity, and femininity. Jenny Anger demonstrates that the decorative significantly informed Paul Klee's art. She compares his work to that of another major modernist, Henri Matisse, to confirm the critical role of the decorative in Modernism. Anger also explores the relevance of the decorative for contemporary and, especially, women artists.
"Lucas van Leyden (1494?-1533) was a remarkably versatile artist. His art, noted for its realism, dramatic power, and careful execution, ranges from the small half-length narratives of his youth to the carefully constructed, multifigured representations of his later years." "Until quite recently Lucas's oeuvre was inflated with inferior copies or stylistically unrelated works, leading one scholar to describe his painting career as inconsistent and illogical. Within the last fifteen years, however, his production and development as a painter have been redefined. Despite this renewed interest, The Paintings of Lucas van Leyden is the first comprehensive appraisal of Lucas's paintings." "Smith's survey of the biographical data focuses on Lucas's disputed birth date, his artistic training, and his travels to the southern Netherlands, which brought him into contact with two of the most significant northern artists of the early sixteenth century, Albrecht Durer and Jan Gossaert. Smith reveals the influence of their work, along with the prints of Marcantonio Raimondi, on Lucas's stylistic development. His paintings are also examined with reference to recurring thematic motifs. The early allegorical genre panels - with depictions of gaming, fortune-telling, and betrothal scenes - constitute an important transition in the movement of Netherlandish art away from its roots in the medieval church, providing Lucas with themes that reappeared in his later years. Most significant, the underlying topos of the Power of Women, with its corollary warning against the temptations of the flesh, was repeated in certain of his Old Testament paintings." "The catalogue raisonne contains entries on the extant originals as well as the numerous sixteenth- and seventeenth-century copies after lost works. These inclusions double the number of compositions firmly in Lucas's oeuvre, providing us with a richer understanding of his accomplishments as a painter." "This book will be an important addition to the history of Netherlandish art, as well as an aid to students of Flemish, German, and Italian art. In addition, it should appeal to cultural historians who are concerned with issues such as the representation of women, allegories of gaming, and artistic responses to the Reformation."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Touch is the first sense to develop in the womb, yet often it is overlooked. The Senses of Touch examines the role of touching and feeling as part of the fabric of everyday, embodied experience. How can we think about touch? Problems of touch and tactility run as a continuous thread in philosophy, psychology, medical writing and representations in art, from Ancient Greece to the present day. Picking through some of these threads, the book 'feels' its way towards writing and thinking about touch as both sensory and affective experience. Taking a broadly phenomenological framework that traces tactility from Aristotle through the Enlightenment to the present day, the book examines the role of touch across a range of experiences including aesthetics, digital design, visual impairment and touch therapies. The Senses of Touch thereby demonstrates the varieties of sensory experience, and explores the diverse range of our 'senses' of touch.
From the softest caress to the harshest blow, touch lies at the heart of our experience of the world. Now, for the first time, this deepest of senses is the subject of an extensive historical exploration. The Deepest Sense: A Cultural History of Touch fleshes out our understanding of the past with explorations of lived experiences of embodiment from the middle ages to modernity. This intimate and sensuous approach to history makes it possible to foreground the tactile foundations of Western culture--the ways in which feelings shaped society. Constance Classen explores a variety of tactile realms including the feel of the medieval city; the tactile appeal of relics; the social histories of pain, pleasure, and affection; the bonds of touch between humans and animals; the strenuous excitement of sports such as wrestling and jousting; and the sensuous attractions of consumer culture. She delves into a range of vital issues, from the uses--and prohibitions--of touch in social interaction to the disciplining of the body by the modern state, from the changing feel of the urban landscape to the technologization of touch in modernity. Through poignant descriptions of the healing power of a medieval king's hand or the grueling conditions of a nineteenth-century prison, we find that history, far from being a dry and lifeless subject, touches us to the quick.