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Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris examines a history of contact between modern Europe and East Asia through three collectors: Henri Cernuschi, Emile Guimet, and Edmond de Goncourt. Drawing on a wealth of material including European travelogues of the East and Asian reports of the West, Ting Chang explores the politics of mobility and cross-cultural encounter in the nineteenth century. This book takes a new approach to museum studies and institutional critique by highlighting what is missing from the existing scholarship -- the foreign labors, social relations, and somatic experiences of travel that are constitutive of museums yet left out of their histories. The author explores how global trade and monetary theory shaped Cernuschi's collection of archaic Chinese bronze. Exchange systems, both material and immaterial, determined Guimet's museum of religious objects and Goncourt's private collection of Asian art. Bronze, porcelain, and prints articulated the shifting relations and frameworks of understanding between France, Japan, and China in a time of profound transformation. Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris thus looks at what Asian art was imagined to do for Europe. This book will be of interest to scholars and students interested in art history, travel imagery, museum studies, cross-cultural encounters, and modern transnational histories.
This exhibition catalogue offers a magnificent, thorough study of 90 objects from the Qianlong Garden in Beijing's Forbidden City. Objects include wall paintings, furniture, architectural fittings, ceramics, and stone. They have been on public view infrequently and only in the Qianlong Garden, which is now undergoing a 20-year restoration under the lead of the World Monuments Fund and Beijing's Palace Museum. The garden is a two-acre tract consisting of 27 buildings, their contents, and a mature landscape--the whole complex is characterized as a "multi-layered artwork." Following an introduction by Elliott (Harvard), Berliner (Peabody Essex Museum) presents the general characteristics of scholar and emperor gardens, and the early gardens of Emperor Qianlong, along with a minute analysis of the Qianlong Garden. Yuan Hongqi (Palace Museum), Liu Chang (Tsinghua Univ., Beijing), and Henry Tzu Ng (World Monuments Fund) treat the garden's subsequent history. Interlaced throughout are superb illustrations of the objects and the garden, followed by a catalogue with small illustrations of objects, and their curatorial data; a chronology; a comparative, annotated time line; maps; glossary; and Chinese pronunciation guide. This must-buy publication is a model of sensitive scholarship that places the garden and its objects in an understandable, universal context. Summing Up: Highly recommended. Lower-level undergraduates and above; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Professionals/Practitioners. Reviewed by D. K. Haworth.
Xenakis: His Life in Music is a full-length study of the influential contemporary composer Iannis Xenakis. Following the trajectory of Xenakis’s compositional development, James Harley, who studied with Xenakis, presents the works together with clear explanations of the technical and conceptual innovations that shaped them. Harley examines the relationship between the composer and two early influences: Messiaen and Le Corbusier. Particular attention is paid to analyzing works which were vital to the composer’s creative development, from early, unpublished works to the breakthrough pieces Metastasis and Pithoprakta, through the oft-discussed decade of formalization and the evolving styles of the succeeding three decades.
The Guide provides a comprehensive survey of researchers, institutes, university departments, museums, organisations and newsletters in the field of Asian Studies in Europe.