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Japan held a profound fascination for western artists in the latter half of the nineteenth century and the influence of Japonisme on western art was pervasive. Paradoxically, just as western artists were beginning to find inspiration in Japan and Japanese art, Japan was opening to the western world and beginning a process of thorough modernisation, some have said westernisation. The mastery of western art was included in the programme. This book examines the nineteenth century art world against this background and explores Japanese influences on four artists working in Britain in particular: the American James McNeill Whistler, the Australian Mortimer Menpes, and the 'Glasgow boys' George Henry and Edward Atkinson Hornel. Japonisme in Britian is richly illustrated throughout.
In his will, Edmond de Goncourt (1822-1896) left a bequest in honor of his brother Jules de Goncourt (1830-1870) to establish and support a French literary salon, the Academie Goncourt, and later the famous Prix Goncourt, an award that to this day remains France's most significant literary prize. --- The Goncourt brothers, who co-authored a series of novels on social themes, were among the founders of literary "Naturalism" in France. Emile Zola would emerge as this movement's most important representative in his cycle of novels "Les Rougon- Macquart". --- Among the novels co-written by the Goncourt brothers, "Germinie Lacerteux" (1865) is especially noteworthy. The double-live of the novel's Parisian domestic servant, who is ground down and destroyed by the conditions she lives in, but who for decades keeps these conditions hidden from her employer, continues to captivate book-lovers in France and the rest of the world to this day.
This catalogue and its companion volume of essays are published in conjunction with the exhibition "The Private Collection of Edgar Degas," held at The Metropolitan Museum of Art, New York, from October 1, 1997, to January 11, 1998.
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