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Jacques' waking reveries and daydreams are balanced by a succession of dreams and nightmares that explore the seemingly irrational, often grotesque, world of unconscious desire, producing a series of images that challenges anything to be found in the fantasies of 'Against Nature', or the Satanic obsessions of 'La-Bas'."
"The Vatard Sisters brought Huysmans to the notice of the public and revealed him as a man who could paint word-pictures which put earlier practitioners like Gautier and Edmond de Goncourt in the shade...The novel is a story of two working-class sisters, but the main protagonist is Paris, suburban Paris, the Paris of railway stations, cheap restaurants and caf (c)-concerts...and the passages that describe the music-halls and crowds of the Avenue de Maine and the Boulevard Saint Michel, or the railway yard seen from the back window of the sisters' bedroom, have a visual immediacy...a kind of energy, a force of personality, which are utterly unusual in Huysmans' work..." ]Anita Brookner in The Genius of the Future

Catalogue des objets d'art et d'ameublement anciennes porcelaines de Sèvres, pate tendre de Saxe, de Chine, etc., jades et cristaux de roche chinois, objets de vitrine, éventails, râpes à tabac, sculptures, pendules, bronzes & meubles du XVIIIe siècle, du 1er empire et autres, vitrines meuble de salon en tapisserie du temps de Louis XV, tapisseries des XVIIe siècles gravures des écoles française et anglaise du XVIIIe si0ecle dépendent des collections de M. Édouard Chappey: Moyen âge et renaissance

Edouard Chappey

Published: 1907

Total Pages: 136


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