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What makes something sexy? Why are some things regarded as sacred and others profane? Why do mourners face such difficulty in parting with their beloved’s possessions? Why do we often feel distraught when we lose something, even when the object has little real value? We spend our lives in a meaningful dialogue with things around us. Sometimes the conversation is loud, as in a collector’s passion for coins or art. More often, the exchange is subtle and muted, even imperceptible. We are surrounded by things, and they affect our emotions and impact our thoughts. The arrival of a dozen flowers from a lover or a letter from a grandchild makes our day; an old photo album or an afghan knitted by a favorite aunt offers comfort when we are troubled. From exploring what makes something “beautiful” to why we place such value on antiques and artifacts from the past, Objects of Our Desire offers insights, both deep and delightful, into the ways we invest things with meaning and the powerful roles they play in our lives. Notice the inviting contours of that sofa, the glint of a knife’s edge, the sparkle of a diamond ring. Feel the softness of the pashmina around that woman’s milky shoulders. Look at the majesty of a large jet plane. Take in the somberness of a gravestone. Put on an old pair of shoes. Clutch a warm mug of freshly brewed coffee. Sit on a rocking chair. Feel the sumptuous leather seats of a new car. We are surrounded by things. We are involved with them, indebted to them. We speak to things and things speak to us. To say that we are interdependent is banal. Let us be courageous. Let us admit it: we are lovers. —From Objects of Our Desire
“A debut story collection of the rarest kind ... you wish that every single entry could be an entire novel." —Entertainment Weekly Fresh, intimate stories of women’s lives from an extraordinary new literary voice, laying bare the unexpected beauty and irony in contemporary life A college freshman, traveling home, strikesup an odd, ephemeral friendship with the couple next to her on the plane. A mother prepares for her son’s wedding, her own life unraveling as his comes together. A long-lost stepbrother’s visit to New York prompts a family’s reckoning with its old taboos. A wife considers the secrets her marriage once contained. An office worker, exhausted by the ambitions of the men around her, emerges into a gridlocked city one afternoon to make a decision. In these eleven powerful stories, thrilling desire and melancholic yearning animate women’s lives, from the brink of adulthood to the labyrinthine path between twenty and thirty, to middle age, when certain possibilities quietly elapse. Tender, lucid, and piercingly funny, Objects of Desire is a collection pulsing with subtle drama, rich with unforgettable scenes, and alive with moments of recognition each more startling than the last—a spellbinding debut that announces a major talent.
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Traces and analyzes the history of product design since 1750, beginning with the design and marketing innovations of Josiah Wedgwood, and examines how product design came into existence, how it influences our choices, and what is says about society
Freund explores the high-stakes world of American antiques collecting. He focuses on three of the most highly valued pieces at the prestigious 1991 Americana Week in New York. Tracing their histories and showing how they came to be at the heart of the antiques market, Freund also shares the fascinating history of how the world of antiques evolved.
This first book-length critical study of Jeremy Irons concentrates on his key performances and acting style. Through the analysis of some of the major screen roles in Irons's career, such as Brideshead Revisited, The French Lieutenant's Woman, Reversal of Fortune, Swann in Love, Dead Ringers and Lolita, Mark Nicholls identifies a new masculine identity that unites them: an emblematic figure of the 1980s and 1990s presented as an alternative to the action hero or the common man. Using clear explanations of complex theoretical ideas, this book investigates Jeremy Irons's performances through the lens of sexual inversion and social rebellion, to uncover an entirely original but recognizable screen type.
Surrealism expanded our reality by drawing upon myths, dreams, and the subconscious as sources of artistic inspiration. Beginning in the 1930s, the movement made a crucial impact on design, and it continues to inspire designers to this day. »Objects of Desire: Surrealism and Design« is the first book to document this fascinating conversation. It includes numerous essays and a comprehensive selection of images which traces these reciprocal exchanges by juxtaposing exemplary artworks and design objects. Among the featured artists and designers are Gae Aulenti, Achille Castiglioni, Giorgio de Chirico, Le Corbusier, Salvador Dalí, Marcel Duchamp, ntoni Gaudí, Frederick Kiesler, René Magritte, Carlo Mollino, Meret Oppenheim, and many others. The book is rounded off with historical text material as well as short texts and statements by contemporary designers. This in- depth examination makes one thing abundantly clear: form does not always follow function -- it can also follow our obsessions, our fantasies, and our hidden desires.
The declaration that a work of art is “about sex” is often announced to the public as a scandal after which there is nothing else to say about the work or the artist-controversy concludes a conversation when instead it should begin a new one. Moving beyond debates about pornography and censorship, Jennifer Doyle shows us that sex in art is as diverse as sex in everyday life: exciting, ordinary, emotional, traumatic, embarrassing, funny, even profoundly boring. Sex Objects examines the reception and frequent misunderstanding of highly sexualized images, words, and performances. In chapters on the “boring parts” of Moby-Dick, the scandals that dogged the painter Thomas Eakins, the role of women in Andy Warhol's Factory films, “bad sex” and Tracey Emin's crudely evocative line drawings, and L.A. artist Vaginal Davis's pornographic parodies of Vanessa Beecroft's performances, Sex Objects challenges simplistic readings of sexualized art and instead investigates what such works can tell us about the nature of desire. In Sex Objects, Doyle offers a creative and original exploration of how and where art and sex connect, arguing that to proclaim a piece of art “about sex” reveals surprisingly little about the work, the artist, or the spectator. Deftly interweaving anecdotal and personal writing with critical, feminist, and queer theory, she reimagines the relationship between sex and art in order to better understand how the two meet-and why it matters. Jennifer Doyle is associate professor of English at the University of California, Riverside. She is coeditor, with Jonathan Flatley and Jos Esteban Muoz, of Pop Out: Queer Warhol.
Tim Crane addresses the ancient question of how it is possible to think about what does not exist. He argues that the representation of the non-existent is a pervasive feature of our thought about the world, and that to understand thought's representational power ('intentionality') we need to understand the representation of the non-existent.