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In this stunning catalog, Wees, curator of decorative arts at the Clark Art Institute, shares her extensive knowledge of silver. Robert Sterling Clark, who established the Art Institute in 1955, preferred Huguenot silver? especially that of Paul de Lamerie? so his collection, which contains typical objects from the early 16th to the mid-20th centuries, is especially rich in 18th-century examples. Wees arranges this collection according to general function ("Dining," "Lighting," etc.) and prefaces each chapter with exhaustively footnoted essays. She accompanies each item with crisp black-and-white photographs, a wealth of description, and helpful commentary. Analogous to Kathryn Buhler's standard catalog of American silver in Boston's Museum of Fine Arts, this is a wonderful tool for researching makers and hallmarks, comparing stylistic elements, or just marveling at the beauty of an extraordinary collection. While not intended to be a historical compendium, this informative, visual feast belongs in all silver reference collections and will also certainly appeal to individual collectors. 19 colour & 1,222 b/w illustrations
From a basic Boy Scout knife and other simple pocketknives to rare Persian rugs, and from a strong interest in historic American clay jugs to fine Asian jade pieces, author Dr. John E. Burke has collected it all. In Never Enough, he describes his life journey through collecting, and at the same time explores why man is a collecting species. This memoir offers a look inside the mind of a passionate, knowledgeable collector as he discusses his progression from a curious neophyte to a proficient, expert collector in each of his eight domains. Burke walks through the stages of how to gain knowledge and experience and how he personally mastered each of his collections. He narrates how he became a collector of antiques and explains his passion for the objects he collects. Offering a useful introduction to collecting. Never Enough focuses on Burkes personal aspects of collecting including his own motivations and those of other collectors, and, ultimately, the meaning and satisfaction of collecting.
This comprehensive book brings to light the portraits, private collections and public patronage of the princesse de Lamballe, a pivotal member of Marie-Antoinette’s inner circle. Drawing extensively on unpublished archival sources, Sarah Grant examines the princess’s many portrait commissions and the rich character of her private collections, which included works by some of the period’s leading artists and artisans. The book sheds new light on the agency, sorority and taste of Marie-Antoinette and her friends, a group of female patrons and model of courtly collecting that would be extinguished by the coming revolution.
This work presents detailed technical descriptions of 66 Faberge eggs, as well as the stories of people involved in their making or presentation.