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This volume explores Rome's northern provinces through the portable artefacts people used and left behind. Objects are crucial to our understanding of the past, and can be used to explore interlinking aspects of identity. For example, can we identify incomers? How are exotic materials (such as amber and ivory) and objects depicting 'the exotic' (e.g. Africans) consumed? Do regional styles exist below the homogenizing influence of Roman trade? How do all these aspects of identity interact with others, such as status, gender, and age? In this innovative study, the author combines theoretical awareness and a willingness to engage with questions of social and cultural identity with a thorough investigation into the well-published but underused material culture of Rome's northern provinces. Pottery and coins, the dominant categories of many other studies, have here been largely excluded in favour of small portable objects such as items of personal adornment, amulets, and writing equipment. The case studies included were chosen because they relate to specific, often interlinking aspects of identity such as provincial, elite, regional, or religious identity. Their meaning is explored in their own right and in depth, and in careful examination of their contexts. It is hoped that these case studies will be of use to archaeologists working in other periods, and indeed to students of material culture generally by making a small contribution to a growing corpus of academic and popular books that develop interpretative, historical narratives from selected objects.
Identity has for long been an important concept in philosophy and logic. Plato in his Sophist puts same among those fonns which "run through" all others. The scholastics inherited the idea (and the tenninology), classifying same as one of the "transcendentals", i.e. as running through all the categories. The work of Locke and l.eibniz made the concept a problematic one. But it is rather recently, i.e. since the importance of Frege has been generally recognized, that there has been a keen interest in the notion, fonnulated by him, of a criterion of identity. This, at first sight harmless as well as useful, has proved to be like a charge of dynamite. The seed had indeed been sown long ago, by Euclid. In Book V of his Elements he first gives a useless defmition of a ratio: "A ratio is a sort of relation between two magnitudes in respect of muchness". But then, in definition 5 he answers, not the question "What is a ratio?" but rather ''What is it for magnitudes to be in the same ratio?" and this is the definition that does the work.
Identity has for long been an important concept in philosophy and logic. Plato in his Sophist puts same among those fonns which "run through" all others. The scholastics inherited the idea (and the tenninology), classifying same as one of the "transcendentals", i.e. as running through all the categories. The work of Locke and l.eibniz made the concept a problematic one. But it is rather recently, i.e. since the importance of Frege has been generally recognized, that there has been a keen interest in the notion, fonnulated by him, of a criterion of identity. This, at first sight harmless as well as useful, has proved to be like a charge of dynamite. The seed had indeed been sown long ago, by Euclid. In Book V of his Elements he first gives a useless defmition of a ratio: "A ratio is a sort of relation between two magnitudes in respect of muchness". But then, in definition 5 he answers, not the question "What is a ratio?" but rather ''What is it for magnitudes to be in the same ratio?" and this is the definition that does the work.
Material Identities examines the way that individuals use material objects as tools for projecting aspects of their identities. Considers the way identity is fashioned, launched, used, and admired in the material world. Contributors intervene from the disciplines of art history, anthropology, design and material culture. Considers contrasting media - painting, print, sculpture, dress, coinage, architecture, furniture, luxury items, and interior design. Explores the complexity of identity through the intersection notions of gender, ethnicity, age, sexuality, and class. Reaffirms the central role of public identities and their impact on social life.
A comprehensive introduction to the nature of the self and its relation to the body, this title places the problem of personal identity in the context of more general puzzles about identity, and discusses the major related theories.
" it engages with the agentive qualities of matter " it shows how affective dimensions in history connect with material history " it explores the religious and cultural identity dimensions of the use of materials and artefacts
Focusing on the experiences of Russian migrants to the United Kingdom, this book explores the connection between migrations, homes and identities. It evaluates several approaches to studying them, and is structured around a series of case studies on attitudes to homemaking, food and cooking, and clothing.
A powerful challenge to the way we understand the politics of race and the history of anti-racist struggle Whether class or race is the more important factor in modern politics is a question right at the heart of recent history’s most contentious debates. Among groups who should readily find common ground, there is little agreement. To escape this deadlock, Asad Haider turns to the rich legacies of the black freedom struggle. Drawing on the words and deeds of black revolutionary theorists, he argues that identity politics is not synonymous with anti-racism, but instead amounts to the neutralization of its movements. It marks a retreat from the crucial passage of identity to solidarity, and from individual recognition to the collective struggle against an oppressive social structure. Weaving together autobiographical reflection, historical analysis, theoretical exegesis, and protest reportage, Mistaken Identity is a passionate call for a new practice of politics beyond colorblind chauvinism and “the ideology of race.”
Over the course of the eighteenth century, Anglo-Americans purchased an unprecedented number and array of goods. The Power of Objects in Eighteenth-Century British America investigates these diverse artifacts—from portraits and city views to gravestones, dressing furniture, and prosthetic devices—to explore how elite American consumers assembled objects to form a new civil society on the margins of the British Empire. In this interdisciplinary transatlantic study, artifacts emerge as key players in the formation of Anglo-American communities and eventually of American citizenship. Deftly interweaving analysis of images with furniture, architecture, clothing, and literary works, Van Horn reconstructs the networks of goods that bound together consumers in Boston, New York, Philadelphia, and Charleston. Moving beyond emulation and the desire for social status as the primary motivators for consumption, Van Horn shows that Anglo-Americans' material choices were intimately bound up with their efforts to distance themselves from Native Americans and African Americans. She also traces women's contested place in forging provincial culture. As encountered through a woman's application of makeup at her dressing table or an amputee's donning of a wooden leg after the Revolutionary War, material artifacts were far from passive markers of rank or political identification. They made Anglo-American society.