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Dieses Werk ist Teil der Buchreihe TREDITION CLASSICS. Der Verlag tredition aus Hamburg veroffentlicht in der Buchreihe TREDITION CLASSICS Werke aus mehr als zwei Jahrtausenden. Diese waren zu einem Grossteil vergriffen oder nur noch antiquarisch erhaltlich. Mit der Buchreihe TREDITION CLASSICS verfolgt tredition das Ziel, tausende Klassiker der Weltliteratur verschiedener Sprachen wieder als gedruckte Bucher zu verlegen - und das weltweit! Die Buchreihe dient zur Bewahrung der Literatur und Forderung der Kultur. Sie tragt so dazu bei, dass viele tausend Werke nicht in Vergessenheit geraten
The Bavarian village of Oberammergau has staged the trial, crucifixion, and resurrection of Christ nearly every decade since 1634. Each production of the Passion Play attracts hundreds of thousands, many drawn by the spiritual benefits it promises. Yet Hitler called it a convincing portrayal of the menace of Jewry, and in 1970 a group of international luminaries boycotted the play for its anti-Semitism. As the production for the year 2000 drew near, James Shapiro was there to document the newest wave of obstacles that faced the determined Bavarian villagers. Erudite and judicious, Oberammergau is a fascinating and important look at the unpredictable and sometimes tragic relationship between art and society, belief and tolerance, religion and politics.
An exploration of the relationships between religion, performance, and life. Part I is set in 1575 in an English village whose traditional annual passion-play is about to be outlawed by Queen Elizabeth's anti-Catholic rulings; Part II is set in Oberammergau, 1934, as the town and the play are becoming Nazified; Part III takes place in an American small town from 1969 through the Reagan era and the present.
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
This early work by Jerome K. Jerome was originally published in 1891 and we are now republishing it with a brand new introductory biography. 'Diary of a Pilgrimage' is a novel set during a journey to Oberammergau, in Bavaria, to see the Passion play that is performed there every ten years. Jerome Klapka Jerome was born in Walsall, England in 1859. Both his parents died while he was in his early teens, and he was forced to quit school to support himself. In 1889, Jerome published his most successful and best-remembered work, 'Three Men in a Boat'. Featuring himself and two of his friends encountering humorous situations while floating down the Thames in a small boat, the book was an instant success, and has never been out of print. In fact, its popularity was such that the number of registered Thames boats went up fifty percent in the year following its publication.
Since it was first performed in 1634, the passion play at Oberammergau has been an unforgettable experience for many millions of people. Concise, compact, colorful, and informative, this latest in the Pilgrim’s Guide series will enable the visitor to make the most of their stay and evoke many lasting memories. Illustrated in full color, there is insight into the traditions and staging of the play and a brief synopsis as it unfolds on stage. Practical details include how to see the play, a plan of the village, and a guide to the surrounding area. This is the fifth edition with enlarged content. Ray Goodburn has organized and led groups there on numerous occasions and is doing so again in 2010.
In her study of Oberammergau, the Bavarian village famous for its decennial passion play, Helena Waddy argues against the traditional image of the village as a Nazi stronghold. She uses Oberammergau's unique history to explain why and how genuinely some villagers chose to become Nazis, while others rejected Party membership and defended their Catholic lifestyle. She explores the reasons for which both local Nazis and their opponents fought to protect the village's cherished identity against the Third Reich's many intrusive demands. She also shows that the play mirrored the Gospel-based anti-Semitism endemic to Western culture.