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Winner of the American Book Award Based on the author's own experiences, this award-winning novel was the first to tell the story of the evacuation, relocation, and dispersal of Canadian citizens of Japanese ancestry during the Second World War.
A literary exploration of Joy Kogawa's Obasan.
In ten essays, James (Queen's U., Kingston) examines various derivations of the sacred in contemporary Canadian culture. Most of the essays focus on the religious aspects of modern Canadian English fiction including the fiction of Hugh MacLennan, Morley Callaghan, Margaret Atwood, and Joy Kogawa.
Gently to Nagasaki is a spiritual pilgrimage, an exploration both communal and intensely personal. Set in Vancouver and Toronto, the outposts of Slocan and Coaldale, the streets of Nagasaki and the high mountains of Shikoku, Japan, it is also an account of a remarkable life. As a child during WWII, Joy Kogawa was interned with her family and thousands of other Japanese Canadians by the Canadian government. Her acclaimed novel Obasan, based on that experience, brought her literary recognition and played a critical role in the movement for redress. Kogawa knows what it means to be classified as the enemy, and she seeks urgently to get beyond false and dangerous distinctions of "us" and "them." Interweaving the events of her own life with catastrophes like the bombing of Nagasaki and the massacre by the Japanese imperial army at Nanking, she wrestles with essential questions like good and evil, love and hate, rage and forgiveness, determined above all to arrive at her own truths. Poetic and unflinching, this is a long awaited memoir from one of Canada's most distinguished literary elders.
Joy Kogawa, internationally celebrated author of Obasan and The Rain Ascends, offers a feminist version of the biblical story of Lilith, the "first Eve." Illustrated by Lilian Broca, A Song of Lilith combines poetry and artwork in a powerful ode to truth, transformation, and homecoming.
A young couple leaves Japan for the coast of Canada, bringing a cherry seed to plant in their new garden. During the years that follow, the little cherry tree watches over the family as the couple have children, and then grandchildren. Young Naomi makes the cherry tree her special friend, and the tree's branches shelter her as she plays. But one day, war breaks out between the two countries, and the family is sent to an internment camp away from the coast. And though Naomi often dreams of going home, the dream fades as the years go by. The little tree is left behind to mourn its loss. For many years the cherry tree sends out a song of love and peace that reaches Naomi only in her dreams. But the insects and small animals hear the song, and on the wind they send back their own messages to the tree, assuring it that Naomi is safe and that one day she will return. And when she does, the tree will be waiting for her. Based on the World War II story of Naomi and Stephen in Naomi's Road, Naomi's Tree is a poetic story about enduring love and its almost mystical power to heal the spirit.
In Joy Kogawa's masterful third novel, a middle-aged woman discovers that her father, a respected Anglican priest, has long been a sexual abuser of boys. Originally published to critical acclaim in 1995, The Rain Ascends has been revisited by the author, with substantive additions to the end of the narrative that bring to fruition the heroine's struggle for forgiveness and redemption. As a middle-aged mother, Millicent is confronted with the secrets of her father's past as she recalls certain events in her childhood-a childhood that, on the surface, was a blissful one. Disbelief turns to confusion as she faces up to the sins of her father and wrestles with a legacy of lies, silence and her own embattled conscience. In The Rain Ascends, Joy Kogawa beautifully sifts the truth from the past and the sinner from the perceived saint. The result is a sensitive, poetic, yet searing depiction of the wounds left by abuse and the redemption brought by truth.
Tell This Silence by Patti Duncan explores multiple meanings of speech and silence in Asian American women's writings in order to explore relationships among race, gender, sexuality, and national identity. Duncan argues that contemporary definitions of U.S. feminism must be expanded to recognize the ways in which Asian American women have resisted and continue to challenge the various forms of oppression in their lives. There has not yet been adequate discussion of the multiple meanings of silence and speech, especially in relation to activism and social-justice movements in the U.S. In particular, the very notion of silence continues to invoke assumptions of passivity, submissiveness, and avoidance, while speech is equated with action and empowerment. However, as the writers discussed in Tell This Silence suggest, silence too has multiple meanings especially in contexts like the U.S., where speech has never been a guaranteed right for all citizens. Duncan argues that writers such as Maxine Hong Kingston, Mitsuye Yamada, Joy Kogawa, Theresa Hak Kyung Cha, Nora Okja Keller, and Anchee Min deploy silence as a means of resistance. Juxtaposing their “unofficial narratives” against other histories—official U.S. histories that have excluded them and American feminist narratives that have stereotyped them or distorted their participation—they argue for recognition of their cultural participation and offer analyses of the intersections among gender, race, nation, and sexuality. Tell This Silence offers innovative ways to consider Asian American gender politics, feminism, and issues of immigration and language. This exciting new study will be of interest to literary theorists and scholars in women's, American, and Asian American studies.