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This is the first detailed English-language study of the Obaku branch of Japanese Zen. Beginning with the founding of the sect in Japan by Chinese monks in the seventeenth century, the volume describes the conflicts and maneuverings within the Buddhist and secular communities that led to the emergence of Obaku as a distinctive institution during the early Tokugawa period. Throughout the author explores a wide range of texts and includes excerpts from important primary documents such as the Zenrin shuheishu and the Obaku geki, translated here for the first time. She provides an impressive portrait of the founding Chinese leadership and the first generation of Japanese converts, whose work enabled the fledgling sect to grow and take its place beside existing branches of the closely related Rinzai Zen sect. Obaku's distinctive Chinese practices and characteristics set it apart from its Japanese counterparts. In an innovative investigation of these differences, the author uses techniques derived from the contemporary study of new religious movements in the West to explain both Obaku's successes and failures in its relations with other Japanese Buddhist sects. She illuminates the role of government support in the initial establishment of the main monastery, Mampuku-ji, and the ongoing involvement of the bakufu and the imperial family in Obaku's early development. Hers is a thorough and well-governed analysis that brings to the fore a religious movement that has been much neglected in Japanese and Western scholarship despite its tremendous influence on modern Japanese Buddhism as a whole.
The Zen tradition has just two main meditative practices: shikantaza, or "just sitting"; and introspection guided by the powerful Zen teaching stories called koans. Following in the tradition of The Art of Just Sitting (endorsed as a "A book we have needed for a long, long time"), this new anthology from John Daido Loori illuminates the subtle practice of koan study from many different points of view. Includes writings by: Robert Aitken William Bodiford Robert Buswell Roko Sherry Chayat Francis Dojun Cook Eihei Dogen Heinrich Dumoulin Hakuin Ekaku Victor Sogen Hori Keizan Jokin Philip Kapleau Chung-fen Ming-Pen Taizan Maezumi Dennis Genpo Merzel Soen Nakagawa Ruth Fuller Sasaki Sokei-an Sasaki Nyogen Senzaki Zenkei Shibayama Eido Shimano Philip Yampolsky Hakuun Yasutani Wayne Yokoyama Katsushiro Yoshizawa
A thought-provoking collection of Zen koans culls the wisdom of thisnfluencial brand of Buddhism to present a series of "teaching stories" thatresent spiritual wisdom in interesting ways. Original.
The Spirit of Zen is a collection of inspiring teaching stories taken from the classical works of Zen Buddhism. Zen is probably the most well known yet misunderstood version of Buddhism in the West. The Spirit of Zen presents the most basic principles and practices of Zen in a simple yet authentic fashion. The Spirit of Zen guides you down the path to enlightenment with stories, history and practical guidance from the masters of Zen. Often the stories contained in these teachings are an attempt to shake the student out of his or her complacent accepting of 'things as they are.' By bypassing the ordinary mindset, the often puzzling actions of the Zen master to his students awaken something in them they didn't know they had. This is all part of the attempt of the master to awaken the student to the reality of his or her own being and place in the great scheme of things. By using these radical forms of teaching, the master is jolting the student out of any preconceptions they may have about spiritual attainment. Thus the famous dictum 'If you see the Buddha in the road, kill him.' The stories are arranged according to theme: Gradual Enlightenment, Sudden Enlightenment, Teaching Stories, Paradoxical Teaching, Eccentric Masters etc. Most of them are from traditional sources with some original additions from Taoist expert Solala Towler. The simple yet profound truths of spiritual practice and awakening are often best learned from stories, rather than ponderous dissertation. These stories are profound and illuminating while also being entertaining, contain the kernel or true flavor of Zen.
The Japanese tea ceremony is generally identified with chanoyu and its bowls of whipped, powdered green tea served in surroundings influenced by the tenets of Zen Buddhism. Tea of the Sages is the first English language study of the alternate tea tradition of sencha. At sencha tea gatherings, steeped green leaf tea is prepared in an atmosphere indebted to the humanistic values of the Chinese sages and the materialistic culture of elite Chinese society during the Ming and Qing dynasties. Although sencha once surpassed chanoyu in popularity, it is now overshadowed by chanoyu, despite the existence of more than a hundred sencha schools throughout Japan. This exceptionally well-illustrated volume explores sencha's philosophy and arts from the seventeenth century to the present. Introduced by Chinese merchants and scholar-monks, sencha first gained favor in Japan among devotees of the Chinese literati. By the early nineteenth century, it had become popular with a wide spectrum of urban and rural residents. Some took up sencha as a subversive activity in opposition to the mandated protocol of chanoyu. Others enjoyed sencha because of its connections with elite Chinese culture, knowledge of which indicated intellectual and cultural refinement. Still others relished it simply as a fine tasting beverage. Sencha inspired painters and poets and fostered major advances within craft industries from ceramics to metalwork and basketry. Sencha aficionados, many of whom became serious connoisseurs of Chinese art and antiquities, hosted some of the earliest public art exhibitions. Tea of the Sages opens with a chronological overview of tea in China and its transmission to Japan before situating sencha within the rich milieu of Chinese material culture available in early modern Japan. Subsequent chapters outline the multifaceted history of the formalization of the sencha tea ceremony, drawing upon sources such as treatises and less formal writings as well as analysis of tea gathering records, utensils and their prescribed arrangements, paintings, prints, and sencha architecture.
Essays by Ernst Benz, Henry Corbin, Jean Daniélou, Mircea Eliade, G. van der Leeuw, Fritz Meier, Adolf Portmann, Daisetz T. Suzuki, Paul Tillich, Lancelot Law Whyte, and Heinrich Zimmer. Originally published in 1964. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
A collection of essays that provide insight into Japanese culture. This book is a great buy for anyone interested in Japan.
Over 1,700 alphabetically-arranged entries cover the beliefs, practices, significant movements, organizations, and personalities associated with Zen Buddhism.