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This beautifully illustrated children’s book explores how Walt Whitman was affected by the Civil War and inspired by President Lincoln. O Captain, My Captain tells the story of one of America’s greatest poets and how he was inspired by one of America’s greatest presidents. Whitman and Lincoln shared the national stage in Washington, DC, during the Civil War. Though the two men never met, Whitman would often see Lincoln’s carriage on the road. The president was never far from the poet’s mind, and Lincoln’s “grace under pressure” was something Whitman returned to again and again in his poetry. Whitman witnessed Lincoln’s second inauguration and mourned along with America as Lincoln’s funeral train wound its way across the landscape to his final resting place. The book includes the poem “O Captain! My Captain!” and an excerpt from “When Lilacs Last in the Dooryard Bloom’d,” as well as brief bios of Lincoln and Whitman, a timeline of Civil War events, endnotes, and a bibliography.
Pirates aren’t supposed to get lovesick, but that’s what’s happened to Dread Pirate Captain Louis, master of the good ship Boattega. Unaware he’s already stolen the dread pirate's heart, Captain Montgomery Montgomery, ambitious head of the anti-piracy task force and woke af, is intent on reforming the sexy bad boy. What happens next includes a shocking lack of boundaries, inexperience in love, a bitey pet possum, mermaids that won't leave and then kind of do, and the promise of Spanish treasure untold. And pirate booty. A lot of pirate booty. And isn't that the REAL treasure?
One of the Greatest Poems in American Literature Walt Whitman (1819-1892) was considered by many to be one of the most important American poets of all time. He had a profound influence on all those who came after him. “Song of Myself”, a portion of Whitman’s monumental poetry collection “Leaves of Grass”, is one of his most beloved poems. It was through this moving piece that Whitman first made himself known to the world. One of the most acclaimed of all American poems, it is written in Whitman’s signature free verse style, without a regular form, meter, or rhythm. His lines have a mesmerizing chant-like quality, as he sought to make poetry more appealing. Few poems are as fun to read aloud as this one. Considered to be the core of his poetic vision, this poem is an optimistic and inspirational look at the world in 1855. It is exhilarating, epic, and fresh in its brilliant and fascinating diction and wordplay as it tries to capture the unique meaning of words of the day, while also embracing the rapidly evolving vocabularies of the sciences and the streets. Far ahead of its time, it was considered by many social conservatives to be scandalous and obscene for its depiction of sexuality and desire, while at the same time, critics hailed the poem as a modern masterpiece. This first version of “Song of Myself” is far superior to the later versions and will delight readers with the playfulness of its diction as it glorifies the self, body, and soul. “I am large, I contain multitudes,”
NEW YORK TIMES BESTSELLER “Derek Jeter is undoubtedly the most talked about, argued about, cheered, booed and ultimately respected baseball player of his generation. And as public a figure as he has been, he is in many ways the least known. That changes now as Ian O’Connor, one of the best sports writers anywhere, goes deep and does what no one has quite been able to do: Tell us a bit about who Derek Jeter really is.”—Joe Posnanski, author of The Machine "Deftly told.”—The Washington Post In The Captain, Ian O’Connor draws on unique access to Derek Jeter and more than 200 new interviews to reveal how a biracial kid from Michigan became New York’s most beloved sports figure and the face of the steroid-free athlete. O’Connor takes us behind the scenes of a legendary baseball life, from Jeter’s early struggles in the minor leagues, when homesickness and errors threatened a stillborn career, to the heady days of Yankee superiority and nightlife, to the battles with former best friend A-Rod. All along the way, Jeter has made his Hall-of-Fame destiny look easy. But behind that leadership and hero’s grace there are hidden struggles and complexities that have never been explored, until now.
A contemporary envisioning of a nineteenth-century poem pairs artwork by G. Brian Karas with the Henry Wadsworth Longfellow classic. His brow is wet with honest sweat; He earns whate’er he can, And looks the whole world in the face, For he owes not any man. The neighborhood blacksmith is a quiet and unassuming presence, tucked in his smithy under the chestnut tree. Sturdy, generous, and with sadness of his own, he toils through the day, passing on the tools of his trade, and come evening, takes a well-deserved rest. Longfellow’s timeless poem is enhanced by G. Brian Karas’s thoughtful and contemporary art in this modern retelling of the tender tale of a humble craftsman. An afterword about the tools and the trade of blacksmithing will draw readers curious about this age-honored endeavor, which has seen renewed interest in developed countries and continues to be plied around the world.
This charming, irresistible debut novel set in London during World War II about a young woman who longs to be a war correspondent and inadvertently becomes a secret advice columnist is “a jaunty, heartbreaking winner” (People)—for fans of The Guernsey Literary and Potato Peel Pie Society and Lilac Girls. Emmeline Lake and her best friend Bunty are doing their bit for the war effort and trying to stay cheerful, despite the German planes making their nightly raids. Emmy dreams of becoming a Lady War Correspondent, and when she spots a job advertisement in the newspaper she seizes her chance; but after a rather unfortunate misunderstanding, she finds herself typing letters for the formidable Henrietta Bird, renowned advice columnist of Woman’s Friend magazine. Mrs. Bird is very clear: letters containing any Unpleasantness must go straight into the bin. But as Emmy reads the desperate pleas from women who many have Gone Too Far with the wrong man, or can’t bear to let their children be evacuated, she begins to secretly write back to the readers who have poured out their troubles. “Fans of Jojo Moyes will enjoy AJ Pearce’s debut, with its plucky female characters and fresh portrait of women’s lives in wartime Britain” (Library Journal)—a love letter to the enduring power of friendship, the kindness of strangers, and the courage of ordinary people in extraordinary times. “Headlined by its winning lead character, who always keeps carrying on, Pearce's novel is a delight” (Publishers Weekly). Irrepressibly funny and enormously moving, Dear Mrs. Bird is “funny and poignant…about the strength of women and the importance of friendship” (Star Tribune, Minneapolis).
“An important contribution to Civil War scholarship, offering an engrossing portrait of these important campaigns . . . this reviewer recommends it highly.” —NYMAS Review The fall of Vicksburg in July 1863 fundamentally changed the strategic picture of the American Civil War, though its outcome had been anything but certain. Union general Ulysses S. Grant tried for months to capture the Confederate Mississippi River bastion, to no avail. A bold running of the river batteries, followed by a daring river crossing and audacious overland campaign, finally allowed Grant to pen the Southern army inside the entrenched city. The long and gritty siege that followed led to the fall of the city, the opening of the Mississippi to Union traffic, and a severance of the Confederacy in two. In Tennessee, meanwhile, the Union Army of the Cumberland brilliantly recaptured thousands of square miles while sustaining fewer than six hundred casualties. Commander William Rosecrans worried the North would “overlook so great an event because it is not written in letters of blood”—and history proved him right. The Tullahoma campaign has stood nearly forgotten compared to events along the Mississippi and in south-central Pennsylvania, yet all three major Union armies scored significant victories that helped bring the war closer to an end. The public historians writing for the popular Emerging Civil War blog, speaking on its podcast, or delivering talks at its annual Emerging Civil War Symposium in Virginia always present their work in ways that engage and animate audiences. Their efforts entertain, challenge, and sometimes provoke with fresh perspectives and insights born from years of working at battlefields, guiding tours, and writing for the wider Civil War community. The Summer of ’63: Vicksburg and Tullahoma is a compilation of some of their favorites, anthologized, revised, and updated, together with several original pieces. Each entry includes helpful illustrations. This important study, when read with its companion volume The Summer of ’63: Gettysburg, contextualizes the major 1863 campaigns in what arguably was the Civil War’s turning-point summer.