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Nunsense: The Mega-Musical Version is here! All the fun of the original Nunsense has been super-sized! If you're looking for a large cast musical comedy, this award-winning show is the perfect choice. Mega-Nunsense, starring the original five nuns features five new (male and female) characters, including the never-before-seen infamous convent cook, Sister Julia, Child of God. In addition, there is a large chorus of men, women, and children. Nunsense, the winner of four Outer Critics Circle Awards, including Best Musical, was called "A hail of fun and frolic" by The New York Times. And now it's bigger and better than ever! It would be a sin to pass up the opportunity to present it!
The show is a fund raiser put on by the Little Sisters of Hoboken to raise money to bury sisters accidently poisoned by the convent cook, Sister Julia (Child of God). -- Publisher's description.
Smack-dab in the middle of America in Winnetka, Illinois, four women enter a Betty Crocker cooking contest in hopes of changing their lives. What they get is much more than they bargained for. Little did they know that it would take a zoologist from Indiana University, Alfred C. Kinsey, to really get them “cooking”! In an age when people believed the way to a man’s heart was through his stomach, the four women discover that the way to a woman’s heart is through her best friends.
THE STORY: Now an aspiring young architect in Terre Haute, Indiana, Willum Cubbert has often told his friends about the debt he owes to Rick Steadman, a fellow ex-GI whom he has never met but who saved his life after he was seriously wounded in Vie
Red, white, and Tuna is the third play in the four-play saga that began wtih Greater Tuna. It is Fourth of July in Tuna, the third smallest town in Texas, and the occasion is ripe with tension ... it's just another typical day in Tuna where nothing ever changes while everything does.
From the diverse proto-theatres of the mid-1800s, though the revues of the ‘20s, the ‘true musicals’ of the ‘40s, the politicisation of the ‘60s and the ‘mega-musicals’ of the ‘80s, every era in American musical theatre reflected a unique set of socio-cultural factors. Nathan Hurwitz uses these factors to explain the output of each decade in turn, showing how the most popular productions spoke directly to the audiences of the time. He explores the function of musical theatre as commerce, tying each big success to the social and economic realities in which it flourished. This study spans from the earliest spectacles and minstrel shows to contemporary musicals such as Avenue Q and Spiderman. It traces the trends of this most commercial of art forms from the perspective of its audiences, explaining how staying in touch with writers and producers strove to stay in touch with these changing moods. Each chapter deals with a specific decade, introducing the main players, the key productions and the major developments in musical theatre during that period.
Includes furniture and property list, costumes and set design.
When their eighty-five-year-old father dies, sparring siblings Maggie and Jake must face a question: How to break the bad news to their sister Amy, who has Down syndrome and has lived in a state home for years? Along the way, the pair find out just how much they don’t know about their family and each other. It seems only Amy knows who she really is.
Eleven monologues for actresses.
THE STORY: A church Christmas program spins hilariously out of control in this Southern farce about squabbling sisters, family secrets, a surly Santa, a vengeful sheep and a reluctant Elvis impersonator. It's Christmas-time in the small town of Fayro, Tex