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Living in the Number One Country is Herbert I. Schiller's chronicle of the symbiotic relationship between post-WWII American Empire and the substance and technology of the communications businesses. Schiller traces how the State has supported corporatized information by pushing their products abroad both through phony pronouncements about "the free-flow of information," and by subsidizing research and development for new technologies. Schiller's refreshing account infuses elements of his own experience; growing up during the Great Depression in New York, as a bureaucrat in the civilian sector of the military occupation forces in Berlin after the war, and as a radical journalist and academic. This intriguing book argues that the main pillar of today's U.S. economy—the ever-expanding communication sector—is also the most crucial element in keeping a 500-year social system, capitalism, alive. Capitalism's future relies not only on labor exploitation, but also on a steadily entertained, and hence diverted, populace. Therein lies the importance of challenging the overarching institutions of corporate information production.
From a childhood nurtured by unconditional family love to her stunning triumph as one of Hollywood’s leading fashion designers, Alexandra Lyons has always been spirited and independent. But everything she believes about herself is thrown into question when she meets Eleanor Lord. The powerful matriarch is convinced that Alexandra is Anna Lord, her long-lost granddaughter and heir to a family dynasty. Has Alexandra’s life been a lie? Is she really Anna Lord—or the victim of an even darker hoax? The truth lies buried in the past, in a dark explosion of jealousy, betrayal and murder, and remains as deadly now as it was nearly thirty years ago.
This book features Karl Lagerfeld's most beautiful photographs of haute-couture garments shot for French fashion magazine Numéro, to celebrate its 15 years of collaboration with the famous fashion designer. Who else but Lagerfeld could better reveal the timeless and intricate beauty of couture? With all his innate imagination and indulgence, Lagerfeld has immortalized the iconic models of our time within the covers of Numéro: Cara Delevingne, Linda Evangelista, Natasha Poly, Anja Rubik, Lara Stone, Stella Tennant, Natalia Vodianova--all these and more have participated in his game, often framed by sumptuous decors worthy of the greatest Hollywood productions. Lagerfeld's spectacular stagings visualize our most daring fantasies of female archetypes, from fairytale princesses to contemporary muses.
An innovative history of the fashion industry, focusing on the connections between Paris and New York, art and finance, and design and manufacturing. Fashion is one of the most dynamic industries in the world, with an annual retail value of $3 trillion and globally recognized icons like Coco Chanel, Christian Dior, and Yves Saint Laurent. How did this industry generate such economic and symbolic capital? Focusing on the roles of entrepreneurs, designers, and institutions in fashion’s two most important twentieth-century centers, Paris to New York tells the history of the industry as a negotiation between art and commerce. In the late nineteenth century, Paris-based firms set the tone for a global fashion culture nurtured by artistic visionaries. In the burgeoning New York industry, however, the focus was on mass production. American buyers, trend scouts, and designers crossed the Atlantic to attend couture openings, where they were inspired by, and often accused of counterfeiting, designs made in Paris. For their part, Paris couturiers traveled to New York to understand what American consumers wanted and to make deals with local manufacturers for whom they designed exclusive garments and accessories. The cooperation and competition between the two continents transformed the fashion industry in the early and mid-twentieth century, producing a hybrid of art and commodity. Véronique Pouillard shows how the Paris–New York connection gave way in the 1960s to a network of widely distributed design and manufacturing centers. Since then, fashion has diversified. Tastes are no longer set by elites alone, but come from the street and from countercultures, and the business of fashion has transformed into a global enterprise.
From the catwalks of Paris to the sweatshops of South Korea; from Seventh Avenue glitz to Tokyo new-wave... The sophisticated brokings of the fashion conspiracy have generated a powerful new force in the world economy; designer money. Nicholas Coleridge presents a fascinating portrait of the jet-setting matrons who are the gurus and tyrants of the fashion press; of fashion legends like Paloma Picasso and Tina Chow; of the top store buyers who command $700 million a season. He probes the incredible world of the designer billionaires like Ralph Lauren, Calvin Klein and Yves St Laurent whose fashion empires are richer than entire Third World countries. Here are the jealousies, the glamour, the buccaneering, the espionage and the razzmatazz in a witty and penetrating guide to an extraordinary world.
The secret to our destiny lies in the numbers. With more than 500 fascinating pages on the theory and practice of numerology packed into this little powerhouse, anyone can become an expert on the subject. Like astrology, numerology is based on birth date, but it uses names, too. Each letter of the alphabet has a matching number (from 1 to 9), and that s where the illumination begins. Seekers will enjoy a new understanding of their numerological fortunes, including the Soul Urge, which motivates our actions; the Quiet Self, which reveals our inner desires; and The Expression, which explains how to accomplish our goals. Like every Little Giant, this entry presents an extraordinary amount of information in a convenient format, with dozens of charts, tables, and graphs.
Using image and film advertisements, interviews, social media and public and private archives, Luxury Fashion and Media Communication offers an interdisciplinary approach to analyzing the value of the luxury object. Regular reports on consumption in media and frequent advertising on social media have allowed people all over the world to share in the issues and development of luxury; but how is it communicated, and how has it affected the consumer? An international range of scholars explore the material and immaterial value and meaning of luxury, how it is materialized and how it is communicated between the luxury industry and the consumer. Investigating French, Italian and Spanish luxury brands and their communication strategies on the global market, and including two chapters focusing specifically on the Chinese and American markets, they examine the ambiguity of the luxury commodity. This volume shows particularly the conflicting narratives between the idea of exclusivity and human skills and their mass marketing. In exploring theoretical perspectives alongside the practicalities of how luxury is communicated, Luxury Fashion and Media Communication reveals the value of the luxury object and the consumer's behaviour in relation to that value. It offers an innovative and important intervention in the inter-related fields of luxury fashion, media and communication, and key reading for scholars, students and practitioners wishing to explore the material and immaterial value of luxury.