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Hawai'i version of The 12 Days of Christmas.
This icily innovative thriller begins with every parent’s worst nightmare, when Davis Moore’s teenage daughter is brutally raped and murdered by an unknown assailant. It gets worse. For Davis Moore is a fertility doctor, dealing with cutting-edge genetic reproductive techniques. It’s a controversial and dangerous occupation: Moore has already been the object of a fanatic’s assassination attempt. But for a father driven half-mad by grief, his work presents one startling and dangerous opportunity–the chance to look into the face of his daughter’s killer. From the Trade Paperback edition.
Novelist and critic Alexander Theroux analyzes the pop song. National Book Award nominee, critic and one of America’s least compromising satirists, Alexander Theroux takes a comprehensive look at the colorful language of pop lyrics and the realm of rock music in general in The Grammar of Rock: silly song titles; maddening instrumentals; shrieking divas; clunker lines; the worst (and best) songs ever written; geniuses of the art; movie stars who should never have raised their voice in song but who were too shameless to refuse a mic; and the excesses of awful Christmas recordings. Praising (and critiquing) the gems of lyricists both highbrow and low, Theroux does due reverence to classic word-masters like Ira Gershwin, Jimmy Van Heusen, Cole Porter, and Sammy Cahn, lyricists as diverse as Hank Williams, Buck Ram, the Moody Blues, and Randy Newman, Dylan and the Beatles, of course, and more outré ones like the Sex Pistols, the Clash, Patti Smith, the Fall (even Ghostface Killa), but he considers stupid rhymes, as well ― nonsense lyrics, chop logic, the uses and abuses of irony, country music macho, verbal howlers, how voices sound alike and why, and much more. In a way that no one else has ever done, with his usual encyclopedic insights into the state of the modern lyric, Theroux focuses on the state of language ― the power of words and the nature of syntax ― in The Grammar of Rock. He analyzes its assaults on listeners’ impulses by investigating singers’ styles, pondering illogical lunacies in lyrics, and deconstructing the nature of diction and presentation in the language. This is that rare book of discernment and probing wit (and not exclusively one that is a critical defense of quality) that positively evaluates the very nature of a pop song, and why one over another has an effect on the listener.
"Profound, funny ... wild and moving ... heartbreaking accounts of a lonely black childhood.... Brown sees racial oppression in national and global context; every political word she writes pounds home a lesson about commerce, money, racism, communism, you name it ... A glowing achievement.” —Los Angeles Times Elaine Brown assumed her role as the first and only female leader of the Black Panther Party with these words: “I have all the guns and all the money. I can withstand challenge from without and from within. Am I right, Comrade?” It was August 1974. From a small Oakland-based cell, the Panthers had grown to become a revolutionary national organization, mobilizing black communities and white supporters across the country—but relentlessly targeted by the police and the FBI, and increasingly riven by violence and strife within. How Brown came to a position of power over this paramilitary, male-dominated organization, and what she did with that power, is a riveting, unsparing account of self-discovery. Brown’s story begins with growing up in an impoverished neighborhood in Philadelphia and attending a predominantly white school, where she first sensed what it meant to be black, female, and poor in America. She describes her political awakening during the bohemian years of her adolescence, and her time as a foot soldier for the Panthers, who seemed to hold the promise of redemption. And she tells of her ascent into the upper echelons of Panther leadership: her tumultuous relationship with the charismatic Huey Newton, who would become her lover and her nemesis; her experience with the male power rituals that would sow the seeds of the party's demise; and the scars that she both suffered and inflicted in that era’s paradigm-shifting clashes of sex and power. Stunning, lyrical, and acute, this is the indelible testimony of a black woman’s battle to define herself.
In 1953, 27-year-old Henry Gustave Molaison underwent an experimental "psychosurgical" procedure -- a targeted lobotomy -- in an effort to alleviate his debilitating epilepsy. The outcome was unexpected -- when Henry awoke, he could no longer form new memories, and for the rest of his life would be trapped in the moment. But Henry's tragedy would prove a gift to humanity. As renowned neuroscientist Suzanne Corkin explains in Permanent Present Tense, she and her colleagues brought to light the sharp contrast between Henry's crippling memory impairment and his preserved intellect. This new insight that the capacity for remembering is housed in a specific brain area revolutionized the science of memory. The case of Henry -- known only by his initials H. M. until his death in 2008 -- stands as one of the most consequential and widely referenced in the spiraling field of neuroscience. Corkin and her collaborators worked closely with Henry for nearly fifty years, and in Permanent Present Tense she tells the incredible story of the life and legacy of this intelligent, quiet, and remarkably good-humored man. Henry never remembered Corkin from one meeting to the next and had only a dim conception of the importance of the work they were doing together, yet he was consistently happy to see her and always willing to participate in her research. His case afforded untold advances in the study of memory, including the discovery that even profound amnesia spares some kinds of learning, and that different memory processes are localized to separate circuits in the human brain. Henry taught us that learning can occur without conscious awareness, that short-term and long-term memory are distinct capacities, and that the effects of aging-related disease are detectable in an already damaged brain. Undergirded by rich details about the functions of the human brain, Permanent Present Tense pulls back the curtain on the man whose misfortune propelled a half-century of exciting research. With great clarity, sensitivity, and grace, Corkin brings readers to the cutting edge of neuroscience in this deeply felt elegy for her patient and friend.
A cat hunt at Christmas on Maui… I'm Kat Smith, Secret Service agent turned postmaster sleuth in the small town of Ohia on Maui, and I'm dealing with my first private investigation at the holidays: Lady Sapphire, a pedigreed feline expecting her first litter on Christmas, has been stolen from her elderly owner. My hot pilot boyfriend Mr. K and I are up to our eyeballs in cozy mystery motives when we discover that Tiki, my beloved stray, has also disappeared. Now the hunt is personal, and I'll leave no furball unturned to bring these cats home. "This story has ALL the feels. The perfect escape holiday read set in Hawaii!" ~Reviewer "The way Ms. Neal describes the small town, inhabitants and scenery leaves me in a warm glow, and I can't wait for the next one." ~N, Reviewer
A series of true stories that are at once relatable, funny, and heart-wrenching, join lauded writer Marissa Miller on a journey of battling imposter syndrome and learning to be proud to stand out. Acclaimed writer and editor Marissa Miller was born into what you would call a nice Jewish family. But she somehow grew into anything but a Nice Jewish Girl. From openly discussing any and all bodily functions with whoever would listen, to encouraging her peers to join her in undressing in the hallways at school for no reason other than to fight the oppressive institution of modern academia, she was continuously scolded by members of the Jewish community for exploring her identity and pushing the boundaries of what a “nice girl” is allowed to do. To make sense of being the odd one out, she did what any confused teenager would do: she wrote. She wrote poems on MySpace, articles for her school newspaper, extra credit English assignments to compensate for her complete and utter lack of math skills, and eventually, reported pieces for many of the world’s most prestigious media publications. But the transition to a lucrative journalism career didn’t come without is growing pains. Getting anywhere past the school newspaper stage and being asked to provide journalism lectures around the city inspired a sense of panic, dread, and most notably, impostor syndrome—the sense that success is a product of coincidence and luck as opposed to hard work and talent. No fellow journalists she idolized growing up seemed to have had a history of behavior so crude it would make your Rabbi blush. Surely, the Universe was thisclose to taking everything away from her. And to some extent, it did. In Pretty Weird—a series of true stories that are at once relatable, funny, and heart-wrenching—you’ll learn about why, like Miller, you’re worthy of success by virtue of you thinking you’re not, about why there’s no such thing as being “not sick enough” to deserve help, and that living in that liminal space of being too normal to stand out, yet too weird to fit in, is truly where all the magic happens.
One set, two Moodys, three full-color escapades! Included in this super-awesome set: Judy Moody and Stink: The Mad, Mad, Mad, Mad Treasure Hunt Judy and Stink hunt for adventure (and pirate gold!) when the Moody family drops anchor on "Artichoke" Island for a summer getaway. Judy Moody and Stink: The Big Bad Blackout The Moody family is hunkered down at home during a storm when the lights go O-U-T out! Will a combination of storytelling, games, and s’mores brighten the day? Judy Moody and Stink: The Holly Joliday It’s almost Christmas, and Judy Moody is making a list and checking it twice. But all her brother, Stink, wants this year is snow.
It’s the rare bird that doesn’t like Christmas. Sure there are Scrooges and, here and there, cries of "Bah, humbug," but Christmas is a time for celebrating, for giving, and for trying to be just a little nicer to your fellow man. As the song goes, "If every day could be just like Christmas what a wonderful world it would be." Christmas's Most Wanted™ is a celebration of the fun side of Christmas - the songs, the movies, the television shows, the history, the people, the laughs, even the commercialism . . . all that and more. So you’ll see such top-ten lists as different versions of both "The Twelve Days of Christmas" and "A Christmas Carol". You’ll read about traditions and the standard gift givers around the world. You’ll find out about how different song genres celebrate Christmas in music. You’ll relive the great-and not-so-great-cartoons of Christmas past. You’ll discover which television celebrities "graced" the world with their very own album of holiday tunes. And you’ll learn about births, deaths, and historical events that occurred on Christmas Day. With more than forty top-ten lists on all things merry, you’ll laugh, you’ll smile, and you’ll learn a lot of interesting stuff about Christmas that you didn’t know before. So curl up before the Yule log, pour yourself some eggnog, bite into a gingerbread cookie, and enjoy the book. Merry Christmas, Buon Natale, Feliz Navidad, and Erry-may Istmas-chray. However you say it, Christmas's Most Wanted™ will certainly bring a dose of merriment to your holidays.
After a year in boarding school in San Francisco, Lani flew home to Kona, wanting a restful summer. Then she learns that her New England cousin, Priscilla was coming to recover from her mother's death. Priscilla's stay is marred by memories of her mother's death, her prejudice against Orientals, her reluctance to change.