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This book develops the communication and literacy skills of heritage Spanish speakers with exercises that are designed to improve oral and written proficiency in the language. Nuevos mundos uses the cultures and voices of the major Hispanic groups in the United States, as well as those of Latin America and Spain, to familiarize students with a variety of issues and topics, which are sometimes controversial and always thought-provoking.
"New worlds for old words / Mundos nuevos para viejas palabras" is a collection of chapters on the theme of lexical borrowing in the languages of Western Europe with particular focus on borrowing from Latin, or from Greek via Latin, into Spanish. Such cultured, or “learnèd” borrowing—as it has sometimes been designated—, is an especially intriguing feature of the Romance languages, since they also derive from Latin. It is also of particular interest to historical linguists since it is an example of what has been called “change from above”: innovation first evidenced in the written usage of the culturally élite which then diffuses into more general acceptance, with the result that some cultured borrowings (e.g. problem/problema, social, program(me)/programa) are now amongst the most common words in the modern languages. Despite their enormous influence on such major languages as English, Spanish, Portuguese, French, and Italian, the mechanisms by which these borrowings become established in their host languages have to date been relatively little studied. This book seeks to make a contribution to this question and revive interest in what has become a neglected area of historical linguistics and contains contributions both by internationally respected scholars and new researchers in the field. This bilingual collection will appeal to academics, scholars, and postgraduate students of Hispanic Studies, Cultural History, and particularly Historical Linguistics and Romance Linguistics. "New worlds for old words / Mundos nuevos para viejas palabras" es una colección sobre los préstamos léxicos en los idiomas de Europa occidental, centrándose sobre todo en los préstamos del latín, o del griego a través del latín, al español. Los cultismos son un rasgo especialmente interesante de las lenguas romances, ya que ellos mismos proceden del latín. También es de gran interés para la lingüística histórica dado que es un ejemplo de lo que se conoce como “cambio desde arriba”: cambios atestiguados primero en la lengua escrita de la élite cultural que luego comienza a tener un uso más generalizado, y cuyo resultado es que algunos de estos cultismos (por ejemplo “problema”, “social”, “programa”) se encuentran entre las palabras más comunes en los idiomas modernos. A pesar de su enorme influencia en lenguas tan importantes como el inglés, el español, el portugués, el francés o el italiano, los mecanismos por los que estos préstamos se establecen en los idiomas de acogida se han estudiado relativamente poco hasta ahora. Este volumen es una contribución a esta cuestión y su objetivo es reavivar el interés en lo que se ha convertido en un área olvidada de la lingüística diacrónica. Se incluyen capítulos de académicos conocidos internacionalmente y de investigadores noveles. Esta colección bilingüe será de gran utilidad para académicos, investigadores y alumnos de posgrado en estudios hispánicos, estudios culturales, y particularmente lingüística histórica y lingüística de las lenguas romances.
The bilingual series Flower World - Music Archaeology of the Americas raises the study of ancient music and music-related activities of the pre-Columbian Americas to the next level. For the first time in the history of science, a series offering anthologies featuring scientific investigations in this fascinating multidisciplinary field is available. The series encompasses peer-reviewed studies by renowned scholars on both past and living music traditions from South, Central and North America, and thus constitute a platform for the most up-to-date information on the music archaeology of the continent. It features case studies and the results of research projects in the field, in which a great variety of music-archaeological approaches, such as conventional archaeology - for the interpretation of the find contexts, experimental archaeology - for reconstructive instrument making and playing, ethnohistory and ethnolinguistics - for the interpretation of textual sources, music iconology - for the interpretation if visual sources, organology and acoustics, and ethnomusicology - for the research on contemporary legacies - for the study of the instrument finds, are commonly applied. The title of the series, Flower World, refers to a mythological, even sacred place filled with the sweet scent of flowers, bird calls, pleasant sounds, and dance. It is a place full of happiness and joy, even if it belongs to the realm of the Dead, which sustains the enduring renewal of life on earth.
This book develops the communication and literacy skills of heritage Spanish speakers with exercises that are designed to improve oral and written proficiency in the language. Nuevos mundos uses the cultures and voices of the major Hispanic groups in the United States, as well as those of Latin America and Spain, to familiarize students with a variety of issues and topics, which are sometimes controversial and always thought-provoking.
Explores street art in Latin America.
Mis Poemas y Canciones revelan sentimientos que buscan su expresin en las letras y en la msica. Letras que pueden dar viva o estar muertas. Msica que te alegra y te recuerda o lgrimas que brotan sin saber cmo detenerlas. Son inspiraciones que buscan un escape de lo ms profundo del corazn. Revelando experiencias mas o ajenas, revelando alegras o penas, revelando ironas o tristezas.
¿Si las redes sociales encarnan la huella del objeto actual, es el actual desencanto el desencanto de las redes sociales?¿Es la escandalosa carencia de memoria y de pasado una huida hacia qué futuro?¿Pueden nuestros reclamos reivindicarse con la política del 'Me gusta'?La ilusión democratizadora del poder del ratón.¿Qué hay detrás, sobre, entre el ejercicio narcisista de publicar, publicar lo que sea?Algunas de las pautas que constituyen el framework de esta edición.# # #If social networks embody the trace of the current object, is the current disenchantment the disenchantment of social networks?Is the scandalous lack of memory and past an escape towards what future?Can our demands be claimed with the 'I like' policy?The democratizing illusion of the power of the mouse.What's behind, on, within the narcissist exercise to publish, publish whatever?Some of the guidelines that shape this issue's framework.+ http://ysinembargo.com
Argues that human beings are at their best not when they are engaged in abstract reflection, but when they are intensely involved in changing the taken-for-granted, everyday practices in some domain of their culture—that is, when they are making history. Disclosing New Worlds calls for a recovery of a way of being that has always characterized human life at its best. The book argues that human beings are at their best not when they are engaged in abstract reflection, but when they are intensely involved in changing the taken-for-granted, everyday practices in some domain of their culture—that is, when they are making history. History-making, in this account, refers not to wars and transfers of political power, but to changes in the way we understand and deal with ourselves. The authors identify entrepreneurship, democratic action, and the creation of solidarity as the three major arenas in which people make history, and they focus on three prime methods of history-making—reconfiguration, cross-appropriation, and articulation.
José Martín Félix de Arrate Acosta; nació en la Habana en 1701, fue historiador y político. Vinculado por lazos de consanguinidad a las más prestigiosas familias de la oligarquía habanera de la etapa. Se le considera como el primer historiador de Cuba por muchos ilustrados cubanos. Fue Regidor perpetuo del ayuntamiento de la Habana. Es el autor de Llave del Nuevo Mundo que constituye una muestra acabada de criollismo y modernidad, de la cual no se ha encontrado el manuscrito original y que refleja el modo de percibir Cuba, sus poblaciones y recursos sintetizando casi dos siglos de colonización española. Llave del Nuevo Mundo es una descripción completa de la sociedad cubana del siglo XVIII. La obra abarca cinco puntos: geografía y naturaleza, economía, unciones de las autoridades y magistraturas, cronología civil y eclesiástica, y una crónica cultural. «Por ser resguardo y conservación de los dilatados dominios en la vasta jurisdicción de la América [decidiose...] distinguir y conceder a La Habana, llamándola Llave del Nuevo Mundo y Antemural de las Indias Occidentales.» José Martín Félix de Arrate