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A provocative dystopian thriller set in a future that seems scarily possible, Flashback proves why Dan Simmons is one of our most exciting and versatile writers. The United States is near total collapse. But 87% of the population doesn't care: they're addicted to flashback, a drug that allows its users to re-experience the best moments of their lives. After ex-detective Nick Bottom's wife died in a car accident, he went under the flash to be with her; he's lost his job, his teenage son, and his livelihood as a result. Nick may be a lost soul but he's still a good cop, so he is hired to investigate the murder of a top governmental advisor's son. This flashback-addict becomes the one man who may be able to change the course of an entire nation turning away from the future to live in the past.
The story starts with the memories of a retired person called Avinash, who spends his days in the USA appreciating her natural beauty and pollution free atmosphere. He stays at New Jersey but visits New York, Atlantic City, Niagara Falls and Hollywood. He admires the Americans for their honesty, hard work and discipline. He compares the luxurious style of living of the entire population to India’s poverty-ridden state. He discusses this issue with his senior citizen friends and convinces them that this is due to corruption and not only illiteracy, by explaining the level of corruption amongst bureaucrats, in the judiciary and politics from the time of his cursed birth. With his American friends, he writes a book on corruption and ways to eradicate it and explains it to the Indian chief. He foresees a joint attack by Pak and China jointly and gives valuable suggestions to end the war. He also foresees the division of Seemanadra into Seema and Andra,and Karnataka into three regions. He meets the concerned leaders with his team and helps regain peace. He receives International awards for peace, after being treated as useless by his parents and bosses. Truth, peace, humanity and nature win.
Rob Thomas, like many young men in the 1960s, enlisted as a Navy Corpsman to avoid being drafted. Sent to Vietnam, Rob was part of a secret mission to free POWs. The mission was a failure, and as Thomas returns home he tries to come to terms with an ambivalent government, hostile family, and his own demons and PTSD.
The final volume in Richard Rhodes's prizewinning history of nuclear weapons offers the first comprehensive narrative of the challenges faced in the post-Cold War age. The past twenty years have transformed our relationship with nuclear weapons drastically. With extraordinary depth of knowledge and understanding, Richard Rhodes makes clear how the five original nuclear powers--Russia, Great Britain, France, China, and especially the United States--have struggled with new realities. He reveals the real reasons George W. Bush chose to fight a second war in Iraq, assesses the emerging threat of nuclear terrorism, and offers advice on how our complicated relationships with North Korea and South Asia should evolve. Finally, he imagines what a post-nuclear world might look like, as only he can.
"Nuclear weapons, since their conception, have been the subject of secrecy. In the months after the dropping of the atomic bombs on Hiroshima and Nagasaki, the American scientific establishment, the American government, and the American public all wrestled with what was called the "problem of secrecy," wondering not only whether secrecy was appropriate and effective as a means of controlling this new technology but also whether it was compatible with the country's core values. Out of a messy context of propaganda, confusion, spy scares, and the grave counsel of competing groups of scientists, what historian Alex Wellerstein calls a "new regime of secrecy" was put into place. It was unlike any other previous or since. Nuclear secrets were given their own unique legal designation in American law ("restricted data"), one that operates differently than all other forms of national security classification and exists to this day. Drawing on massive amounts of declassified files, including records released by the government for the first time at the author's request, Restricted Data is a narrative account of nuclear secrecy and the tensions and uncertainty that built as the Cold War continued. In the US, both science and democracy are pitted against nuclear secrecy, and this makes its history uniquely compelling and timely"--
The Franco-Japanese coproduction Hiroshima mon amour (1959) is one of the most important films for global art cinema and for the French New Wave. In Through a Nuclear Lens, Hannah Holtzman examines this film and the transnational cycle it has inspired, as well as its legacy after the 2011 nuclear disaster at Fukushima Daiichi. In a study that includes formal and theoretical analysis, archival research, and interviews, Holtzman shows the emergence of a new kind of nuclear film, one that attends to the everyday effects of nuclear disaster and its impact on our experience of space and time. The focus on Franco-Japanese exchange in cinema since the postwar period reveals a reorientation of the primarily aesthetic preoccupations in the tradition of Japonisme to center around technological and environmental concerns. The book demonstrates how French filmmakers, ever since Hiroshima mon amour, have looked to Japan in part to better understand nuclear uncertainty in France.
The history of America’s third-largest city, as told through stories and photos from the Chicago Tribune archives. The devoted journalists at the Chicago Tribune have been reporting the city’s news since 1847. As a result, the paper has amassed an inimitable, as-it-happened history of its hometown, a city first incorporated in 1837 that rapidly grew to become the third-largest in the United States. For the past decade, the Chicago Tribune has been mining its vast archive of photos and stories for its weekly feature Chicago Flashback, which deals with the significant people and events that have shaped the city’s history and culture from the paper’s founding to the present day, from the humorous to the horrible to the quirky to the remarkable. Now the editors of the Tribune have carefully collected the best, most interesting Chicago Flashback features into a single volume. Each story is accompanied by at least one black-and-white image from the paper’s fabled photo vault located deep below Michigan Avenue’s famed Tribune Tower. Chicago Flashback offers a unique, you-are-there perspective on the city’s long and colorful history.
As if, in midcentury Alaska, you needed more ways to die. From the creator of the critically acclaimed graphic novel My Degeneration: A Journey Through Parkinson’s comes an unnervingly funny tale of life in Alaska during the tensest times of the Cold War. Peter Dunlap-Shohl grew up on the front lines of the Cold War in the 1950s and ’60s, where Alaska residents lived in the shadow of a nuclear arsenal nine times the size of the Soviet Union’s. This graphic novel recounts the surprising and tragicomic details of the nuclear threats faced by Alaskans, including Project Chariot, championed by Edward Teller and his “firecracker boys” in the late 1950s and early ’60s; the nearly nuclear disaster caused by the Great Alaskan Earthquake of 1964; and the 1971 test of a nuclear warhead on the island of Amchitka. Dunlap-Shohl shares the terrible consequences that these events and others had for humans and animals alike, all in the service of “atoms for peace.” Drawn with Dunlap-Shohl’s characteristic editorial cartooning style, Nuking Alaska is a fast-paced reminder of how close we came to total annihilation just a half century ago—and how terribly relevant the nuclear threat remains to this day.