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This book continues where my first book left off—with forty photographs and stories of people experiencing homelessness. It is a part of my ongoing mission, begun with volume one, to change the general public’s perception of those experiencing homelessness. So often, as I stated in my first book, they are viewed as subhuman creatures, or a lower order of being than human. Through my photographs and stories I am trying to humanize them, to help the general public see that, apart from the unfortunate circumstances in which these people find themselves, they are no different than you and I. I am heartened that, judging from the comments that my first book has received from people around the world, my work seems to be having this effect. All royalties from this book will be given to Home Horizon: Transitional Support Program.
When her father kills himself after losing his money in the stock market crash of 1929, twelve-year-old Frances, now a penniless orphan decides to hop abroad a freight train and live the life of a hobo.
This book continues where my first book left off—with forty photographs and stories of people experiencing homelessness. It is a part of my ongoing mission, begun with volume one, to change the general public’s perception of those experiencing homelessness. So often, as I stated in my first book, they are viewed as subhuman creatures, or a lower order of being than human. Through my photographs and stories I am trying to humanize them, to help the general public see that, apart from the unfortunate circumstances in which these people find themselves, they are no different than you and I. I am heartened that, judging from the comments that my first book has received from people around the world, my work seems to be having this effect. All royalties from this book will be given to Home Horizon: Transitional Support Program.
A tale of love, loss, identity, and belonging, No Place to Call Home tells the story of a family who fled to the United Kingdom from their native Congo to escape the political violence under the dictator, Le Maréchal. The young son Jean starts at a new school and struggles to fit in. An unlikely friendship gets him into a string of sticky situations, eventually leading to a suspension. At home, his parents pressure him to focus on school and get his act together, to behave more like his star-student little sister. As the family tries to integrate in and navigate modern British society while holding on to their roots and culture, they meet Tonton, a womanizer who loves alcohol and parties. Much to Jean's father's dismay, after losing his job, Tonton moves in with them. He introduces the family—via his church where colorful characters congregate—to a familiar community of fellow country-people, making them feel slightly less alone. The family begins to settle, but their current situation unravels and a threat to their future appears, while the fear of uncertainty remains.
Winner! Western Writers of America 2020 Spur Award - Best Western Juvenile Fiction Category. In 1933, what's left of the Turner family--twelve-year-old Hallie and her two brothers--finds itself driving the back roads of rural America. The children have been swept up into a new migratory way of life. America is facing two devastating crises: the Great Depression and the Dust Bowl. Hundreds of thousands of people in cities across the country have lost jobs. In rural America it isn't any better as crops suffer from the never-ending drought. Driven by severe economic hardship, thousands of people take to the road to seek whatever work they can find, often splintering fragile families in the process. As the Turner children move from town to town, searching for work and trying to cobble together the basic necessities of life, they are met with suspicion and hostility. They are viewed as outsiders in their own country. Will they ever find a place to call home? New York Times-bestselling author Sandra Dallas gives middle-grade readers a timely story of young people searching for a home and a better way of life.
The shocking poignant story of eviction, expulsion, and the hard-scrabble fight for a home They are reviled. For centuries the Roma have wandered Europe; during the Holocaust half a million were killed. After World War II and during the Troubles, a wave of Irish Travellers moved to England to make a better, safer life. They found places to settle down – but then, as Occupy was taking over Wall Street and London, the vocal Dale Farm community in Essex was evicted from their land. Many did not leave quietly; they put up a legal and at times physical fight. Award-winning journalist Katharine Quarmby takes us into the heat of the battle, following the Sheridan, McCarthy, Burton and Townsley families before and after the eviction, from Dale Farm to Meriden and other trouble spots. Based on exclusive access over the course of seven years and rich historical research, No Place to Call Home is a stunning narrative of long-sought justice.
This "stunning journey through a country that is home to exhilarating natural wonders, and a scarring colonial past . . . makes breathtakingly clear the connection between nature and humanity, and offers a singular portrait of the complexities inherent to our ideas of identity, family, and love" (Refinery29). A chance discovery of letters written by her immigrant grandfather leads Jessica J. Lee to her ancestral homeland, Taiwan. There, she seeks his story while growing closer to the land he knew. Lee hikes mountains home to Formosan flamecrests, birds found nowhere else on earth, and swims in a lake of drowned cedars. She bikes flatlands where spoonbills alight by fish farms, and learns about a tree whose fruit can float in the ocean for years, awaiting landfall. Throughout, Lee unearths surprising parallels between the natural and human stories that have shaped her family and their beloved island. Joyously attentive to the natural world, Lee also turns a critical gaze upon colonialist explorers who mapped the land and named plants, relying on and often effacing the labor and knowledge of local communities. Two Trees Make a Forest is a genre–shattering book encompassing history, travel, nature, and memoir, an extraordinary narrative showing how geographical forces are interlaced with our family stories.
Some might call it a proposal. Violet Burton knows it's blackmail, and she refuses to give in. She won't marry the unscrupulous banker who holds the mortgage on her Virginia home. Instead, she'll find employment in New York City, earning enough to pay her debts before returning home. Virginia's where she belongs…even if reconnecting with childhood friend Michael Heaton makes her long to stay permanently at his mother's boardinghouse. The freckle-faced girl Michael knew is now a lovely woman. Helping Violet find her way is a simple act of friendship—at least at first. But soon he'll do anything to keep her safe, and hope she'll see that the home she seeks is one they can share together.
Faith holds up a photo of the boarded-up, vacant house: "It’s the first thing I see. And I just call it ‘the Homeless House’ ‘cause it’s the house that nobody fixes up." Faith is one of fourteen women living on Syracuse’s Southside, a predominantly African-American and low-income area, who took photographs of their environment and displayed their images to facilitate dialogues about how they viewed their community. A Place We Call Home chronicles this photography project and bears witness not only to the environmental injustice experienced by these women but also to the ways in which they maintain dignity and restore order in a community where they have traditionally had little control. To understand the present plight of these women, one must understand the historical and political context in which certain urban neighborhoods were formed: Black migration, urban renewal, white flight, capital expansion, and then bust. Ducre demonstrates how such political and economic forces created a landscape of abandoned housing within the Southside community. She spotlights the impact of this blight upon the female residents who survive in this crucible of neglect. A Place We Call Home is the first case study of the intersection of Black feminism and environmental justice, and it is also the first book-length presentation using Photovoice methodology, an innovative research and empowerment strategy that assesses community needs by utilizing photographic images taken by individuals. The individuals have historically lacked power and status in formal planning processes. Through a cogent combination of words and images, this book illuminates how these women manage their daily survival in degraded environments, the tools that they deploy to do so, and how they act as agents of change to transform their communities.
Shilling Grange Orphanage, England, 1949. She would do anything to protect the innocent children in her care. But soon they could be sent into danger... When Clara Newton's fiancé died during World War Two, she thought her life was over. But now she looks after orphans who, like her, lost everything during the war. Children like sweet little Peg who won't speak, and Joyce whose body was scarred by polio. Clara loves them all dearly, even though life as a housemother can be lonely - especially now that Ivor, a D-Day war hero with dark brown eyes who once helped with the children, has disappeared... But then Clara receives some terrible news. The orphanage is going to be sold and the children sent far away. Joyce and Peg will be taken to a notorious home for disabled children. The others will be sent to Australia, where Clara fears they will be mistreated by unknown families. Any day now, the children could lose everything she worked so hard to provide... With wealthy buyers lined up to purchase Shilling Grange and a ship already docked waiting to carry the children away, Clara is desperate. She must find loving new homes for them quickly, but time is running out... Can she save the orphans before they lose everything all over again? And even if Ivor returns when she needs him the most, will it be too late? A completely heart-wrenching and unforgettable historical novel, set after the devastation of World War Two. Perfect for fans of Before We Were Yours, Diney Costeloe and The Orphan Sisters. What readers are saying about Lizzie Page: 'What an emotional read!... At parts I found myself shouting "no". At others I just cried... Absolutely loved it.' Goodreads reviewer ⭐⭐⭐⭐⭐ 'My heart is full! Oh, I adored this book so much!... There were moments of pure joy and the book left me feeling uplifted and with a full heart.' Motherhood for Slackers ⭐⭐⭐⭐⭐ 'Exceptional... hits you for six... I am over the moon... brilliantly written and you fall in love... a feel good book that will make you cry... oh my word I loved this.' Goodreads reviewer ⭐⭐⭐⭐⭐ 'Wow... this book is outstanding... I couldn't put it down.' Goodreads reviewer ⭐⭐⭐⭐⭐ 'I took to all the children with all my heart, such an emotional tale... full of love, compassion and humour... a truly remarkable touching story.' Goodreads reviewer ⭐⭐⭐⭐⭐ 'Absolutely loved this... I could hardly bear to finish it... Highly recommend!' Jill Mansell ⭐⭐⭐⭐⭐ 'It took me about two pages to fall in love with Clara... this book just kept me wanting to know more.' Goodreads reviewer ⭐⭐⭐⭐⭐ 'This book warmed my heart... Each character is so very special. You will laugh at their childish pranks, their little escapades and cheer at their successes... A delightful, heart-warming story.' Goodreads reviewer ⭐⭐⭐⭐⭐