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Prose poems.
Over the past seven years I've lived in more places than I can remember. I lived and worked in Shanghai, New York, Berlin, Bangkok, Munich and a few more places, not including the dozens of places I've stayed at for just a few days or weeks.While writing these lines I'm in a small town in Malaysia.I've basically lived out of a backpack for the past seven years. And the longer I'm doing this, the less stuff I need. Right now I carry less than 10 items around with me in a carry on backpack that weighs less than 10kg. I go wherever I want to go. I currently spend less than $800 a month. Including everything. My most precious possession is a $300 Acer laptop.I've started a clothing company in China, for the Chinese market, which failed miserably. I've launched more than 10 websites, some of them made some money, some of them didn't. I shut down all of them. I've written seven books (this is my eighth). None of them was a bestseller. I write a blog where I published more than 500 articles so far. I've more than 100,000 monthly readers spread across multiple platforms.I'm by no means successful. Or rich. But I have more than enough, by all means. I have access to everything I need. And I can buy and afford everything I need.I'm not a minimalist. Or a digital nomad. Or an entrepreneur. Or a blogger. Or an author.I'm mostly trying to just be myself. I'm trying to be myself in a world where it gets harder and harder every single day to just be yourself.It's not always been easy. As a matter of fact it's probably been hard more often than it's been easy. But every day of struggle and doubt has been worth it. Being yourself and creating your own life instead of just living a life is always worth the struggle.This right here is my story. This is what I've learned about life, myself and the world around me.I'm everywhere and nowhere. And I own nothing and everything...
In a town slowly being destroyed by rising tides, one girl must fight to find a way to keep her community’s spirit from drowning. For thirteen-year-old Jillian Robichaux, three things are sacred: bayou sunsets, her grandmother Nonnie’s stories, and the coastal Louisiana town of Boutin that she calls home. When the worst flood in a century hits, Jillian and the rest of her community band together as they always do—but this time the damage may simply be too great. After the local school is padlocked and the bridges into town condemned, Jillian has no choice but to face the reality that she may be losing the only home she’s ever had. But even when all hope seems lost, Jillian is determined to find a way to keep Boutin and its indomitable spirit alive. With the help of friends new and old, a loveable golden retriever, and Nonnie’s storytelling wisdom, Jillian does just that in this timely and heartfelt story of family, survival, and hope. In her stunning debut middle grade novel, Sarah Guillory has written a lush story about an indomitable girl fighting against the effects of climate change.
A pictorial showcase of the work of 40 contemporary art quilt masters from around the world. Up to a dozen quilts by each artist are shown, along with commentary by each artist.
This sociological study explores the temporal and spatial facets of modern social life. Grounded in the premise that all major world events are affected fundamentally by modern technology, the contributors attempt to make sense of the "here" and the "now" that define the modern age.
"A contemporary romance novel set in Chicago and Napa Valley"--
This audacious book examines 15 Truths to inspire engaged colleagues, fashion customer excitement, produce exponential results, and leave a distinct footprint.
The long awaited all new series from the #1 bestselling author of Pushing the Limits Emily likes her life the way it is...
Milton Erickson's complex language patterns form a major part of most therapists' work. This remarkable book develops the language further and includes comprehensive scripts and case studies. "Should be part of every therapist's tool chest." Jeanie Phillips MA LPC
Whether her subjects are landscapes, portraits or nudes, Jocelyn Lee's photographs are about beauty and its poignant fragility. The landscapes are not spectacular vistas but quiet places that seem oddly familiar. Sometimes glowing with summer's light and sometimes covered with snow, they endure through all the seasons of the year. Lee has also assembled a gallery of people, each of whom is remarkable although none of them is famous. She endows every person with a vivid yet dignified presence. Her portraits are full of implicit stories, suggested by bodies and faces, and made all the more compelling by the fact that her sitters seem absorbed in their own memories and dreams. With a clear and compassionate eye, Jocelyn Lee encourages us to think about eternal issues such as youth and age, our connections with one another, our relationship with nature, and the place - or places - we call home. She states: "The physical landscape serves as a backdrop on which the human drama unfolds. The photographs allude to the fragility of the human presence in the world. These portraits are a way to look at particular people and the human body as a part of nature, evolving and expressing their identity and place in life's cycles."