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Explore this fascinating pictorial local history of Durham through the sixties, seventies and eighties.
LA TIMES BESTSELLER • From the award-winning screenwriter and director of cult classic Bull Durham, the extremely entertaining behind-the-scenes story of the making of the film, and an insightful primer on the art and business of moviemaking. "This book tells you how to make a movie—the whole nine innings of it—out of nothing but sheer will.” —Tony Gilroy, writer/director of Michael Clayton and The Bourne Legacy "The only church that truly feeds the soul, day in, day out, is the church of baseball."—Annie in Bull Durham Bull Durham, the breakthrough 1988 film about a minor league baseball team, is widely revered as the best sports movie of all time. But back in 1987, Ron Shelton was a first-time director and no one was willing to finance a movie about baseball—especially a story set in the minors. The jury was still out on Kevin Costner’s leading-man potential, while Susan Sarandon was already a has-been. There were doubts. But something miraculous happened, and The Church of Baseball attempts to capture why. From organizing a baseball camp for the actors and rewriting key scenes while on set, to dealing with a short production schedule and overcoming the challenge of filming the sport, Shelton brings to life the making of this beloved American movie. Shelton explains the rarely revealed ins and outs of moviemaking, from a film’s inception and financing, screenwriting, casting, the nuts and bolts of directing, the postproduction process, and even through its release. But this is also a book about baseball and its singular romance in the world of sports. Shelton spent six years in the minor leagues before making this film, and his experiences resonate throughout this book. Full of wry humor and insight, The Church of Baseball tells the remarkable story behind an iconic film.
Out there in the green star system; far beyond the confining grip of the Federation, moved the feared Bitter Star, for a thousand frigid years the dark and sinister manipulator of war-weary planets.ExcerptMartie said monotonously, "There is someone at the door sir shall I answer? There is someone at the door sir shall I-"Durham grunted. What he wanted to say was go away and let me alone. But he would only grunt, and Artie kept repeating the stupid question. Artie was a cheap off-brand make, and bought used and he lacked some cogs. Any first class servall would have seen that the master had passed out in his chair and was in no condition to receive guests. But Artie did not, and presently Durham got one eye open and then he began to hear the persistent knocking, the annunciator being naturally out of order. And he said quite clearly."If it's a creditor, I'm not in.""-shall I answer?"Durham made a series of noises. Artie took them for an affirmative and trundled off. Durham put his face in his hands and struggled with the pangs of returning consciousness, He could hear a mutter of voices in the hall. He thought suddenly that he recognized them, and he sprang, or rather stumbled up in alarm, hastily combing his hair with his fingers and trying to pull the wrinkles out of his tunic. Through a thick haze he saw the bottle on the table and he picked it up and hid it under a chair, ashamed not of its emptiness but of its label. A gentleman should not be drunk on stuff like that.Paulsen and Burke came in.Durham stood stiffly beside the table, hanging on. He looked at the two men. "Well," he said. "It's been quite a long time." He turned to Artie. "The gentlemen are leaving."Burke stepped quickly behind the servall and pushed the main toggle to OFF, Artie stopped, with a sound ridiculously like a tired sigh. Paulsen went past him and locked the door. Then both of them turned in to face Durham.Durham scowled. "What the devil do you think you're doing?"Burke and Paulsen glanced at each other as though resolve had carried them this far but had now run out, leaving them irresolute in the face of some distasteful task. Both men wore black dominos, with the cowls thrown back."Were you afraid you'd be recognized coming here?" Durham said. A small pulse of fright began to beat in him, and this was idiotic. It made him angry. "What do you want?"Paulsen said in a reluctant voice, not looking at him, "I don't want anything Durham, believe me." Durham had once been engaged to Paulsen's sister, a thing both of them preferred not to remember but couldn't quite forget. He went on, "We were sent here." Durham tried to think who might sent them. Certainly not any of the girls; certainly not any one of the people he owed money to. Two members of the Terran World Embassy corps, even young and still obscure members in the lower echelons, were above either of those missions.
Ricky Moore was born and reared in the North Carolina coastal town of New Bern, where catching and eating fresh fish and shellfish is what people do. Today, Moore is one of the most widely admired chefs to come out of the region. In this cookbook, he tells the story of how he started his wildly popular Saltbox Seafood Joint® restaurants and food truck in Durham, North Carolina. Moore, a formally trained chef, was led by a culinary epiphany in the famous wet markets of Singapore to start a restaurant focused purely on the food inspired by the Carolina coast and its traditional roadside fish shacks and camps. Saltbox Seafood Joint's success is a testament to Moore's devotion to selecting the freshest seasonal ingredients every day and preparing them perfectly. In sixty recipes that celebrate his coastal culinary heritage, Moore instructs cooks how to prepare Saltbox Seafood Joint dishes. This cookbook, written with K. C. Hysmith, explains how to pan-fry and deep-fry, grill and smoke, and cook up soups, chowders, stews, and grits and seafood. Moore has taken pity on us and even included the recipe for his famous Hush-Honeys®, an especially addictive hushpuppy. Charts and illustrations in the book explain the featured types, availability, and cuts of fish and shellfish used in the recipes.
Everyone has wanted their favorite book to be real, if only for a moment. Everyone has wished to meet their favorite characters, if only for a day. But be careful in that wish, for even a history laid in ink can be repaid in flesh and blood, and reality is far deadlier than fiction . . . especially on Addington Isle. Winterset Hollow follows a group of friends to the place that inspired their favorite book-a timeless tale about a tribe of animals preparing for their yearly end-of-summer festival. But after a series of shocking discoveries, they find that much of what the world believes to be fiction is actually fact, and that the truth behind their beloved story is darker and more dangerous than they ever imagined. It's Barley Day . . . and you're invited to the hunt. Winterset Hollow is as thrilling as it is terrifying and as smart as it is surprising. A uniquely original story filled with properly unexpected twists and turns, Winterset Hollow delivers complex, indelible characters and pulse- pounding action as it storms toward an unforgettable climax that will leave you reeling. How do you celebrate Barley Day? You run, friend. You run. Jonathan Edward Durham was born near Philadelphia in one of many rust-belt communities where he read voraciously throughout his youth. After attending the College of William & Mary, where he received a degree in neuroscience, Jonathan waded into the professional world before deciding he was better suited for more artistic pursuits. He now lives in California where he writes to bring a unique voice to the space between the timeless wonder of his favorite childhood stories and the pop sensibilities of his adolescent literary indulgences.
A clever and steamy queer romantic comedy about taking chances and accepting love—with all its complications—from the author of Astrid Parker Doesn't Fail. Delilah Green swore she would never go back to Bright Falls—nothing is there for her but memories of a lonely childhood where she was little more than a burden to her cold and distant stepfamily. Her life is in New York, with her photography career finally gaining steam and her bed never empty. Sure, it’s a different woman every night, but that’s just fine with her. When Delilah’s estranged stepsister, Astrid, pressures her into photographing her wedding with a guilt trip and a five-figure check, Delilah finds herself back in the godforsaken town that she used to call home. She plans to breeze in and out, but then she sees Claire Sutherland, one of Astrid’s stuck-up besties, and decides that maybe there’s some fun (and a little retribution) to be had in Bright Falls, after all. Having raised her eleven-year-old daughter mostly on her own while dealing with her unreliable ex and running a bookstore, Claire Sutherland depends upon a life without surprises. And Delilah Green is an unwelcome surprise…at first. Though they’ve known each other for years, they don’t really know each other—so Claire is unsettled when Delilah figures out exactly what buttons to push. When they’re forced together during a gauntlet of wedding preparations—including a plot to save Astrid from her horrible fiancé—Claire isn’t sure she has the strength to resist Delilah’s charms. Even worse, she’s starting to think she doesn’t want to...
Eno Publishers builds on its successful 27 Views series by showcasing the literary community of Durham, North Carolina, in 27 Views of Durham: The Bull City in Prose & Poetry. The book features 27 writers, who in poetry, essays, short stories, and book excerpts focus on the town of Durham, famous for Duke University, tobacco, and Southern cuisine. The collection offers readers a broad and varied picture of life past and present in Durham, as well as a sense of the town's literary breadth. Contributing authors include Steve Schewel, Jean Anderson, Carl Kenney, Katy Munger, Ariel Dorfman, Pierce Freelon, John Valentine, Shirlette Ammons, Jim Wise, and others.