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While flying home to New York after a business trip, Bryan Powers, Fractional Jet executive, is asked a simple question by his CEO: If you could relive one event in your life, what would you choose? Powers admits that replaying a football game the team lost his senior year in high school would be a wish he'd make. Moments later, a strange event occurs on the plane. Powers awakes to discover that he is on a wild and mysterious ride into his past life. He realizes the wish was not as simple as he'd thought. Seeing his best buddy-who would be killed in Vietnam in 1970-stuns Powers into shifting his original mission from merely changing the outcome of a football game into saving his best friend's life. Everything comes to a climax for Powers and his quest during the big game Saturday night in front of 20,000 screaming fans. Join them and experience his race against a ticking clock.
From Pulitzer Prize-Winning Movie Critic Stephen Hunter Comes A Brilliant, Freewheeling, And Witty Look At The Movies. Evanston, Illinois, was an idyllic 1950s paradise with stately homes, a beautiful lake, a world-class university, two premier movie houses, and one very seedy movie theater -- the Valencia. This was the site of Washington Post film critic Stephen Hunter's misspent youth. Instead of going to school, picking up girls, or tossing a football, Hunter could be found sitting in the fifteenth row, right-hand aisle seat of the Valencia, sating himself on one B-list movie after another. The Valencia had a sticky floor, smelly bathrooms, ancient popcorn, and a screen set in a hideously tacky papier-mache castle wall. It was also the only place in town to see westerns, sci-fi pictures, cops 'n' robbers flicks, slapstick comedy, and Godzilla. In Now Playing at the Valencia, the author of such bestselling novels as Havana and Pale Horse Coming has compiled his favorite movie reviews written between 1997 and 2003, bringing to the discussion the passionate feelings for cinema he discovered in the '50s, a time when genres were forming, mesmerizing stars played unforgettable characters, and enduring classics were made. While filmmaking has changed tremendously since Hunter first frequented the Valencia, the view from the fifteenth row, and the thrill of down and dirty entertainment, has remained the same.
Compared to other technologies like the television, VCR, and even personal computer, the rapid pace of DVD adoption is unprecedented. This information-packed book offers thorough instruction on how to build appealing DVD menus using the DVD Studio Pro toolset, a sophisticated, professional-level DVD authoring tool from Apple. The book features real-world tutorial projects that demonstrate how to get fast, professional results, add Hollywood features to a DVD, and streamline production while maintaining a creative edge. It also shows how to create a wide variety of menu styles, automate image production, customize menus, construct seamless motion menus, and much more. Written by two graphic designers with years of experience designing interfaces, Designing Menus with DVD Studio Pro is an informative companion to a high-powered piece of software.
For over twenty years of my professional life, I have taught guitar at all levels from introductory to postgraduate. When I was first asked to teach in the Grades 5-8 School Guitar Program, I was both excited at the prospect and apprehensive about the challenges ahead. I had never taught in such environment before, and I wondered how my knowledge of the guitar world would resonate with large groups of children. The first year turned out to be a string of mini-disasters, at least from my point of view.Obviously, I needed to change something and, upon reflection, decided to change my Guitar Class to a Guitar Orchestra. In a guitar ensemble, it is less important how difficult the notes are and much more important how different notes are performed together. Once I adopted and implemented this principle, my Guitar Orchestra started sounding much better from the very first note. Instead of playing the same notes together, students started playing in four voice harmony.This approach created more interest and, of course, more attention among students. That initial success was also the starting point of this book.
Music from the Heart follows Emile Benoit, a fiddler from French Newfoundland, through a rapidly changing musical milieu as he moves from a small rural community to international musical and folk festivals. Seeing himself as a representative of French Newfoundland, Benoit viewed his music as an expression of that identity. In Benoit's tunes one finds reference to the people, places, communities, roads, and natural landmarks that have framed his life. The compositions included represent a range of work that evokes his youthful experiences and follow his career as he leaves home, plays with other musicians, and presents his stories to audiences around the world. Quigley has based his study on years of observation of Benoit's compositional practices, his own experiences performing with Benoit, interviews, and analysis of the thoughts and conceptions of the artist himself.
This book is a story that teaches the principles of overcoming fear. Hidden in the story is a variety of principles both scientific and psychological. Everything we do is because of feelings. We do things to get feelings, riding a roller coaster, jumping out of an airplane or falling in love. We do things to avoid bad feelings, the man who becomes successful to show his father he is not a failure, or the person who becomes an addict because they want to escape their feelings. The real key to success in life is to create whatever feelings we want on demand and to consciously change feelings into something that benefits us. This book is about neuro-engineering, the ability to change our feelings through physical and psychological methods.
This story about an American football team was written for young readers and features the character of Dick Lovering. Dick has just been given a car which is proving of great benefit to him as he is partly paralysed and needs crutches to get about. As the story opens he is driving rather nervously through the town of Clearfield.
The most comprehensive, smart, helpful and inspiring guide to improve available today. Applicable to comedians, actors, public speakers and anyone who needs to think on their toes. From The Improv Handbook: The problem for improvisers is anxiety. faced with a lot of nameless eyes staring at us, and feeling more than anything else like prey, we are likely to want to display very consistent behavior, so that anyone who looks at us, looks away and then looks back sees the same thing. Thus we become boring, we fade into the background, and we cease to be of interest. The Improv Handbook provides everything someone interested in improvisational comedy needs to know, as written by a husband and wife comedy duo with years of experience and teaching in the field. in addition to providing a comprehensive history of improvisational theater as a backdrop, it also looks at modern theories and practices of improvisation on a global scale, including how the form of comedy has evolved differently in different parts of the world, from Europe to the UK to the Chicago scene. The Improv Handbook also contains an essential performance segment that details different formats of improvisation. Chapter topics include Theatresports, Micetro, Gorilla Theatre, and the inventions of Keith Johnstone and Del Close as well as other popular forms of improv, like those on "Whose Line is it Anyway." The core section of the book is called simply, "How to Improvise" and delves into issues of spontaneity, the fundamentals of storytelling, working together, upping the ante, and character development. The book concludes with sections on how to improvise in front of an audience and- just as crucially- how to attract an audience in the first place.
A collection of thirty-three essays from the program-magazine from the Tejano Conjunto Festival in San Antonio.