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This ninth issue of Now is anchored by the longest story featured in the magazine to date: "Misguided Love," a 40-page autobiographical tour de force by Texas artist Raquelle Jac. Ping-ponging among relationships, hospitalizations, internet "fame," international travel, sex, romance, and trauma, Jac's dense, obsessive pages read like a manifesto, announcing the arrival of a remarkable new voice in comics. This issue also features Now debuts from Hartley Lin (Young Frances), James Harvey (Masterplasty), and Emil Friis Ernst (Doctor Murder), as well as work from Now regulars Keren Katz (The Academic Hour) and Noah Van Sciver, who homages Basil Wolverton’s cult favorite, science-fiction hero, Spacehawk.
In this remarkable New York Times bestseller, Joel Osteen offers unique insights and encouragement that will help readers overcome every obstacle in their lives.
Newly appointed Detective Inspector Gemma James has never thought to question her friend Hazel Cavendish about her past. So it is quite a shock when Gemma learns that their holiday retreat to a hotel in the Scottish Highlands is, in fact, Hazel's homecoming -- and that fellow guest Donald Brodie was once Hazel's lover, despite a vicious, long-standing feud between their rival, fine whiskey distilling families. And the fires of a fierce and passionate affair may not have burned out completely -- on Brodie's part at least, since he's prepared to destroy Hazel's marriage to win back his "Juliet." But when a sudden, brutal murder unleashes a slew of sinister secrets and long-seething hatreds, putting Hazel's life in peril, Gemma knows she will need help unraveling this very bloody knot -- and calls for the one man she trusts more than any other, Duncan Kincaid, to join her far from home ... and in harm's way.
Desmond Cole goes on a field trip to the museum in the ninth book of the Desmond Cole Ghost Patrol series! Museums are great places to see really old stuff. The Kersville Museum has old paintings, old statues, and even old mummies that come with old curses. Sounds like a perfectly safe place to visit for family fun. Until the mummies start to disappear! With easy-to-read language and illustrations on almost every page, the Desmond Cole Ghost Patrol chapter books are perfect for emerging readers.
In an ironic reversal of the American dream, a staggering 20,000 members of the immigrant community of Midwood, Brooklyn (known as Little Pakistan), voluntarily left the United States after 9/11. Tram Nguyen reveals the human cost of the domestic war on terror and examines the impact of post-9/11 policies on people targeted because of immigration status, nationality, and religion. Nguyen’s evocative narrative reporting--about the families, detainees, local leaders, community advocates, and others living on the front lines--tells the stories of people who witnessed and experienced firsthand the unjust detainment or deportation of family members, friends, and neighbors. We meet Mohammad Butt, who died in detention in New Jersey, and the Saleems, who flee Queens for Canada. We even follow a self-proclaimed ’citizen patroller’ who monitors and detains immigrants on the U.S.-Mexico border. We Are All Suspects Now, in the words of Mike Davis, “takes us inside a dark world . . . where the American Dream is fast turning into a nightmare and suggests proactive responses to stop our growing climate of xenophobia, intimidation, and discrimination."
How do we help our friends who have just become Christians or are young in the faith? In this concise and accessible book, Mike Patton unpacks the basics of the Christian faith, helping new believers think rightly about God and live fully for God as they begin their new life in Christ. In ten easy-to-read chapters, Patton introduces readers to the foundational teachings and life-giving practices of Christianity—from the doctrine of the Trinity to reading and understanding the Bible. Designed for individual use or small group discussion, this handbook on the Christian faith has the potential to become the go-to guide for new believers wanting to follow Jesus with their heads and their hands.
This application writing guide elucidates the purposeful process by which students have gained admission into the world's most selective colleges and universities. Through detailed information, actual examples of accepted student essays, and focused analysis, thinktango's expansive strategies are now made accessible in a systematic and comprehensive format.
While television has always played a role in recording and curating history, shaping cultural memory, and influencing public sentiment, the changing nature of the medium in the post-network era finds viewers experiencing and participating in this process in new ways. They skim through commercials, live tweet press conferences and award shows, and tune into reality shows to escape reality. This new era, defined by the heightened anxiety and fear ushered in by 9/11, has been documented by our media consumption, production, and reaction. In Small Screen, Big Feels, Melissa Ames asserts that TV has been instrumental in cultivating a shared memory of emotionally charged events unfolding in the United States since September 11, 2001. She analyzes specific shows and genres to illustrate the ways in which cultural fears are embedded into our entertainment in series such as The Walking Dead and Lost or critiqued through programs like The Daily Show. In the final section of the book, Ames provides three audience studies that showcase how viewers consume and circulate emotions in the post-network era: analyses of live tweets from Shonda Rhimes's drama, How to Get Away with Murder (2010–2020), ABC's reality franchises, The Bachelor (2002–present) and The Bachelorette (2003–present), and political coverage of the 2016 Presidential Debates. Though film has been closely studied through the lens of affect theory, little research has been done to apply the same methods to television. Engaging an impressively wide range of texts, genres, media, and formats, Ames offers a trenchant analysis of how televisual programming in the United States responded to and reinforced a cultural climate grounded in fear and anxiety.