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The novel was born religious, alongside Protestant texts produced in the same format by the same publishers. Novels borrowed features of these texts but over the years distinguished themselves, becoming the genre we know today. Jordan Alexander Stein traces this history, showing how the physical object of the book shaped the stories it contained.
Author and former literary agent Nathan Bransford shares his secrets for creating killer plots, fleshing out your first ideas, crafting compelling characters, and staying sane in the process. Read the guide that New York Times bestselling author Ransom Riggs called "The best how-to-write-a-novel book I've read."
A NEW YORK REVIEW BOOKS ORIGINAL Novels in Three Lines collects more than a thousand items that appeared anonymously in the French newspaper Le Matin in 1906—true stories of murder, mayhem, and everyday life presented with a ruthless economy that provokes laughter even as it shocks. This extraordinary trove, undiscovered until the 1940s and here translated for the first time into English, is the work of the mysterious Félix Fénéon. Dandy, anarchist, and critic of genius, the discoverer of Georges Seurat and the first French publisher of James Joyce, Fénéon carefully maintained his own anonymity, toiling for years as an obscure clerk in the French War Department. Novels in Three Lines is his secret chef-d’oeuvre, a work of strange and singular art that brings back the long-ago year of 1906 with the haunting immediacy of a photograph while looking forward to such disparate works as Walter Benjamin’s Arcades Project and the Death and Disaster series of Andy Warhol.
Take a Deep Breath... It Could be Your Last Valkerie Jansen is rough, beautiful, and has an uncanny knack for survival. But that doesn't explain why NASA picks her to be part of a two man, two woman crew to Mars--or does it?Halfway to the Red Planet, an explosion leaves the crew with only enough oxygen for one while the other three must be put in stasis. The crew's survival depends on complete trust in one another but all evidence points to sabotage. Who do they trust to stay awake?A Christy Award Winning Novel
Nazareth has been cruel to my mother, more cruel than any village ever was. All the village says that my blood father is not the man who married my mother. They have shamed her on the matter all my life. Every woman asks which man of the village is my blood father. Every man scowls and says he was not the one my mother seduced. My mother will not tell who is my blood father. My mother will not speak on the matter. My mother bears her shame in silence. Some righteous man, a prophet, said a word over me when I was a babe in arms. He told how I will redeem Israel when I grow to be a man. Now I have grown to be a man, but I do not know how to redeem Israel. The scriptures do not explain the matter. My people say that the man who redeems Israel must take up the sword and throw off our enemy, Rome, which we call the Great Satan. My family says I must take up the sword. Only I am no man of the sword. I wish with all my heart to redeem Israel, but HaShem, the God of our fathers, must tell me how. Lately, there came a new prophet to Israel, who immerses for repentance at the river Jordan. I went to ask the prophet how I should redeem Israel. He said I am to smite the four Powers. I asked what are the four Powers. He could not say, but he said HaShem will reveal the matter to me. I wish HaShem will reveal the matter, only I am not a prophet. Not yet. But I will be. Here is what I know. Every hour of every day, I feel the Presence of HaShem. I do not know why I should feel the Presence always. My mother does not. My village does not. Even the prophet of HaShem does not. I think the Presence will teach me the way to redeem Israel. But I am afraid to redeem Israel. To redeem Israel is to leave my mother to the scorn of the village. The rage of the village. My mother begs and cries on me to make a justice for her. To make a justice on the village. I do not know how to make a justice on the village. I do not know how to redeem Israel. But HaShem will show me the way. I will learn how to be a prophet of HaShem. I will learn how to redeem Israel. I will learn how to make a justice for my mother. I will smite the first Power. Or I will die in the trying.
Celebrating 50 years of Tove Jansson's classic, bestselling novel Featured in the BBC 2 Between the Covers Bookclub Special (Eurovision series 2023) 'Distils the essence of summer' Robert Macfarlane 'Magical, life-affirming' Elizabeth Gilbert The Worldwide Classic about a tiny island and larger love. An elderly artist and her six-year-old grand-daughter while away a summer together on a tiny island in the gulf of Finland. As the two learn to adjust to each other's fears, whims and yearnings, a fierce yet understated love emerges - one that encompasses not only the summer inhabitants but the very island itself. Written in a clear, unsentimental style, full of brusque humour, and wisdom, The Summer Book is a profoundly life-affirming story. Tove Jansson captured much of her own life and spirit in the book, which was her favourite of her adult novels. With a foreword by Esther Freud and an afterword by Sophia Jansson (on whom the child 'Sophia' is based) who returns to the island during the pandemic at the point of becoming a grandmother herself. Includes a 15pp epilogue by Tove's niece Sophia Jansson - the inspiration for 'Sophia' - on a personal and moving return to the island. 'Eccentric, funny, wise, full of joys and small adventures. This is a book for life.' Esther Freud 'Tove Jansson was a genius. This is a marvellous, beautiful, wise novel, which is also very funny.' Philip Pullman
An extraordinary stone box was recently discovered in Jerusalem---the bone-box of 'James, son of Joseph, brother of Jesus.' This is his story . . . It's the year A.D. 57 and Jerusalem teeters on the brink of revolt against Rome. James, leader of the Jewish Christian community, has an enemy in high places. And two very strange friends . . . Rivka Meyers is a Messianic Jewish archaeologist from California, trapped in first-century Jerusalem by a physics experiment gone horribly wrong. Ari Kazan is her husband, an Israeli physicist slowly coming to grips with his Jewish heritage---and with a man named Jesus he was raised to hate. With no way back to their own century, Rivka and Ari seek their niche in this doomed city of God. Ari applies his knowledge of physics to become an engineer, a man of honor. Rivka feels increasingly isolated in a patriarchal culture that treats women like children. She knows what's coming---siege, famine, fire. At first, her warnings earn her grudging respect as a 'seer woman.' But when one of her predictions misses, the city scorns her as a false prophet. Rivka knows that an illegal trial and execution awaits James, son of Joseph, brother of Jesus. Can she prevent this disaster? Will James believe her 'premonition'? Or is Ari right that Rivka's meddling in history will only . . . make matters worse?