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Emma was the last novel that Jane Austen published while alive. In it, she tells us about the adventures of Emma Woodhouse, a young English woman raised in a wealthy family who not only does not have the slightest intention of getting married, but also insists on being a matchmaker for her circle of friends. In particular, for her protégé Harriet Smith. Emma's advice produces all kinds of misunderstandings and embarrassing situations, which translates into a fun work that, two centuries after its appearance, continues to delight readers.
Kidnapped as a teenage girl, Ma has been locked inside a purpose built room in her captor's garden for seven years. Her five year old son, Jack, has no concept of the world outside and happily exists inside Room with the help of Ma's games and his vivid imagination where objects like Rug, Lamp and TV are his only friends. But for Ma the time has come to escape and face their biggest challenge to date: the world outside Room.
One of Cosmo's Best YA Novels of All Time A fresh, irresistible rom-com from debut author Emma Lord about the chances we take, the paths life can lead us on, and how love can be found in the opposite place you expected. Meet Pepper, swim team captain, chronic overachiever, and all-around perfectionist. Her family may be falling apart, but their massive fast-food chain is booming — mainly thanks to Pepper, who is barely managing to juggle real life while secretly running Big League Burger’s massive Twitter account. Enter Jack, class clown and constant thorn in Pepper’s side. When he isn’t trying to duck out of his obscenely popular twin’s shadow, he’s busy working in his family’s deli. His relationship with the business that holds his future might be love/hate, but when Big League Burger steals his grandma’s iconic grilled cheese recipe, he’ll do whatever it takes to take them down, one tweet at a time. All’s fair in love and cheese — that is, until Pepper and Jack’s spat turns into a viral Twitter war. Little do they know, while they’re publicly duking it out with snarky memes and retweet battles, they’re also falling for each other in real life — on an anonymous chat app Jack built. As their relationship deepens and their online shenanigans escalate — people on the internet are shipping them?? — their battle gets more and more personal, until even these two rivals can’t ignore they were destined for the most unexpected, awkward, all-the-feels romance that neither of them expected. "A witty rom-com reinvention ... with deeply relatable insights on family pressure and growing up.” - Emily Wibberley and Austin Siegemund-Broka, authors of Always Never Yours and If I’m Being Honest “An adorable debut that updates a classic romantic trope with a buzzy twist." - Jenn Bennett, author of Alex, Approximately and Serious Moonlight
Mary Saunders' lust for linen, lace and a shiny red ribbon leads her to a life of prostitution.
This work of literary and film criticism examines all eight filmed adaptations of Jane Austen's Emma produced between 1948 and 1996 as vastly different interpretations of the source novel. Instead of condemning the movies and television specials as being «not as good as the book, » Marc DiPaolo considers how each adaptation might be understood as a valid «reading» of Austen's text. For example, he demonstrates how the Gwyneth Paltrow film Emma is both a romance and a female coming-of-age story, the 1972 BBC miniseries dramatizes Emma's world as claustrophobic and Emma herself as suffering from depression, and the modern-day teen comedy Clueless comes closest of all to bringing a feminist reading of the novel to the screen. Each version illuminates a different, legitimate way of reading the novel that is rewarding for Austen fans, scholars, and students alike.
From the bestselling author of All Is Not Forgotten comes a thriller about two missing sisters, a twisted family, and what happens when one girl comes back...
The best-selling author of the No. 1 Ladies’ Detective Agency series deftly escorts Jane Austen’s beloved, meddlesome heroine into the twenty-first century in this delightfully inventive retelling. The summer after university, Emma Woodhouse returns home to live with her widowed father and launch her interior design business. Apart from cultivating grand career plans and managing her father’s hypochondria, Emma busies herself with the two things she does best: matchmaking and offering advice on everything from texting etiquette to first date destinations. Happily, this summer presents abundant opportunities for both, as old and new friends are drawn into the sphere of Emma’s counsel: George Knightley, her principled brother-in-law; Frank Churchill, the attractive stepson of her former governess; Harriet Smith, a naïve but enchanting young teacher’s assistant at the local language school; and the perfect (and perfectly vexing) Jane Fairfax. Carriages have been replaced by Mini Coopers and cups of tea by cappuccinos, but Alexander McCall Smith’s sparkling satire and cozy sensibility are the perfect match for Jane Austen’s beloved tale.
The neek's cast of characters includes some of the author's most fully realized creations, including the upstanding Mr Knightley, the egregious Mrs Elton and the irrepressibly garrulous Miss Bates. But Emma is dominated above all by the personality of its heroine, Emma Woodhouse, Austen's portrayal of whom - a masterclass in irony and the management of narrative perspective - is one of the great high-wire acts of English literature. Among the most variously interpreted novels in the language, Emma has been seen as a cautionary tale about the dangers of unregulated imagination, the story of a woman's humiliation and reform, and a rallying cry of early feminism. This e-book seeks to uncover something of Emma's extraordinary multivalence through a close reading of the text, setting it in the context of Jane Austen's life, times and literary heritage and looking at the way it has been read and re-read by critics in the two centuries since it was published.