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There's no one in her life that Kate Grayson despises more than Colton James; he's inconsiderate, rude, irresponsible and perverted, and yet he has an effect on her she can't even begin to explain. Determined not to fall for the resident bad boy, Kate falls into a vicious cycle of being pulled into his attractive charm before forcing herself to stay away. For his part, Colton finds Kate intriguing and when he warns his friend away from her, he realizes that perhaps her lack of desire for him only enhances his own desire for her.
Features a collection of writings across different genres by the mid-twentieth-century author.
The remarkable renaissance of Patricia Highsmith ("Strangers on a Train, The Talented Mr. Ripley") continues with the publication of "The Highsmith Reader," featuring two groundbreaking novels as well as a trove of penetrating short stories.
THE STORY: The home of the Blackwoods near a Vermont village is a lonely, ominous abode, and Constance, the young mistress of the place, can't go out of the house without being insulted and stoned by the villagers. They have also composed a nasty s
Shortlisted for the National Book Award: "Joan Silber writes with wisdom, humor, grace, and wry intelligence. Her characters bear welcome news of how we will survive."—Andrea Barrett Intense in subject yet restrained in tone, these stories are about longings—often held for years—and the ways in which sex and religion can become parallel forms of dedication and comfort. Though the stories stand alone, a minor element in one becomes major in the next. In "My Shape", a woman is taunted by her dance coach, who later suffers his own heartache. A Venetian poet of the 1500s, another storyteller, is introduced to a modern traveler reading Rilke. His story precedes a mesmerizing narrative of missionaries in China. In the final story, Giles, born to a priesthood family, leans toward Buddhism after a grievous loss, and in time falls in love with the dancer of the first story. So deft and subtle is Joan Silber with these various perspectives that we come full circle surprised and enchanted by her myriad worlds. National Book Award finalist. Reading group guide included.
Author and former literary agent Nathan Bransford shares his secrets for creating killer plots, fleshing out your first ideas, crafting compelling characters, and staying sane in the process. Read the guide that New York Times bestselling author Ransom Riggs called "The best how-to-write-a-novel book I've read."
This Library of America volume of Jack London’s best-known work is filled with thrilling action, an intuitive feeling for animal life, and a sense of justice that often works itself out through violence. London enjoyed phenomenal popularity in his own time (which included the depressions of the 1890s and the beginnings of World War One), and he remains one of the most widely read of all American writers. The Call of the Wild (1903), perhaps the best novel ever written about animals, traces a dog’s sudden entry into the wild and the education necessary for his survival in the ways of the wolf pack. Like many of London’s stories, this one is inspired by the early deprivations of his own pathetically short life: the primitive conditions of life as an oyster pirate in San Francisco; the restless existence of a hobo; the isolation of a prison inmate; the exertion of a laborer in the Oakland slums; and the frustration of a failed prospector for gold in the Alaskan Klondike. White Fang (1906), in which a wolf-dog becomes domesticated out of love for a man, is apparently the reverse side of the process found in The Call of the Wild, yet for many readers its moments of greatest authenticity are those which suggest that, in actual practice, civilization is pretty much a dog’s life for everyone, of “hunting and being hunted, eating and being eaten, all in blindness and confusion, with violence and disorder, a chaos of gluttony.” Though London was a reader of Marx and Nietzsche and an avowed socialist, he doubted that socialism could ever be put into practice and was convinced of the necessity for a brutal individualism. He thought of The Sea-Wolf (1904), the story of Wolf Larsen and his crew of outcasts on the lawless Alaskan seas, as “an attack upon the superman philosophy,” but the Captain is far more memorable than any of the book’s civilized characters. London is an immensely exciting writer partly because the conflicts in his thinking tend to enhance rather than hinder the romantic and thrilling turns of his plots. The stories of the Klondike, which are based on his personal experiences and the stories of California, Mexico, and the South Seas, span the whole of London’s career as a writer. He is one of the great storytellers in American literature, and his politics, with all their passion and contradiction, come to life through the vigor and red-blooded energy of his prose. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
When guitarist Ash Hudson suffers a career-ending hand injury, she seeks out the only thing that can heal it--her hometown's darkest secret. The secret involves an organ-swapping demon who has trapped Ash's family within the town for decades. Now Ash must bargain with the demon as she attempts to heal both her hand and her broken relationships.
Graphic novels, long stories told in comics format, have enjoyed the fastest-growing sales of any category of book in the U.S. over the last four years. This modern renaissance of comics has produced a library of substantial works, whose subjects are not confined to superheroes or fantasy but are as varied and sophisticated as the best films and literature. Graphic Novels presents an accessible, entertaining, and highly illustrated guide to the diversity of contemporary comics in book form. Featuring striking graphics and explanatory extracts from a wide range of graphic novels, the book examines the specific language of the comics medium; the history and pioneers of the form; recent masterpieces from Art Spiegelman's Maus to Chris Ware's Jimmy Corrigan; the impact of Japanese manga and European albums translated into English; how artists have overcome prejudices towards the genre; and the ambitious range of themes and issues artists are addressing, including childhood, war and survival, politics, the future, sexuality, and the supernatural.
From ruined Louisiana plantations to bustling, cosmopolitan New Orleans, Kate Chopin wrote with unflinching honesty about propriety and its strictures, the illusions of love and the realities of marriage, and the persistence of a past scarred by slavery and war. Her stories of fiercely independent women challenged contemporary mores as much by their sensuousness as their politics, and today seem decades ahead of their time. Now, The Library of America collects all of Chopin’s novels and stories as never before in one authoritative volume. The explosive novel At Fault (1890) centers on a love triangle between a strong-willed young widow, a stiff St. Louis businessman, and the man’s alcoholic wife. In the two story collections Bayou Folk (1894) and A Night in Acadie (1897), Chopin transforms the popular local color sketch into taut, perfectly calibrated tales that portray Louisiana bayou cultures with sympathetic insight and an eye to the unresolved conflicts of a South reeling from the Civil War. In The Awakening (1899), the novel that scandalized many of her contemporaries and effectively ended her public career as a writer, Chopin tells the story of Edna Pontellier, a restless, unsatisfied woman who embarks on a quixotic search for fulfillment. Rendered with masterful precision, detachment, and a suggestive ambiguity that defies easy judgments about Edna’s actions, The Awakening is the novel that restored Chopin to literary prominence after its rediscovery by critics in the 1960s and 1970s. The volume also includes all the stories not collected by Chopin, including those meant for A Vocation and a Voice, a projected volume that her publisher canceled in 1900; stories that Chopin never tried to publish, such as the erotically daring “The Storm”; and “Ti Frère,” “A Horse Story,” and “Alexandre’s Wonderful Experience,” three stories which were found in 1992 in a long-lost cache of Chopin’s papers. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.