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Once upon a time a jealous girl stole a magical artifact from a museum to eliminate her competition. In the Rocky Mountains, a man studies a woman raised by wolves, but soon watching won't be enough. Tonight, you might find yourself in a fairy tale of your own. Will you answer magic's call?
In Brandon Sanderson's riveting "Firstborn," a Tor.com Original short story, much glory is expected of the son of a High Duke of the interstellar Empire. And expected. And still expected, despite endless proof that young Dennison Crestmar has no talent whatsoever for war. But the life Dennison is forced to live will have its surprising lessons to impart. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
SHAPARD/NEW SUDDEN FICTION
Critically acclaimed master of the short story Amy Hempel’s Tumble Home is narrated by people with skewed visions of home. Not exactly crazy, they become obsessed and irrational as their inner logic leads them astray. In the title novella, a woman living in a psychiatric halfway house writes to a man she has met only once. Proceeding in brief vignettes that link and illuminate, she recounts her peculiar life with the other patients. The accretions of anecdote lead deeper and deeper into the psyche and history of the narrator, gradually revealing the reason for her urgent letter.
The short fictions collected in Public Works explore the extremes of human nature and literary technique. From the manic, single-sentence fiction "Public Sentence" to the carefully structured and plot-twisting "We Stand Here, Swinging Cats," Grimes' stories have an idiosyncratic and associative quality-nothing follows predictably from anything, and beginnings never foreshadow ends. While reading, one has the sense that, despite recognizable voices and themes, this imagination seems alien, as though divvying up and parceling out the world by its own rules. In "Glue Trap," a one-legged shopkeeper offers expert instruction in the art of one-on-one combat with a rat. In "Making Love: a Translation," the stream of consciousness creates a fiction as simple as Hemingway, as wistful and dissociative as Julio Cortazar. Ultimately, Grimes' stories question the grids and schemas we impose on "reality." His is a formal defiance of the tyranny of traditional narrative, expressed with a thematic daring that moves between the contemplation of ordinary buckets and high art.
Edgar Award Nominee for Best First Novel Named a New York Times Best Thriller of 2021 "I devoured this riveting book through a day of travel...My desire to rush to the end clashed with my desire to savor every word. Who would be the last psychopath standing?” — New York Times Book Review "Fresh, fast-paced and fiendishly clever! If you love watching true crime and wonder about the psychopaths among us, this is the book for you!" — Lisa Gardner, #1 New York Times bestselling author You should never trust a psychopath. But what if you had no choice? It would be easy to underestimate Chloe Sevre… She’s a freshman honor student, a legging-wearing hot girl next door, who also happens to be a psychopath. She spends her time on yogalates, frat parties and plotting to kill Will Bachman, a childhood friend who grievously wronged her. Chloe is one of seven students at her DC-based college who are part of an unusual clinical study of psychopaths—students like herself who lack empathy and can’t comprehend emotions like fear or guilt. The study, led by a renowned psychologist, requires them to wear smart watches that track their moods and movements. When one of the students in the study is found murdered in the psychology building, a dangerous game of cat and mouse begins, and Chloe goes from hunter to prey. As she races to identify the killer and put her own plan for revenge into action, she’ll be forced to decide if she can trust any of her fellow psychopaths—and everybody knows you should never trust a psychopath.
"More engaging than any new fiction in years." —Chuck Palahniuk An unforgettable work of fiction that peers into the soul of a tough Midwestern American town to reveal the sad, stunted but resilient lives of its residents. Knockemstiff is a genuine entry into the literature of place. Spanning a period from the mid-sixties to the late nineties, the linked stories that comprise Knockemstiff feature a cast of recurring characters who are irresistibly, undeniably real. A father pumps his son full of steroids so he can vicariously relive his days as a perpetual runner-up body builder. A psychotic rural recluse comes upon two siblings committing incest and feels compelled to take action. Donald Ray Pollock presents his characters and the sordid goings-on with a stern intelligence, a bracing absence of value judgments, and a refreshingly dark sense of bottom-dog humor.
When guitarist Ash Hudson suffers a career-ending hand injury, she seeks out the only thing that can heal it--her hometown's darkest secret. The secret involves an organ-swapping demon who has trapped Ash's family within the town for decades. Now Ash must bargain with the demon as she attempts to heal both her hand and her broken relationships.
The turn to fiction as a social research practice is a natural extension of what many researchers and writers have long been doing. Patricia Leavy, a widely published qualitative researcher and a novelist, explores the overlaps and intersections between these two ways of understanding and describing human experience. She demonstrates the validity of literary experimentation to the qualitative researcher and how to incorporate these practices into research projects. Five short stories and excerpts from novellas and novels show these methods in action. This book is an essential methodological introduction for those interested in studying or practicing arts-based research.
Ranging in scope from lengthy novellas to fables and folktales only a few pages long, Leo Tolstoy’s short fiction provides a marvelous opportunity to become closely acquainted with Russia’s great novelist. Volume 2 of the Collected Shorter Fiction reveals how Tolstoy’s growing spiritual preoccupations flowered into a series of extraordinary late masterpieces that equal anything in the earlier novels for intensity and power. Readers of The Death of Iván Ilých, The Kreutzer Sonata, Father Sergius, Master and Man, and Hadji Murád will recognize the brilliant novelist now transfigured by his passionate quest for salvation and forgiveness. Aylmer and Louise Maude’s classic translations are supplemented by new translations by Nigel J. Cooper of six stories, including two that have never before appeared in English.