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Adler's 53rd book explores philosophy--its relation to and difference from other disciplines, such as history, mathematics, empirical science, and even poetry--and acts as an extension of the author's classic works on the conditions that that make philosophy workable.
’Mystical theology’ has developed through a range of meanings, from the hidden dimensions of divine significance in the community’s interpretation of its scriptures to the much later ’science’ of the soul’s ascent into communion with God. The thinkers and questions addressed in this book draws us into the heart of a complicated, beautiful, and often tantalisingly unfinished conversation, continuing over centuries and often brushing allusively into parallel concerns in other religions. Raising fundamental matters of epistemology, representation, metaphysics, and divine reality, contributors approach the mystical from postmodern, feminist, sociological and historical perspectives through thinkers such as Meister Eckhart, Thomas Aquinas, Catherine of Siena, Ignatius of Loyola, William James, Evelyn Underhill, Ernst Troeltsch, Rudolf Otto, Jacques Derrida, Jean-Luc Marion and Jean-Louis Chrétien. Medieval and early modern radical prophetic approaches are also explored. This book includes new essays by Sarah Apetrei, Tina Beattie, Raphel Cadenhead, Oliver Davies, Philip Endean, Brian FitzGerald, Ann Loades, George Pattison, Simon D. Podmore, Joel D.S. Rasmussen, and Johannes Zachhuber.
"Lost", created by wunderkind JJ Abrams and aired on the US ABC network and Sky in the UK, began in 2004 and ends after its sixth season in 2010.
Taking care of the Moon (the heart) in ourselves is the secret of happiness, but unravelling its messages requires that we learn its mysterious, non-linear, trans-logical language. "Being in touch with our feelings" is only part of it. To follow the Moon down into our hearts is a journey into another reality, the interior psychic world, where our souls collide with ghosts from our past. Intuition, the Mother, Family, Healing and being healed -- these are all lunar topics. The story unfolds against a shifting backdrop of epochal changes in our cultural relationship to what we were foolishly taught to call "the Feminine", forgetting that men have Moons too! This book takes a fresh look at the moon, including new insight into the moon's phases, the moon's declination and the "out of bounds" moon.
Analysing prominent novelists such as Ibrahim al-Kuni and Hisham Matar, alongside lesser-known and emerging voices, this book introduces the themes and genres of the Libyan novel during the al-Qadhafi era. Exploring latent political protest and environmental lament in the writing of novelists in exile and in the Jamahiriyya, Charis Olszok focuses on the prominence of encounters between humans, animals and the land, the poetics of vulnerability that emerge from them, and the vision of humans as creatures (makhluqat) in which they are framed.
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Much of contemporary philosophy, especially in the analytical tradition, regards aesthetics as of lesser significance than epistemology, ethics, metaphysics, and the philosophy of language. Yet, in Aesthetic Dimensions of Modern Philosophy, Andrew Bowie explores the idea that art and aesthetics have crucial implications for those areas of philosophy. In the modern period, the growth of warranted scientific knowledge is accompanied both by heightened concern with epistemological scepticism and a new philosophical attention to art and the beauty of nature. This suggests that modernity involves problems concerning how human beings make sense of the world that go beyond questions of knowledge, and are reflected in the arts. The relationship of art to philosophy is explored in Montaigne, Descartes, Hume, Kant, Schelling, the early German Romantics, and Hegel. This book also considers Cassirer's and the hermeneutic tradition's exploration of close links between meaning in language and in art. The work of Karl Polanyi, Marx, Nietzsche, Heidegger, Adorno, Dewey, and others is used to investigate how the modern sciences and the development of capitalism change both humankind's relations to nature and the nature of value, and so affect the role of art in human self-understanding. The aesthetic dimensions of modern philosophy can help to uncover often neglected historical shifts in how 'subjective' and 'objective' are conceived. Seeing art as a kind of philosophy, and philosophy as a kind of art, reveals unresolved tensions between the different cultural domains of the modern world and questions some of the orientation of contemporary philosophy.
Exposition of fourth dimension, concepts of relativity as Flatland characters continue adventures. Topics include curved space time as a higher dimension, special relativity, and shape of space-time. Includes 141 illustrations.