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This volume highlights the work of contemporary Brazilian photographers with an emphasis on images which reflect the dynamism and eclecticism of Brazilian society. The editor has collected the work of 21 of Brazil's most prominent photographers and accompanies their work with a commentary describing the new uses of photography within the contemporary arts and the burgeoning alternatives to traditional photography. The book begins with an historical overview, continuing with the experiences of the independent photo agencies of the 1970s, the creative surge in the 80s, and the recent emergence of photography as a means of personal and artistic expression. The direct participation of indigenous authors and photographers from all regions of Brazil allows this book to show how writers and artists see themselves and their work in a de-exoticized framework.
The City as Photographic Text offers the first comprehensive presentation of photography on São Paulo. But more than just a study of one city’s photographic legacy, this book is a manual for how to understand and talk about Latin American photography in general. Focusing on major figures and referencing widely available books of their work, David William Foster offers a unique analysis of how photographers have contributed to our understanding of the megalopolis São Paulo has become. Eschewing a conventional historical approach, Foster explores how best to interpret visual urban life. In turn, by focusing interest on the photographic text and the ways in which it creates an interpretive meaning for the city, rather than rehearsing the circumstances under which the photographs were taken, this study provides a model for productive comment on urban photography as a project of visual meaning with important artistic attributes. As a unique entry in the inventory of scholarly writing on São Paulo, The City as Photographic Text adds to our understanding of the enormous cultural significance this city holds as a world-class urban center.
The Encyclopedia of Twentieth-Century Photography explores the vast international scope of twentieth-century photography and explains that history with a wide-ranging, interdisciplinary manner. This unique approach covers the aesthetic history of photography as an evolving art and documentary form, while also recognizing it as a developing technology and cultural force. This Encyclopedia presents the important developments, movements, photographers, photographic institutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography. To bring this history alive for the reader, the set is illustrated in black and white throughout, and each volume contains a color plate section. A useful glossary of terms is also included.
The fourth volume in a history of photography, this is a bibliography of books on the subject.
Kimberly Cleveland highlights the work of five Brazilian artists from all over the country who work in a wide range of media, including photography, sculpture, and installation art. She shows how each conveys “blackness” through his or her unique visual vocabulary and points out the ways this reflects their lived experiences.
This handbook provides an extensive overview of traditional and emerging research areas within the field of intermediality studies, understood broadly as the study of interrelations among all forms of communicative media types, including transmedial phenomena. Section I offers accounts of the development of the field of intermediality - its histories, theories and methods. Section II and III then explore intermedial facets of communication from ancient times until the 21st century, with discussion on a wide range of cultural and geographical settings, media types, and topics, by contributors from a diverse set of disciplines. It concludes in Section IV with an emphasis on urgent societal issues that an intermedial perspective might help understand.
In the 1960s liberation theology addressed itself to the problems of a continent racked by poverty and oppression. Comprising a network of localized communities and pastoral organizations, it soon became something much more than a doctrinal current. Liberationist Christianity defined itself in a multitude of social struggles, particularly in Brazil and Central America.
Exploring the old and new forms of transnationalism stemming from the Caribbean, Caribbean Transnationalism challenges present concepts about diaspora, brings into perspective new forms of transnationalism, and offers new perspectives on social cohesion in plural societies. The novelty of this collection of essays by experts from a wide range of disciplines consists not only of the theoretical clarity it offers with regard to issues related to diaspora, transnationalism, and social cohesion, but also of the ample attention given to the intra-regional transnational communities and the discussion of ethnification for social cohesion. Caribbean Transnationalism calls into question traditional views held in the expanding fields of migration, transnationalism, and social cohesion, making this an important book for scholars and students interested in the study of the social sciences and Caribbean studies.
"The book is a contribution to the historical study of gay and lesbian art, yet calls for altering its parameters in ways that fully recognize social and cultural difference. It provides a chronological and conceptual framework for studying the tropes of 'homotextual' expression in a Latin American context. More than one hundred illustrations, gathered from various sources across Latin America, North America and Europe, allow the reader to personally witness this fascinating and, until now, concealed story."--BOOK JACKET.