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Eliot Lamb has had countless nights like this before. He's out with his mates, pint in hand, shots at the ready. They're at the King's Arms and will soon be making their familiar descent: pub, bar, club. But this time it's different. When the night ends and tomorrow begins, he'll graduate from Oxford and head reluctantly into adulthood. As he stares into the foam of his first beer, he knows it won't be easy. He'll have to confront his feelings for Ella, an Oxford classmate whose passion for literature matches his own, as well as Lucy, his first love, whose ominous phone calls and text messages are threatening to unravel him. And then there's the tragic secret he's been hiding all this time, which is about to find its way out and send his night into serious turmoil. Ben Masters has written a thoroughly modern coming-of-age story full of style, heart, and humor. Eliot Lamb--for all his mastery of literary theory, postmodern novels, and classic poetry--is about to be dragged into adult life, whether he likes it or not. Now with Extra Libris material, including a Q&A and bonus content
While the fin de siècle has received considerable attention as a critical concept, the first decade of a new century has been less well studied. The chapters in this volume consider the distinctive cultural significance of the ‘noughties’ in the Hispanic and Lusophone world, looking at the specific cultural, political and economic circumstances of the decade, and in some cases proposing notions of an identifiable ‘noughties sensibility’ or ‘noughties generation’ which may flow out of, or stand in reaction against, the malaise of the fin de siècle. Drawing on specialist, area-specific knowledge, the authors consider the significance of the noughties across different eras. The contributions include chapters on how Brazil is negotiating the complicated terrain of digital literacy; the painful re-examination of the civil war that is taking place in Spain; and the negative effects of the economy on women’s lives in Argentina. The chapters examine film, digital media, theatre, fiction, the economy and history, all taking the noughties as a focal point. The multiple perspectives will reveal the commonalities of experiences that a particular period brings about as well as showing up the distinctive local differences.
A decade of easy living or a decade of broken dreams? Brenda Power chronicles the defining issues of the Noughties, covering a breadth of social, political and public interest issues. Her comments are frequently controversial and generate huge responses, such as her 2009 article on gay marriage. She tackles difficult and divisive subjects without fear or favour. Her views on the rapid changes in Irish society during the boom years are a fascinating commentary on the values and practices of that extraordinary period in Irish history. These snap-shots highlight issues that shaped our lives in Ireland in recent years.
Why music doesn't add up, what The Simpsons can teach us about science, whether Juana la Loca wasn't crazy after all, and what's behind the gaseous veil of Saturn's moon Titan ' these are just some of the questions addressed in the more than 70 reviews and essay reviews from the years 2000 to 2009 collected in this volume. They cover books about science, ranging from the academic to the popularized kind, but there are also books about cultural topics and even a few novels scattered in for good measure. Most of these books reviewed haven't found a massive amount of attention, although some of them should have, at least in the reviewer's opinion. And even if the book under review wasn't all that good, the format of an essay review allows the author to have a go at presenting the subject matter his own way. All in all, a reflection of what happened during the noughties in the worlds of science and culture, and off the beaten track.
The early 21st century is a time of unprecedented opportunity for those coming of age. It is a time when many young adults set out to achieve their dreams, be it starting their own business, starting a political movement, or propelling themselves to superstardom. Angelle's dream is to become Cultural Royalty of Pacificland, thus achieving what her mother couldn't. Her vision is based on freedom, dreams, love and fairness for all. However, she soon finds that whilst change appears to be in the air, the resistance is often even greater. And when the forces against change mobilise, those wanting a slice of success often bow to their agenda, while those fighting for change simply give up. With her own dreams on the line, will Angelle stay true to her values? And if she does, will it be enough to make a positive difference? Life isn't meant to be easy, but are there rewards for the brave at the end? BACKGROUND: The Princess's Spirit is an eternal ideal, based on values of optimism, bravery, vision, love and compassion. In different eras it manifests in different contexts. The first decade of the 21st century (2000-2009), often called the noughties, was both a time of hope and despair, for different reasons. It was a time when technology began to enable new ways of communication, with profound impact on culture and politics. In this way, it was a time of unprecedented opportunity. It was also a time when brave new ideas, like marriage equality for same-sex couples (which is explored in this book), began to be seriously considered. But this and other movements would face great difficulties before their eventual successes. Set against this context are many lives who fought for a better world, including the author herself. Whilst this is a fictional work, it has captured the spirit of the times as the author experienced it, and many of the little stories contained within were inspired partially by real life events experienced by the author and her friends.
Eliot Lamb has dreaded this moment for the past three years of his life: the final night of university. Gathered with his mates in the King's Arms, he begins the ultimate descent - Pub, Bar, Club. Staring into the foam of his first pint, he knows that before the night reaches its climactic conclusion on the sweaty dance-floor of Filth, he must solve the dilemma of his knotty love-life, risk his closest friendship, face up to a tragic secret, and deal with the fact that he hasn't a clue what to do with the rest of his life. And with the entire literary canon running wild in his imagination and a series of ominous text messages lighting up his mobile phone, things aren't going to be easy. Noughties is an inventive and lyrical comic novel about the highs and lows of modern university life. Eliot may know a lot about Renaissance poetry, the post-modern novel, French literary theory, and how to get hammered at a highly competitive rate, but he is fast realising that adulthood beckons, and it's going to be asking a lot more of him than that.
Two birdwatchers survive a nuclear holocaust.
KEYNOTE: This book's vibrant photographs reveal the outrageous fashion of London's pulsating club scene in the 21st century. The Noughties saw the rise of a new generation of Club Kids following in the footsteps of their predecessors--the original Club Kids of New York City, who, in turn, had followed London's Blitz generation. In the early 1980s, the Blitz Club in London's Covent Garden became the focal point for an alternative club scene --frequented by Adam Ant, Boy George, Siouxsie Sioux and Steve Strange--which spawned even more radical clubs such as Leigh Bowery's infamous Taboo club in London's Leicester Square. Bowery famously enjoined, "Dress as though your life depends on it or don't bother," a mantra the new Club Kids have adopted as their own. They dress outrageously, with a penchant for kitsch and anti-fashion. Often with a mixture of their own self-made outfits and carefully selected labels (predominantly Vivienne Westwood), oversized accessories, excessive amounts of make-up and frequently highly androgynous looks, these flamboyant clubbers have created a vibrant New Club Kids' scene in London's bohemian nightlife underground. Fabulous or trashy, beautiful or scary, glamorous or freaky--meet the New Club Kids in these incredible photographs. AUTHOR: Oggy Yordanov is a Bulgarian-born photographer who has lived in London's Soho district since 2001. As a party kid himself he was inspired by the exuberance and avant-garde fashion of the London club underground. ILLUSTRATIONS: 300 colour illustrations *
Indexes the Times, Sunday times and magazine, Times literary supplement, Times educational supplement, Times educational supplement Scotland, and the Times higher education supplement.
Perhaps more than any other moment in history, the turn of the millennium, and the arrival of a new decade, was marked with a mixture of hope, scepticism and feverish speculation. But the first decade of the 21st century was an awkward child; no-one even really knew its name… From an initial feeling of anticlimax, the decade soon lurched into terror and war, and ended with financial meltdown – all to the soundtrack of irritating ringtones. This was a decade that freed us up – you could tweet Tony Blair, poke Paris Hilton or just be yourself on YouTube. It was also a decade that tied us down, with fear, suspicion and CCTV lurking on every corner. From the ‘Millennium Bug’ to bird flu, from 9/11 to 7/7, from Bebo to iPod and Wiki to Wii, one way or another it has been a remarkable decade. This is the story of how the Noughties made a name for itself. Tim Footman is the author of Welcome to the Machine: OK Computer and the Death of the Classic Album. Formerly the editor of The Guinness Book of Records and PUSH University Guide, Tim has also written for The Guardian, Mojo, Time Out and Prospect.