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Johannes Vermeer (1632-1675) is world-famous for his scenes of daily life, such as a kitchen maid pouring milk, a woman having a music lesson, or a lady writing a letter. However, when Vermeer began painting around the age of 21, he focused primarily on traditional subjects derived from the Bible and classical mythology. Not only do these early works differ greatly from his later paintings in terms of subject matter, they also differ in style.The exhibition unites three paintings from the beginning of Vermeer's artistic career: the Mauritshuis' Diana and her nymphs of c. 1653-1654, is joined by Christ in the house of Martha and Mary (c. 1655) from the National Gallery of Scotland in Edinburgh, and The Procuress (1656) from the Staatliche Kunstsammlungen in Dresden. These three paintings afford an image of the artist seeking his own style. All three paintings have recently been restored."
A society with no grasp of its history is like a person without a memory. This is particularly true of the history of ideas. This book is an ideal introduction to the thinkers who have shaped Christian history and the culture of much of the world. Writing in a lively, accessible style, Jonathan Hill takes us on an enlightening journey from the first to the twenty first centuries. He shows us the key Christian thinkers through the ages - ranging from Irenaeus, Origen, Augustine and Aquinas through to Luther, Wesley, Kierkegaard and Barth - placing them in their historical context and assessing their contribution to the development of Christianity.
" ... accompanies the exhibition of the same name organized by the Peabody Essex Museum, Salem, Massachusetts, in conjunction with the Mauritshuis, The Hague. The exhibition is on view from February 26 through June 19, 2011; and travels to the Fine Arts Museums of San Francisco, July 9 through October 2, 2011, and the Museum of Fine Arts, Houston, November 13, 2011 through February 12, 2012"--T.p. verso.
Child of materialism and positivism, Courbet was without a doubt one of the most complex painters of the nineteenth century. Symbolising the rejection of traditions, Courbet did not hesitate to confront the public with the truth by liberating painting of conventional rules. He became from then on the leader of pictorial realism.
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Gustave Courbet (1819-77) was a French artist whose work heralded the realist movement of the nineteenth century and his paintings have had a profound influence on other artists from around the world, including Claude Monet, James McNeill Whistler, and Paul Cézanne. This catalog is published to accompany an exhibition of the same name at the McMullen Museum, Boston College, in the autumn of 2013, which was put together in tandem with the Royal Museums of Fine Arts of Belgium. Approaching its subject from a unique perspective, Courbet: Mapping Realism looks at the artist's reception on both sides of the Atlantic, and includes paintings by Courbet himself, as well as Belgian and American realist-influenced artists. American and Belgian scholars, including Jeffery Howe, Claude Cernuschi, Dominique Marechal, and Katherine Nahum, contribute essays that explore Courbet's art in light of this expanded view of his career. Complete with color illustrations, Courbet: Mapping Realism showcases artwork from both the United States and Belgium that are rarely exhibited or published together.