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Nothing Definite Yeti evokes a delirious world where even monsters have their say. A contemporary bestiary in poem and song, this book speaks for monster in all of us. The young of all ages will find this book a whole lot of fun.
"...you're talking about a yeti or bigfoot or sasquatch. Well now, you'll be amazed when I tell you that I'm sure they exist." —Jane Goodall on NPR This is "The Big Book of Yetis." What the reader gets here is a world-class geneticist's search for evidence for the existence of Big Foot, yeti, or the abominable snowman. Along the way, he visits sites of alleged sightings of these strange creatures, attends meetings of cryptozoologists, recounts the stories of famous monster-hunting expeditions, and runs possible yeti DNA through his highly regarded lab in Oxford. Sykes introduces us to the crackpots, visionaries, and adventurers who have been involved in research into this possible scientific dead-end over the past 100 years. Sykes is a serious scientist who knows how to tell a story, and this is a credible and engaging account. Almost, but not quite human, the yeti and its counterparts from wild regions of the world, still exert a powerful atavistic influence on us. Is the yeti just a phantasm of our imagination or a survivor from our own savage ancestry? Or is it a real creature? This is the mystery that Bryan Sykes set out to unlock.
Last August, two men in rural Georgia announced that they had killed Bigfoot. The claim drew instant, feverish attention, leading to more than 1,000 news stories worldwide—despite the fact that nearly everyone knew it was a hoax. Though Bigfoot may not exist, there’s no denying Bigfoot mania. With Bigfoot, Joshua Blu Buhs traces the wild and wooly story of America’s favorite homegrown monster. He begins with nineteenth-century accounts of wildmen roaming the forests of America, treks to the Himalayas to reckon with the Abominable Snowman, then takes us to northern California in 1958, when reports of a hairy hominid loping through remote woodlands marked Bigfoot’s emergence as a modern marvel. Buhs delves deeply into the trove of lore and misinformation that has sprung up around Bigfoot in the ensuing half century. We meet charlatans, pseudo-scientists, and dedicated hunters of the beast—and with Buhs as our guide, the focus is always less on evaluating their claims than on understanding why Bigfoot has inspired all this drama and devotion in the first place. What does our fascination with this monster say about our modern relationship to wilderness, individuality, class, consumerism, and the media? Writing with a scientist’s skepticism but an enthusiast’s deep engagement, Buhs invests the story of Bigfoot with the detail and power of a novel, offering the definitive take on this elusive beast.
Bhutanese Tales of the Yeti is a collection of twenty-two stories set in four different regions of Bhutan. The presence of the yeti is ubiquitous to the kingdoms of the Himalayas, where beliefs and attitudes related to it go beyond scientific judgment and analysis. The Bhutanese consider the yeti, or the migoi, to be an essential part of the backdrop of their existence. Believed to possess supernatural powers enabling it to become invisible at will, the yeti often manifests itself in a tangible form and then suddenly vanishes, leaving behind nothing but an unexpected void. Folklore about the abominable snowman has existed for centuries; however, with the far-reaching impact of the media, the perpetuation of this oral tradition is threatened. This collection of stories is an attempt to document a vital tradition before it is wiped out entirely. The book is well illustrated and includes maps of the four regions.
The history of the Cold War has focused overwhelmingly on statecraft and military power, an approach that has naturally placed Moscow and Washington center stage. Meanwhile, regions such as Alaska, the polar landscapes, and the cold areas of the Soviet periphery have received little attention. However, such environments were of no small importance during the Cold War: in addition to their symbolic significance, they also had direct implications for everything from military strategy to natural resource management. Through histories of these extremely cold environments, this volume makes a novel intervention in Cold War historiography, one whose global and transnational approach undermines the simple opposition of “East” and “West.”
With A Charm of Finches Richard Stevenson continues the project he began with Hot Flashes: illuminating his own experience through the skillful use of Japanese poetic forms. Once again he distills the essence of a time and place through his own participation as witness and chronicler to an ongoing human story.
Richard Stevenson was born on this planet 51 years ago, though he's still waiting to be beamed aboard a saucer bound for Zeti Reticuli and the outer meninges. He is the author of thirteen previous collections, including, most recently, A Murder of Crows: New & Selected Poems (Black Moss Press, 1999), Nothing Definite Yeti (YA verse, Ekstasis Editions, 1998), Live Evil: A Homage To Miles Davis (Thistledown Press, 2000), and Hot Flashes: Maiduguri Haiku, Senryu, and Tanka (Ekstasis Editions, 2001). He teaches and helps run a reading series, and occasionally performs his work with the jazz-poetry troupe Naked Ear and children's verse/ jazz-rock troupe Sasquatch, and has called Lethbridge, Alberta (wear the fox hat!) home for the past thirteen years. No one's punched his ticket yet, but he remains hopeful that there is intelligent life "out there." Book jacket.
In Hot Flashes Richard Stevenson uses the Japanese haiku form to illuminate his experience of living and teaching in Africa. Quick images following one after another distil the essence of the unique and sometimes peculiar African world.
Bye Bye Blackbird is a compelling and fresh approach to the story of Miles Davis, the man and the musician. Richard Stevenson writes like a true jazz fan, in poetic admiration for another artist, his imagination swelling with the music of jazz.