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Do you have any notes for me? Actors always ask for notes on their performance, and they will take them from just about anyone. Ron Marasco's Notes to an Actor grew out of the actor's profession. In his years as an actor, scholar, and teacher of acting, Mr. Marasco found that most acting books were either outdated classics that were rarely read, or quasi-textbooks that actors only skimmed. So he developed Notes to an Actor, a compact, user-friendly book geared specifically to the way actors work. The book is based on the innovative idea that notes, given one on one, are the essential tool of creative learning.
Worried about short rehearsal time? Think that fluffing your lines will be the end of your career? Are you afraid you'll be typecast? Is there such a thing as acting too much? How should a stage actor adjust performance for a camera? And how should an actor behave backstage? The Actor's Survival Handbook gives you answers to all these questions and many more. Written with verve and humor, this utterly essential tool speaks to every actor's deepest concerns. Drawing upon their years of experience on stage, backstage, and with the camera, Patrick Tucker and Christine Ozanne offer forthright advice on topics from breathing to props, commitment to learning lines, audience response to simply landing the job in the first place. The book is rich with examples - both technical and inspirational. And because a director and an actor won't always agree, the two writers sometimes even offer alternative responses to a dilemma, giving the reader both an actor's take and a director's take on a particular point. Like Patrick Tucker's Secrets of Screen Acting, this new book is written with wit and passion, conveying the authors' powerful conviction that success is within every actor's grasp.
An invaluable guide to the traditions and best practices of the professional stage actor, from first rehearsal to final curtain. Professional stage actors are expected to have ready knowledge of a multitude of unwritten yet well-established protocols. Traditionally, this knowledge was passed along from one generation of stage actors to the next via word of mouth, or were learned by having one’s missteps corrected—until now. In The Stage Actor’s Handbook, these protocols have finally been assembled into one volume, allowing theatre artists to know in advance what is expected of them. A definitive guide for professionals and aspiring professionals alike, this book details best practices on everything from rehearsal demeanor to backstage etiquette. It also shares the theatre’s unique vernacular and revered superstitions, as well as field-tested guidelines on touring, interactions with the public, and more. Written by established theatre pros Michael Kostroff (The Producers, Les Misérables)and Julie Garnyé (Cats, Come From Away), The Stage Actor’s Handbook features bits of wisdom contributed by legendary stage actors, including Bebe Neuwirth, John Lithgow, Chita Rivera, Alfred Molina, Billy Porter, Betty Buckley, Harvey Fierstein, Sam Waterston, Jason Alexander, Cynthia Nixon, and Sir Patrick Stewart.
This fourth edition gives a new generation of Canadian artists an up-to-date guide to the business of acting.
From a veteran actor, teacher, and author, here is a quick-reference guide aimed at working actors. Got a funny scene that doesn't seem very funny? Look up "comedy." Got a scene in which you're supposed to cry? Look up "cry." Each entry includes a brief introduction to the topic, followed by several pages of short, bulleted tips or "field notes" that offer quick solutions to any acting problem. In addition, there are brief essays throughout that expand on some of the trickier aspects of the actor's craft. Edgy, concise, and infinitely helpful, no working actor will want to be without this one-of-a-kind guide. There are 100,000 members in actors unions in the US, with a 50% turnover Unique quick reference guide for busy actors Advice on everything from rehersals to auditioning and memorizing lines Author has trained thousands of actors, including Heather Locklear and Teri Hatcher Advertising inBack Stagemagazine
'Essential reading for any young actor' Dame Maggie Smith Competition for acting work is fierce and talent is not necessarily enough. Actors need all the help they can get with all aspects of the profession. Now in its fifth edition, completely revised and updated, this practical, comprehensive guide contains invaluable information and advice to enable actors to succeed in the business. Written with honesty, humour and thoroughness, An Actor's Guide to Getting Work draws on the author's rich experience in the field to offer advice to both the novice and the seasoned performer. New material in this fifth edition includes what drama schools are looking for, approaching Shakespeare for audition, professional email etiquette, using the internet as a self-marketing tool, and many more useful checklists and updated insights into the profession.
Stanislavski’s ‘system’ has dominated actor-training in the West since his writings were first translated into English in the 1920s and 30s. His systematic attempt to outline a psycho-physical technique for acting single-handedly revolutionized standards of acting in the theatre. Until now, readers and students have had to contend with inaccurate, misleading and difficult-to-read English-language versions. Some of the mistranslations have resulted in profound distortions in the way his system has been interpreted and taught. At last, Jean Benedetti has succeeded in translating Stanislavski’s huge manual into a lively, fascinating and accurate text in English. He has remained faithful to the author's original intentions, putting the two books previously known as An Actor Prepares and Building A Character back together into one volume, and in a colloquial and readable style for today's actors. The result is a major contribution to the theatre, and a service to one of the great innovators of the twentieth century. This Routledge Classics edition includes a new Foreword by the director Richard Eyre.
Actors don't have to become Broadway stars to make a living with their acting talents. The Actor’s Other Career Book pulls back the curtain to reveal more than 50 permanent and temporary positions available in cruise ships, trade shows, retail stores, advertising agencies, corporate settings, education, social outreach, tourist attractions, physical fitness, and much more. Whether actors are looking to continue performing in new venues or apply their skills to a new field, this is the resource to help make the transition. Interviews with successful actors reveal how others looked beyond the stage for lucrative and satisfying work, how they applied their training and background to their current positions, and how they achieved success on their own terms. A comprehensive listing of organizations, Web sites, companies, and publications provide a wealth of tools. All actors looking to take control of their futures will need this book.
This book explores the training methods, performance and aesthetics of Kudiyattam, the oldest existing theatre from in the world. It brings together for the first time a comprehensive analysis of the psycho-physical techniques employed by the actors in Kerala of this temple theatre form. The book offers an in-depth analysis of pakarnnattam, a unique acting technique that helps the actor to perform multiple characters in a single dramatic situation. This multiple transformational acting technique is highly relevant to enhance the actor¿s abilities such as imagination, spontaneity and improvisation. The book employs a range of theoretical models developed from performance studies, gender theories, consciousness studies, Indian aesthetic and philosophical theories to investigate the actor¿s body in training and performance. Most significantly, for the first time, the book offers some extra-ordinary insights into the links between the actor¿s breathing and consciousness. It covers a range of topics: Hatha Yoga breathing techniques, eye training, hand gestures, movement techniques, voice training and rasa acting. Dr Arya Madhavan is a Lecturer in Drama at Lincoln School of Humanities and Performing Arts, University of Lincoln, United Kingdom