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A "powerful and scary and important and true" memoir of a young woman's struggle to regain her sense of self after trauma, and the efforts by a powerful New England boarding school to silence her—at any cost (Sally Mann, author of Hold Still). Shortlisted for the 2022 William Saroyan International Prize for Writing When Notes on a Silencing hit bookstores in the summer of 2020, even amidst a global pandemic, it sent shockwaves through the country. Not only did this intimate investigative memoir usher in a media storm of coverage, but it also prompted the elite St. Paul's School to issue a formal apology to the author, Lacy Crawford, for its handling of her report of sexual assault by two fellow students nearly thirty years ago. In this searing book, Crawford tells the story of coming forward during the state investigation of the elite New England prep school decades after her assault, only to find for the first time evidence that corroborated her memories. Here were depictions of the naïve, hardworking girl she’d been, as well as astonishing proof of an institutional silencing. The slander, innuendo, and lack of adult concern that Crawford had experienced as a student hadn't been imagined; they were the actions of a school that prized its reputation above anything, even a child. This revelation launched Crawford on an extraordinary inquiry deep into gender, privilege, and power, and the ways shame and guilt are used to silence victims. Insightful, arresting, and beautifully written, Notes on a Silencing wrestles with an essential question for our time: what telling of a survivor's story will finally force a remedy? “Erudite and devastating… Crawford's writing is astonishing… Notes on a Silencing is a purposefully named, brutal and brilliant retort to the asinine question of 'Why now?'… The story is crafted with the precision of a thriller, with revelations that sent me reeling…” —Jessica Knoll, New York Times A Best Book of the Year: Time, NPR, People, Real Simple, Marie Claire, The Lineup, LitHub, Library Journal, BookPage, and Shelf Awareness A New York Times Book Review Notable Book A New York Times Book Review Editors’ Choice One of People Magazine’s 10 Best Books of the Year Semifinalist for a Goodreads Choice Award
“Radiant.” —O, The Oprah Magazine From cherished memories of childhood weekends with Nana to the reality of the year she spent “ladysitting,” Lorene Cary journeys through stories of their time together and five generations of their African American family. Weaving a narrative of her complicated relationship with Nana—a fiercely independent and often stubborn woman whose family fled the Jim Crow South and who managed her own business until 100—Cary captures the ruptures, love, and forgiveness that can occur in family as she bears witness to her grandmother’s vibrant life.
Longlisted for the 2020 National Book Award for Nonfiction TIME's 100 Must-Read Books of 2020 Publishers Weekly, Best Books of 2020 New York Times New & Noteworthy Audiobooks Lit Hubs Most Anticipated Books of 2020 Starred Review Publishers Weekly Starred Review Shelf Awareness "Is Rape a Crime? is beautifully written and compellingly told. In 2020, we were all looking for solutions and this book was right on time. It is one we should all be reading." —Anita Hill "This standout memoir marks a crucial moment in the discussion of what constitutes a violent crime." —Publishers Weekly, Best Books of 2020 She Said meets Know My Name in Michelle Bowdler's provocative debut, telling the story of her rape and recovery while interrogating why one of society's most serious crimes goes largely uninvestigated. The crime of rape sizzles like a lightning strike. It pounces, flattens, destroys. A person stands whole, and in a moment of unexpected violence, that life, that body is gone. Award-winning writer and public health executive Michelle Bowdler's memoir indicts how sexual violence has been addressed for decades in our society, asking whether rape is a crime given that it is the least reported major felony, least successfully prosecuted, and fewer than 3% of reported rapes result in conviction. Cases are closed before they are investigated and DNA evidence sits for years untested and disregarded Rape in this country is not treated as a crime of brutal violence but as a parlor game of he said / she said. It might be laughable if it didn’t work so much of the time. Given all this, it seems fair to ask whether rape is actually a crime. In 1984, the Boston Sexual Assault Unit was formed as a result of a series of break-ins and rapes that terrorized the city, of which Michelle’s own horrific rape was the last. Twenty years later, after a career of working with victims like herself, Michelle decides to find out what happened to her case and why she never heard from the police again after one brief interview. Is Rape a Crime? is an expert blend of memoir and cultural investigation, and Michelle's story is a rallying cry to reclaim our power and right our world.
From the star of Broadway's The Book of Mormon and HBO's Girls, the heartfelt and hilarious coming-of-age memoir of a Midwestern boy surviving bad auditions, bad relationships, and some really bad highlights as he chases his dreams in New York City With a new afterword • “Candid, funny, crisp . . . honest and tender about lessons of the heart.”—Vogue When Andrew Rannells left Nebraska for New York City in 1997, he, like many young hopefuls, saw the city as a chance to break free. To start over. To transform the fiercely ambitious but sexually confused teenager he saw in the mirror into the Broadway leading man of his dreams. In Too Much Is Not Enough, Rannells takes us on the journey of a twentysomething hungry to experience everything New York has to offer: new friends, wild nights, great art, standing ovations. At the heart of his hunger lies a powerful drive to reconcile the boy he was when he left Omaha with the man he desperately wants to be. As Rannells fumbles his way towards the Great White Way, he also shares the drama of failed auditions and behind-the-curtain romances, the heartbreak of losing his father at the height of his struggle, and the exhilaration of making his Broadway debut in Hairspray at the age of twenty-six. Along the way, he learns that you never really leave your past—or your family—behind; that the most painful, and perversely motivating, jobs are the ones you almost get; and that sometimes the most memorable nights with friends are marked not by the trendy club you danced at but by the recap over diner food afterward. Honest and hilarious, Too Much Is Not Enough is an unforgettable look at love, loss, and the powerful forces that determine who we become.
Lifelong liberal Kirsten Powers blasts the Left's forced march towards conformity in an exposé of the illiberal war on free speech. No longer champions of tolerance and free speech, the "illiberal Left" now viciously attacks and silences anyone with alternative points of view. Powers asks, "What ever happened to free speech in America?"
Silencing the Past is a thought-provoking analysis of historical narrative. Taking examples ranging from the Haitian Revolution to Columbus Day, Michel-Rolph Trouillot demonstrates how power operates, often invisibly, at all stages in the making of history to silence certain voices. "Makes the postmodernist debate come alive." --Choice "Trouillot, a widely respected scholar of Haitian history . . . is a first-rate scholar with provocative ideas . . . Serious students of history should find his work a feast for the mind." --Jay Freedman, Booklist "Elegantly written and richly allusive, . . . Silencing the Past is an important contribution to the anthropology of history. Its most lasting impression is made perhaps by Trouillot's own voice--endlessly agile, sometimes cuttingly funny, but always evocative in a direct and powerful, almost poetic way." --Donald L. Donham, Journal of the Royal Anthropological Institute "A sparkling interrogation of the past. . . . A beautifully written, superior book." --Foreign Affairs "Silencing the Past is a polished personal essay on the meanings of history. . . . [It] is filled with wisdom and humanity." --Bernard Mergen, American Studies International "An eloquent book." --Choice "Written with clarity, wit, and style throughout, this book is for everyone interested in historical culture." --Civilization "A beautifully written book, exciting in its challenges." --Eric R. Wolf "Aphoristic and witty, . . . a hard-nosed look at the soft edges of public discourse about the past." --Arjun Appadurai
Winner of the 2021 Rachel Carson Environmental Book Award Winner of the 2021 Maine Literary Award for Nonfiction Finalist for the 2020 National Book Critics John Leonard Prize for Best First Book Finalist for the 2021 New England Society Book Award Finalist for the 2021 New England Independent Booksellers Association Award A New York Times Editors’ Choice and Chicago Tribune top book for 2020 “Mill Town is the book of a lifetime; a deep-drilling, quick-moving, heartbreaking story. Scathing and tender, it lifts often into poetry, but comes down hard when it must. Through it all runs the river: sluggish, ancient, dangerous, freighted with America’s sins.” —Robert Macfarlane, author of Underland Kerri Arsenault grew up in the small, rural town of Mexico, Maine, where for over 100 years the community orbited around a paper mill that provided jobs for nearly everyone in town, including three generations of her family. Kerri had a happy childhood, but years after she moved away, she realized the price she paid for that childhood. The price everyone paid. The mill, while providing the social and economic cohesion for the community, also contributed to its demise. Mill Town is a book of narrative nonfiction, investigative memoir, and cultural criticism that illuminates the rise and collapse of the working-class, the hazards of loving and leaving home, and the ambiguous nature of toxics and disease with the central question; Who or what are we willing to sacrifice for our own survival?
Written by a young human rights worker, "Silence on the Mountain" is a virtuoso work of reporting and a masterfully plotted narrative tracing the history of Guatemala's 36-year internal war, a conflict that claimed the lives of more than 200,000 people.
SILENCING SCIENCE -- CONTENTS -- PREFACE -- INTRODUCTION -- CHAPTER 1 STOPPING SCIENCE -- CHAPTER 2 STOPPING THE FLOW OF SCIENTIFIC INFORMATION -- CHAPTER 3 FILLING THE VOID WHEN SCIENCE IS SILENCED -- CHAPTER 4 A CAUTIONARY NOTE -- CHAPTER 5 A FINAL WORD -- ABOUT THE AUTHORS
A New York Times Book Review Editors' Choice • A Good Morning America Recommended Book • A LitReactor Best Book of the Year • A BuzzFeed Most Anticipated Book of the Year • A Lit Hub Most Anticipated Book of the Year • A Rumpus Most Anticipated Book of the Year • A Bustle Most Anticipated Book of the Month "A pathbreaking feminist manifesto, impossible to put down or dismiss. Gina Frangello tells the morally complex story of her adulterous relationship with a lover and her shortcomings as a mother, and in doing so, highlights the forces that shaped, silenced, and shamed her: everyday misogyny, puritanical expectations regarding female sexuality and maternal sacrifice, and male oppression." —Adrienne Brodeur, author of Wild Game Gina Frangello spent her early adulthood trying to outrun a youth marked by poverty and violence. Now a long-married wife and devoted mother, the better life she carefully built is emotionally upended by the death of her closest friend. Soon, awakened to fault lines in her troubled marriage, Frangello is caught up in a recklessly passionate affair, leading a double life while continuing to project the image of the perfect family. When her secrets are finally uncovered, both her home and her identity will implode, testing the limits of desire, responsibility, love, and forgiveness. Blow Your House Down is a powerful testimony about the ways our culture seeks to cage women in traditional narratives of self-sacrifice and erasure. Frangello uses her personal story to examine the place of women in contemporary society: the violence they experience, the rage they suppress, the ways their bodies often reveal what they cannot say aloud, and finally, what it means to transgress "being good" in order to reclaim your own life.