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300 years after it was first published, Daniel Defoe’s Robinson Crusoe remains hugely influential and hotly debated. Since its initial release in 1719, discussions have surrounded the novel’s depiction of individual solitude and work, colonial and racial relations, and mankind’s relationship with the rest of the animal world. To this day, Crusoe’s depiction of self-reliance and “rugged individualism” is often idealized in economics textbooks, mainstream politics, and popular culture. But many have also criticized this approach, most notably Karl Marx, who was one of the first in decrying the efforts of classical economists to extract the “rational actor” and “marginalist calculator” from the island castaway without reference to social history. Alongside a precis with surprising revelations for those not familiar with the detail of the story, and a rich biographical sketch of its creator, Crusoe and His Consequences draws on a range of writers, including Adam Smith, Jean-Jacques Rousseau, Jacques Derrida and Jurgen Habermas, to bring the debates surrounding Defoe’s first novel vividly to life.
After being threatened by a Bangalore mob boss, retired Indian businessman Mohan Ranga Rao makes a vow: if he somehow gets out of the situation, he will thank the gods by going on Kailash Mansarova, a holy mountain pilgrimage in Tibet. What starts out as merely a challenging high-altitude trek soon becomes a life-changing adventure. With a blend of humour, honesty and keen insight, Mohan journeys toward a deeper understanding of the world around him. A memoir of a road less travelled and a true story of self-discovery at 19,000 feet.
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The Cambridge Companion to Eighteenth-Century Poetry analyzes major premises, preoccupations, and practices of English poets writing from 1700 to the 1790s. These specially-commissioned essays avoid familiar categories and single-author approaches to look at the century afresh. Chapters consider such large poetic themes as nature, the city, political passions, the relation of death to desire and dreams, appeals to an imagined future, and the meanings of 'sensibility'. Other chapters explore historical developments such as the connection between poetic couplets and conversation, the conditions of publication, changing theories of poetry and imagination, growing numbers of women poets and readers, the rise of a self-consciously national tradition, and the place of lyric poetry in thought and practice. The essays are well supported by supplementary material including a chronology of the period and detailed guides to further reading. Altogether the volume provides an invaluable resource for scholars and students.
Turley (English, U. of Connecticut at Storrs) offers homoerotic readings of several works attributed to Daniel Defoe, including A General History of the Robberies and Murders of the Most Notorious Pyrates (1724), The King of Pirates (1720), and The Life, Adventures, and Pyracies of the Famous Captain Singleton (1720). He includes many intriguing details of pirate life gleaned from historical sources and from other 18th-century literature. Annotation copyrighted by Book News, Inc., Portland, OR
Penny Pritchard is a Senior Lecturer in Eighteenth-Century Literature, and has taught at the University of Hertfordshire since completing her PhD in 2006. Both her doctoral thesis (entitled ‘Defoe, Rhetoric, and Nonconformity’) and MA in Eighteenth-Century Studies were undertaken at the University of East Anglia. Her first book (The Long Eighteenth-Century: Literature from 1660 to 1790) was published by York Press in 2010, and she has written extensively on Defoe and early modern religious writing in academic journals and chapter collections.
One day Roger Welsch ventured to ask his father a delicate personal question: “Why am I an only child?” His father’s answer is one of many examples of the delightful and laughter-inducing ribald tales Welsch has compiled from a lifetime of listening to and sharing the folklore of the Plains. More narrative than simple jokes, and the product of multiple retellings, these coarse tales were even delivered by such prudish sources as Welsch’s stern and fearsome German great-aunts. Speaking of cucumbers and sausages in a toast to a newly married couple, the prim and proper women of Welsch’s memory voice the obscene and unspeakable in stories fit for general company. Why I’m an Only Child and Other Slightly Naughty Plains Folktales is Welsch’s celebration of the gentle and evocative bits of humor reflecting the personality of the people of the Plains.