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A study of the carnival traditions that created "whole theater" folk pageants
For many, December 26 is more than the day after Christmas. Boxing Day is one of the world’s most celebrated cultural holidays. As a legacy of British colonialism, Boxing Day is observed throughout Africa and parts of the African diaspora, but, unlike Trinidadian Carnival and Mardi Gras, fewer know of Bermuda’s Gombey dancers, Bahamian Junkanoo, Dangriga’s Jankunú and Charikanari, St. Croix’s Crucian Christmas Festival, and St. Kitts’s Sugar Mas. One Grand Noise: Boxing Day in the Anglicized Caribbean World delivers a highly detailed, thought-provoking examination of the use of spectacular vernacular to metaphorically dramatize such tropes as “one grand noise,” “foreday morning,” and from “back o’ town.” In cultural solidarity and an obvious critique of Western values and norms, revelers engage in celebratory sounds, often donning masks, cross-dressing, and dancing with abandon along thoroughfares usually deemed anathema to them. Folklorist Jerrilyn McGregory demonstrates how the cultural producers in various island locations ritualize Boxing Day as a part of their struggles over identity, class, and gender relations in accordance with time and space. Based on ethnographic study undertaken by McGregory, One Grand Noise explores Boxing Day as part of a creolization process from slavery into the twenty-first century. McGregory traces the holiday from its Egyptian origins to today and includes chapters on the Gombey dancers of Bermuda, the evolution of Junkanoo/Jankunú in The Bahamas and Belize, and J'ouvert traditions in St. Croix and St. Kitts. Through her exploration of the holiday, McGregory negotiates the ways in which Boxing Day has expanded from small communal traditions into a common history of colonialism that keeps alive a collective spirit of resistance.
The book highlights masqueraders on St. Croix, U.S. Virgin Islands to include Viggo Roberts, Lionel Huntt and Asta Williams along with stories aout Paddy Moore, Fritz "Marshall" Sealey, Albert Halliday and other street performers who performed on certain holidays. Two Crucian musicians, Ernest "Prince" Galloway and Dr. Stanley Jacobs, share stories about their musical careers. The organization of the Old Time St. Croix Christmas Festival is researched and documented. The book contains information on troupe leaders such as Floyd Henderson, Lillian Bailey, Amy P. Joseph for the Eve's Garden Troupe, the Gentlemen of Jones and Genevieve "Jenny" Thurland. Former Senator Lilliana Belardo de O'Neal describes the significance of Three King's Day and the contributions of Puerto Ricans to the St. Croix Festival. The photographs provide colorful images of the costumes worn by participants during that period. The book is educational, historical and cultural for present and future generations of Virgin Islanders to enjoy.
My journey into haiku territory began in 1998, after reading Richard Wright‛s book titled HAIKU: This Other World, published forty years after his death. Since that time I have been on a haiku high. That initial taste of haiku produced fi ve haiku books: Like a Flower Blooming (1999), This Little Island Mine (2000), No Words Has the Rose (2003), Haiku: This Other Joy (2005), If the Gobi Tree Could Talk: "A Calabash of Poems" (2007) and now, Haiku: "A Leaf in the Wind." While most of the poems in this publication were written on St. Croix, others were inspired on visits to New York, Australia, Gibraltar, Greece and Turkey.
St. Croix, U.S. Virgin Islands, a Caribbean island, had a sugar industry that spanned from its earliest settlement years until the middle of the twentieth century. Sugar was the economic determinant that influenced the social and cultural fiber of the island. The Sugar Industry on St. Croix, a historical reader, concentrates primarily on the twentieth century when the sugar industry was on its decline and eventually terminated. The book has an historical overview that describes the economics of sugar cultivation, attempts at diversification of crops, the Virgin Islands Company, homesteading, the Virgin Islands Corporation, and the termination of the sugar industry on the island. The book also contains first-hand accounts from people who participated in the industry and recall their experiences in the planting and harvesting of sugar cane, working in the sugar factory or for the Virgin Islands Corporation, a view of the role of women in the industry, and the challenges of life in an agricultural community. The photographs provide a view of agricultural life, the gauge railways, homesteaders, and also of the people involved in sugar production.
"Adams's memoirs, here edited and placed in historical context by Mark Clague, with a foreword by Samuel Floyd, Jr., reveal an inspired cultural activist who believed that music could change the world, mitigate racism, and help bring lasting prosperity to his island home."--BOOK JACKET.
The Igbo are one of the most populous ethnic groups in Nigeria and are perhaps best known and celebrated in the work of Chinua Achebe. In this landmark collection on Igbo society and arts, Toyin Falola and Raphael Chijioke Njoku have compiled a detailed and innovative examination of the Igbo experience in Africa and in the diaspora. Focusing on institutions and cultural practices, the volume covers the enslavement, middle passage, and American experience of the Igbo as well as their return to Africa and aspects of Igbo language, society, and cultural arts. By employing a variety of disciplinary perspectives, this volume presents a comprehensive view of how the Igbo were integrated into the Atlantic world through the slave trade and slavery, the transformations of Igbo identities and culture, and the strategies for resistance employed by the Igbo in the New World. Moving beyond descriptions of generic African experiences, this collection includes 21 essays by prominent scholars throughout the world.
List of bibliographies and trans. in v. 1-12.