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The author of the diary and the diary itself are, of course, imaginary. Nevertheless it is clear that such persons as the writer of these notes not only may, but positively must, exist in our society, when we consider the circumstances in the midst of which our society is formed. I have tried to expose to the view of the public more distinctly than is commonly done, one of the characters of the recent past. He is one of the representatives of a generation still living. In this fragment, entitled "Underground," this person introduces himself and his views, and, as it were, tries to explain the causes owing to which he has made his appearance and was bound to make his appearance in our midst. In the second fragment there are added the actual notes of this person concerning certain events in his life.
Slug & Lettuce, Pathetic Life, I Hate Brenda, Dishwasher, Punk and Destroy, Sweet Jesus, Scrambled Eggs, Maximunrocknroll—these are among the thousands of publications which circulate in a subterranean world rarely illuminated by the searchlights of mainstream media commentary. In this multifarious underground, Pynchonesque misfits rant and rave, fans eulogize, hobbyists obsess. Together they form a low-tech publishing network of extraordinary richness and variety. Welcome to the realm of zines. In this, the first comprehensive study of zine publishing, Stephen Duncombe describes their origins in early-twentieth-century science fiction cults, their more proximate roots in 60s counter-culture and their rapid proliferation in the wake of punk rock. While Notes from Underground pays full due to the political importance of zines as a vital web of popular culture, it also notes the shortcomings of their utopian and escapist outlook in achieving fundamental social change. Duncombe's book raises the larger questionof whether it is possible to rebel culturally within a consumer society that eats up cultural rebellion. Packed with extracts and illustrations from a wide array of publications, past and present, Notes from Underground is the first book to explore the full range of zine culture and provides a definitive portrait of the contemporary underground in all its splendor and misery.
Leonid Andreyev’s The Red Laugh is an experimental depiction of war and its psychological effects, both on those who participate in the fighting and on those who hear of its atrocities from afar. Translated into English for the first time since 1905, it is here paired with a fresh translation of Andreyev’s earlier story “The Abyss,” which caused scandal upon its first publication. This edition provides an illuminating introduction by translator Kirsten Lodge as well as a range of background materials that help set the novel in its historical, literary, and artistic contexts.
This collection, unique to the Modern Library, gathers seven of Dostoevsky's key works and shows him to be equally adept at the short story as with the novel. Exploring many of the same themes as in his longer works, these small masterpieces move from the tender and romantic White Nights, an archetypal nineteenth-century morality tale of pathos and loss, to the famous Notes from the Underground, a story of guilt, ineffectiveness, and uncompromising cynicism, and the first major work of existential literature. Among Dostoevsky's prototypical characters is Yemelyan in The Honest Thief, whose tragedy turns on an inability to resist crime. Presented in chronological order, in David Magarshack's celebrated translation, this is the definitive edition of Dostoevsky's best stories.
Demons is an anti-nihilistic novel by Fyodor Dostoyevsky. It is the third of the four great novels written by Dostoyevsky after his return from Siberian exile, the others being Crime and Punishment, The Idiot and The Brothers Karamazov. Demons is a social and political satire, a psychological drama, and large scale tragedy.
A celebrated priest uncovers the spiritual riches beneath a church covered in scandal and doubt. At a time when many Catholics are questioning their church, Donald Cozzens sheds light on the widespread "underground church that cherishes the vision of a renewed and reformed church preached by Pope John XXIII, a church open to the currents of grace flowing through cathedrals and marketplaces, chanceries and ghettos, through women and men, through people of good will." Writing in a fresh way about faith, prayer, communion, and church, Cozzens calls this new underground church "a pilgrim people that believes that the Holy Spirit is loose in the world and whose rumors of wisdom might be found in any of God's people as well as in their ordained leaders. I'm hardly alone in the underground church. I take comfort in that." Cozzens describes and inspires a church "that wants to be simply adult a church not of children or adolescents hesitant to think and reflect on the lessons of human experience and their effort to live the gospel. A church closer to the spirit of Yves Congar and Teilhard de Chardin, to Dorothy Day and Mother Teresa, a church in step with the spirit of the gospel."
A collection of Dostoevsky's short stories, including Notes From The Underground which is considered to be one of the first works of existential literature.
Russian author Fyodor Dostoyevsky is best known for his psychological works of fiction. His characters and plots all carry psychosomatic troubles and problems that help make the stories more relatable to the reader. "Notes from Underground, The Double and Other Stories" combines some of Dostoyevsky's shorter works, though they certainly do not lack for depth. "Notes from Underground" is widely known as the first existential novel because of the raving, maniacal, and incoherent ramblings of its demented narrator. At the time, the Soviets despised the novel because of its critical nature toward a utopian society. This criticism was pointed at the government's attempts to create a Marxist society. Dostoyevsky believed that humans, even if they had perfection, would never be happy; this thought inspired many Western philosophers like Jean-Paul Sartre and Friedrich Nietzsche. The other stories included in the collection all follow the same style: "The Double," "White Nights," "The Meek Ones," and "The Dream of a Ridiculous Man" all follow loners in St. Petersburg as they slowly grow insane from isolation. These men fear rejection from their peers and contemporaries, so they distance themselves to the point of madness. However, these men are also ashamed of themselves for their inability to function within Russian society. The collection "Notes from Underground, The Double and Other Stories" is a must-read for anyone interested in psychological fiction or in the history of Russian literature.