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"A story about baseball. About fathers and sons. It's about memory and identity, and an insidious illness that can rob a person of both."--T.p. 4
James Connolly was a prolific writer of books, tracts, articles and essays, and conducted a voluminous correspondence with ideological friends and foes of every persuasion. This selection of just over 100 previously uncollected articles and essays is arranged into six sections, corresponding to the journals in which they originally appeared: The Workers Republic; The Socialist; The Harp; The Irish Worker; The Worker; and The Workers Republic (1915-1916). Each section is prefaced with a brief historical context, and explanatory footnotes are included throughout. The introduction provides a biographical sketch of the man and his times and an account of the tangled history of the posthumous publication of Connolly's work - providing a mirror of developments in the Irish labour movement since Connolly's death.
The Guiding Helper is a practical guide to the Din that the Prophet Muhammad (May Allah bless him and give him peace) brought.The Guiding Helper is based on a famous metered verse song written by a scholar named Ahmad ibn 'Ali ibn 'Abd al-Wahid ibn 'Ashir born in Spain and raised in Fez, Morocco about seven hundred years ago. This scholar divided his song into three books: (1) one about Islamic beliefs, (2) one about Islamic law, and (3) one about Islamic spirituality. He based the first book on a famous text of beliefs called The Mother of Proofs for the Tenets of Belief written by Muhammad ibn Yusuf al-Sunusi al-Husayni. He based his second book on a renown text of Maliki law called The Concise Text written by Khalil Ibn Ishaq ibn Ya'qub. He based his third book on a popular text on spirituality called The Letter of Qushayri written by 'Abd al-Karim al-Qushayri.The Maliki Fiqh is used to describe the practices of Islam.
D. B. Fry has edited a basic course of readings on the acoustics of speech. The collection includes all the important classical papers in the field. It is carefully structured to present the student with a coherent picture of the relations between language units and the corresponding sound-waves and to explain the laws that govern these relations. He includes extracts which explain the generation of sound-waves by the speech-mechanism, the methods of acoustic analysis of speech, and the operation of the sound spectograph (with excerpts from the first published accounts of the instrument). The volume also illustrates the contribution to the general study of language made by research on speech perception. There are accounts of speech synthesis, and of experiments on rhythm, intonation and the perception of acoustic cues.
Brilliant and engagingly written, Why Nations Fail answers the question that has stumped the experts for centuries: Why are some nations rich and others poor, divided by wealth and poverty, health and sickness, food and famine? Is it culture, the weather, geography? Perhaps ignorance of what the right policies are? Simply, no. None of these factors is either definitive or destiny. Otherwise, how to explain why Botswana has become one of the fastest growing countries in the world, while other African nations, such as Zimbabwe, the Congo, and Sierra Leone, are mired in poverty and violence? Daron Acemoglu and James Robinson conclusively show that it is man-made political and economic institutions that underlie economic success (or lack of it). Korea, to take just one of their fascinating examples, is a remarkably homogeneous nation, yet the people of North Korea are among the poorest on earth while their brothers and sisters in South Korea are among the richest. The south forged a society that created incentives, rewarded innovation, and allowed everyone to participate in economic opportunities. The economic success thus spurred was sustained because the government became accountable and responsive to citizens and the great mass of people. Sadly, the people of the north have endured decades of famine, political repression, and very different economic institutions—with no end in sight. The differences between the Koreas is due to the politics that created these completely different institutional trajectories. Based on fifteen years of original research Acemoglu and Robinson marshall extraordinary historical evidence from the Roman Empire, the Mayan city-states, medieval Venice, the Soviet Union, Latin America, England, Europe, the United States, and Africa to build a new theory of political economy with great relevance for the big questions of today, including: - China has built an authoritarian growth machine. Will it continue to grow at such high speed and overwhelm the West? - Are America’s best days behind it? Are we moving from a virtuous circle in which efforts by elites to aggrandize power are resisted to a vicious one that enriches and empowers a small minority? - What is the most effective way to help move billions of people from the rut of poverty to prosperity? More philanthropy from the wealthy nations of the West? Or learning the hard-won lessons of Acemoglu and Robinson’s breakthrough ideas on the interplay between inclusive political and economic institutions? Why Nations Fail will change the way you look at—and understand—the world.
Here in New York, a good night never ends. We will not let it. Though the hour is late, we are more awake than we have ever been in our lives, we are wild-eyed and grinning and dancing around like fools, and the music is thumping and the lights are flashing and the whole place is pulsating like a massive beating heart, and we do not want to go home, we do not want to go to sleep. Above all, we do not want to miss anything. So begins Notes from the Night, Taylor Plimpton's account of a night out in New York City. Passionately engaged and endlessly curious, Plimpton is part participant, part observer, a student and uniquely apt chronicler of human behavior--particularly at its most absurd. Accompanied by his best friend Zoo and a tight-knit band of other mischief-makers, and fueled by drinks, drugs and big dreams, Plimpton journeys from one Manhattan hotspot to the next with boundless energy and an eye for the dark, often comic realities of club culture. Exploring the myriad pleasures, mysteries and pitfalls of that elusive world, Notes from the Night is guide to a place ― and a state of mind ― that has never been mapped. With savvy advice and point-on commentary, the book ushers the reader through the velvet ropes to experience New York's most exclusive nightclubs. Surrounded by celebrities, models, and the best of friends, the reader will feel the rush of the party , the wonderful, heart-thumping panic of approaching a beautiful woman and the often forgotten joy of simply having a good time. By relentlessly pursuing the truth of his own experience, Plimpton uncovers the sexy, and seamy, lining of the city that never sleeps, and in so doing exposes what at heart is sought by all those who leave their home well after dark -- the singular thrill of being young and free and full of desire in a world where anything can happen. Plimpton is both an unlikely clubber and a likely seeker--a little bumbling and somewhat aloof, often naïve and unusually erudite. He's an insider who remembers what it was like to be an outsider, and from this unique perspective he invites you to experience the splendor, sorrow and possibility of New York after hours. Lyrically written and vividly described, this brisk, surprising and confident debut will stay with you long after the sun has risen. From the Hardcover edition.
A collection of confessional, hilarious, heartbreaking notes written anonymously on a public typewriter for fans of PostSecret and Other People's Love Letters. When Michael Gustafson and his wife Hilary opened Literati Bookstore in Ann Arbor, Michigan, they put out a typewriter for anyone to use. They had no idea what to expect. Would people ask metaphysical questions? Write mean things? Pour their souls onto the page? Yes, no, and did they ever. Every day, people of all ages sit down at the public typewriter. Children perch atop grandparents' knees, both sets of hands hovering above the metal keys: I LOVE YOU. Others walk in alone on Friday nights and confess their hopes: I will find someone someday. And some leave funny asides for the next person who sits down: I dislike people, misanthropes, irony, and ellipses ... and lists too. In Notes From the Public Typewriter Michael and designer Oliver Uberti have combined their favorite notes with essays and photos to create an ode to community and the written word that will surprise, delight, and inspire.